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Author: Oscar Hammerstein II Publisher: Knopf ISBN: 0375413588 Category : Music Languages : en Pages : 450
Book Description
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
Author: Oscar Hammerstein II Publisher: Knopf ISBN: 0375413588 Category : Music Languages : en Pages : 450
Book Description
From every “beautiful mornin’” to “some enchanted evening,” the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric. Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg) and Song of the Flame (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including Sweet Adeline, Music in the Air, and their masterpiece, Show Boat. The vibrant Carmen Jones was Hammerstein’s all-black adaptation of the tragic opera by Georges Bizet. In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with his longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, Oklahoma!, merged the two styles into a completely new genre—the musical play—and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. They also wrote a movie musical (State Fair) and one for television (Cinderella). Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove—sometimes against fashion—to seek out the good and beautiful in the world. “I know the world is filled with troubles and many injustices,” he once said. “But reality is as beautiful as it is ugly . . . I just couldn’t write anything without hope in it.” All of his lyrics are here—850, more than a quarter published for the first time—in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe’s earliest attempts to the old master’s final lyric—“Edelweiss”—we can see, read, and, yes, sing the words of a theatrical and lyrical genius.
Author: Rachel Friedman Publisher: Penguin ISBN: 0525503854 Category : Self-Help Languages : en Pages : 258
Book Description
One of Publishers Weekly’s Best Books of 2019 A journey through the many ways to live an artistic life—from the flashy and famous to the quiet and steady—full of unexpected insights about creativity and contentment, from the author of The Good Girl’s Guide to Getting Lost. Rachel Friedman was a serious violist as a kid. She quit music in college but never stopped fantasizing about what her life might be like if she had never put down her bow. Years later, a freelance writer in New York, she again finds herself struggling with her fantasy of an artist’s life versus its much more complicated reality. In search of answers, she decides to track down her childhood friends from Interlochen, a prestigious arts camp she attended, full of aspiring actors, artists, dancers, and musicians, to find out how their early creative ambitions have translated into adult careers, relationships, and identities. Rachel’s conversations with these men and women spark nuanced revelations about creativity and being an artist: that it doesn’t have to be all or nothing, that success isn’t always linear, that sometimes it’s okay to quit. And Then We Grew Up is for anyone who has given up a childhood dream and wondered “what-if?”, for those who have aspired to do what they love and had doubts along the way, and for all whose careers fall somewhere between emerging and established. Warm, whip-smart, and insightful, it offers inspiration for finding creative fulfillment wherever we end up in life.
Author: Norma Lee Browning Publisher: Pickle Partners Publishing ISBN: 1787208869 Category : Music Languages : en Pages : 420
Book Description
Music lessons, Joe Maddy has always felt, should not be painful. They are an exciting experience at the Interlochen Arts Academy or any of the other thousands of schools around the world to which Doctor, Professor and conductor Maddy’s influence has extended during the past forty-five years. Joe Maddy of Interlochen is the lively story of one of America’s best-known, best-loved, and most colorful pioneers in music. Joe Maddy came to Interlochen, Michigan in 1928 to found the first national summer music camp. A Professor of Music at the University of Michigan, he was short on financial support, but not on enthusiasm and skill. In 1961 the music camp was reorganized as the year ‘round Interlochen Arts Academy.... The activities at Interlochen now embrace art, drama, dance, and other academic subjects, but the teaching of music remains the primary purpose. His success at teaching was highlighted in August, 1962, when an Interlochen delegation of 103 musicians and 14 ballet dancers had the honor of entertaining President Kennedy and a large audience on the lawn of the White House....
Author: Dean Boal Publisher: University of Michigan Press ISBN: 0472750399 Category : Music Languages : en Pages : 247
Book Description
Tucked away in the northern woods of Michigan is one of the world's most renowned schools for the arts. Conceived initially as a small summer camp for talented high school musicians, Interlochen Center for the Arts now ranks among the most respected schools in the world. In Interlochen: A Home for the Arts, Dean Boal, President of Interlochen from 1989 to 1995, presents a richly detailed and never-before-told story of Interlochen's struggles with artistic stresses, financial woes, and internal problems. This thoroughly researched presentation based on documents from the Bentley Historical Library, Interlochen archives, and many interviews offers an in-depth view of the school from its modest beginnings under Joseph Maddy to the present. Boal decribes the critical Supreme Court battle with the musicians' union, when James Petrillo banned national radio broadcasts and all professional musicians from Interlochen. He shows how the University of Michigan rescued Interlochen during this period and stabilized the institution for the opening of the Interlochen Arts Academy and a public radio station. He chronicles the few stormy years of the presidency of Karl Haas, an acclaimed broadcaster. The story of Interlochen is enriched by archival photographs of the founders, artists, and students, complementing this engaging story of a Michigan gem.
