Author: Benjamin Woo
Publisher: Univ. Press of Mississippi
ISBN: 1496834666
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a “comics world”—that is, the collection of people, roles, and institutions that “produce” comics as they are—as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others.
The Comics World
Author: Benjamin Woo
Publisher: Univ. Press of Mississippi
ISBN: 1496834666
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a “comics world”—that is, the collection of people, roles, and institutions that “produce” comics as they are—as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others.
Publisher: Univ. Press of Mississippi
ISBN: 1496834666
Category : Literary Criticism
Languages : en
Pages : 299
Book Description
Contributions by Bart Beaty, T. Keith Edmunds, Eike Exner, Christopher J. Galdieri, Ivan Lima Gomes, Charles Hatfield, Franny Howes, John A. Lent, Amy Louise Maynard, Shari Sabeti, Rob Salkowitz, Kalervo A. Sinervo, Jeremy Stoll, Valerie Wieskamp, Adriana Estrada Wilson, and Benjamin Woo The Comics World: Comic Books, Graphic Novels, and Their Publics is the first collection to explicitly examine the production, circulation, and reception of comics from a social-scientific point of view. Designed to promote interdisciplinary dialogue about theory and methods in comics studies, this volume draws on approaches from fields as diverse as sociology, political science, history, folklore, communication studies, and business, among others, to study the social life of comics and graphic novels. Taking the concept of a “comics world”—that is, the collection of people, roles, and institutions that “produce” comics as they are—as its organizing principle, the book asks readers to attend to the contexts that shape how comics move through societies and cultures. Each chapter explores a specific comics world or particular site where comics meet one of their publics, such as artists and creators; adaptors; critics and journalists; convention-goers; scanners; fans; and comics scholars themselves. Through their research, contributors demonstrate some of the ways that people participate in comics worlds and how the relationships created in these spaces can provide different perspectives on comics and comics studies. Moving beyond the page, The Comics World explores the complexity of the lived reality of the comics world: how comics and graphic novels matter to different people at different times, within a social space shared with others.
The Most Important Comic Book on Earth
Author: Cara Delevingne
Publisher: Penguin
ISBN: 0744058511
Category : Comics & Graphic Novels
Languages : en
Pages : 351
Book Description
120 inspiring visual stories on environmentalism from key figures, charities, activists, and artists. The Most Important Comic Book On Earth is a global collaboration for planetary change, bringing together a diverse team of 300 leading environmentalists, artists, authors, actors, filmmakers, musicians, and more to present over 120 stories to save the world. Whether it’s inspirational tales from celebrity names such as Cara Delevingne and Andy Serkis, hilarious webcomics from War and Peas and Ricky Gervais, artworks by leading illustrators David Mack and Tula Lotay, calls to action from activists George Monbiot and Jane Goodall, or powerful stories by Brian Azzarello and Amy Chu, each of the comics in this anthology will support projects and organizations fighting to save the planet and Rewrite Extinction.
Publisher: Penguin
ISBN: 0744058511
Category : Comics & Graphic Novels
Languages : en
Pages : 351
Book Description
120 inspiring visual stories on environmentalism from key figures, charities, activists, and artists. The Most Important Comic Book On Earth is a global collaboration for planetary change, bringing together a diverse team of 300 leading environmentalists, artists, authors, actors, filmmakers, musicians, and more to present over 120 stories to save the world. Whether it’s inspirational tales from celebrity names such as Cara Delevingne and Andy Serkis, hilarious webcomics from War and Peas and Ricky Gervais, artworks by leading illustrators David Mack and Tula Lotay, calls to action from activists George Monbiot and Jane Goodall, or powerful stories by Brian Azzarello and Amy Chu, each of the comics in this anthology will support projects and organizations fighting to save the planet and Rewrite Extinction.
Inside the World of Comic Books
Author: Jeffery Klaehn
Publisher: Black Rose Books Ltd.
ISBN: 9781551642963
Category : Comics & Graphic Novels
Languages : en
Pages : 276
Book Description
From gutter business to art form, an engaging, provocative look at all things comic book.
Publisher: Black Rose Books Ltd.
ISBN: 9781551642963
Category : Comics & Graphic Novels
Languages : en
Pages : 276
Book Description
From gutter business to art form, an engaging, provocative look at all things comic book.
Wimbledon Green
Author: Seth
Publisher: Random House
ISBN: 1446499308
Category :
Languages : en
Pages : 134
Book Description
Taking a break from the serialization of his saga Clyde Fans and the design of The Complete Peanuts, critically acclaimed cartoonist and illustrator Seth creates a farcical world of the people whose passion lies in the need to own comic books (and only in mint condition). Meet Wimbledon Green, the self-proclaimed world’s greatest comic book collector who brokered the biggest comic book deal in the history of collecting. Comic book retailers, auctioneers and conventioneers from around North America, as well as Green’s collecting rivals, weigh in on the man and his vast collection of comic books. Are Green’s intentions honourable? Does he truly love comics or is he driven by the need to conquer? Lastly, is he really even Wimbledon Green? A charming and amusing caper where comic book collecting is a world of intrique and high finance – part riotous chase, part whimsical character sketch, Wimbledon Green looks at the need to collect and the need to reinvent oneself.
Publisher: Random House
ISBN: 1446499308
Category :
Languages : en
Pages : 134
Book Description
Taking a break from the serialization of his saga Clyde Fans and the design of The Complete Peanuts, critically acclaimed cartoonist and illustrator Seth creates a farcical world of the people whose passion lies in the need to own comic books (and only in mint condition). Meet Wimbledon Green, the self-proclaimed world’s greatest comic book collector who brokered the biggest comic book deal in the history of collecting. Comic book retailers, auctioneers and conventioneers from around North America, as well as Green’s collecting rivals, weigh in on the man and his vast collection of comic books. Are Green’s intentions honourable? Does he truly love comics or is he driven by the need to conquer? Lastly, is he really even Wimbledon Green? A charming and amusing caper where comic book collecting is a world of intrique and high finance – part riotous chase, part whimsical character sketch, Wimbledon Green looks at the need to collect and the need to reinvent oneself.
The History of the World in Comics
Author: Jean-Baptiste de Panafieu
Publisher: Holiday House
ISBN: 082344578X
Category : Juvenile Nonfiction
Languages : en
Pages : 83
Book Description
Never has natural history been so fun! Scientific accuracy and humor combine to tell the entire history of Earth in a comic book format. A paleontologist and a storyteller take two children through the birth of our planet, the beginning of microbes, and through the heydays of protozoans, dinosaurs, and early mammals with unfailing enthusiasm. The art accurately portrays animal species and prehistoric landscapes, includes maps and infographics, but also adds humorous touches: a google-eyed prehistoric fish looking startled to be walking on land and the children popping out of a tree top to surprise a Brachiosaurus. The combined expertise of author Jean-Baptiste de Panafieu, a science writer and biologist, and illustrator Adriene Barman, the creator behind Creaturepedia and Plantopedia, makes for a science read you can trust. Fans of Maris Wicks's Human Body Theater and Nathan Hale will be pleased.
Publisher: Holiday House
ISBN: 082344578X
Category : Juvenile Nonfiction
Languages : en
Pages : 83
Book Description
Never