Author: Ken Fischer Publisher: University of MICHIGAN REGIONAL ISBN: 0472132024 Category : Biography & Autobiography Languages : en Pages : 217
Book Description
Housed on the campus of the University of Michigan in Ann Arbor, the University Musical Society is one of the oldest performing arts presenters in the country. A past recipient of the National Medal of Arts, the nation’s highest public artistic honor, UMS connects audiences with wide-ranging performances in music, dance, and theater each season.Between 1987 and 2017, UMS was led by Ken Fischer, who over three decades pursued an ambitious campaign to expand and diversify the organization’s programming and audiences—initiatives inspired by Fischer’s overarching philosophy toward promoting the arts, “Everybody In, Nobody Out.” The approach not only deepened UMS’s engagement with the university and southeast Michigan communities, it led to exemplary partnerships with distinguished artists across the world. Under Fischer’s leadership, UMS hosted numerous breakthrough performances, including the Vienna Philharmonic’s final tour with Leonard Bernstein, appearances by then relatively unknown opera singer Cecilia Bartoli, a multiyear partnership with the Royal Shakespeare Company, and artists as diverse as Yo-Yo Ma, Jawole Willa Jo Zollar, Elizabeth Streb, and Nusrat Fateh Ali Khan. Though peppered with colorful anecdotes of how these successes came to be, this book is neither a history of UMS nor a memoir of Fischer’s significant accomplishments with the organization. Rather it is a reflection on the power of the performing arts to engage and enrich communities—not by handing down cultural enrichment from on high, but by meeting communities where they live and helping them preserve cultural heritage, incubate talent, and find ways to make community voices heard.
Author: Megan Baxter Publisher: Texas A&M University Press ISBN: 1680031732 Category : Literary Collections Languages : en Pages : 163
Book Description
The pieces in this collection range in setting from the small towns of New England to the deserts of the Southwest. Grounded in personal experience these essays ask through narrative what it means to be a rebel girl, a rebel teenager, and a rebel woman in a world that seems to offer no real alternative to traditional roles. Infused with lyrical and figurative language, this collection combines the swiftness of the prose poem with the power of the personal essay resulting in writing that pulls the ground out from under the reader again and again. The collection is organized chronologically in a way that charts the development of a woman as she attempts to adapt to the world around her through stories of love, heartbreak, and adventure. The essays travel with the narrator from a summer camp in Maine, to opal mining in Nevada, to the story of a deadly thunderstorm in Vermont, to hunting for ginseng, asking the questions about belonging, expectation and, ultimately, if there is a chance for real happiness.
Author: Brittany Cavallaro Publisher: HarperCollins ISBN: 0062398997 Category : Young Adult Fiction Languages : en Pages : 314
Book Description
The hotly anticipated and explosive third book in the New York Times bestselling Charlotte Holmes series. It’s been a year since the shocking death of August Moriarty, and Jamie and Charlotte haven’t spoken. Jamie is going through the motions at Sherringford, trying to finish his senior year without incident, with a nice girlfriend he can’t seem to fall for. Charlotte is on the run, from Lucien Moriarty and from her own mistakes. No one has seen her since that fateful night on the lawn in Sussex—and Charlotte wants it that way. She knows she isn’t safe to be around. She knows her Watson can’t forgive her. Holmes and Watson may not be looking to reconcile, but when strange things start happening, it’s clear that someone wants the team back together. Someone who has been quietly observing them both. Making plans. Biding their time. Someone who wants to see one of them suffer and the other one dead.
Author: Oscar Hammerstein II
Author: Oscar Hammerstein II
Author: Rachel Friedman
Author: Norma Lee Browning
Author: Dean Boal
Author: Dean Boal
Author: Ken Fischer
Author: Megan Baxter
Author: 
Author: Brittany Cavallaro
Author: Thom Feild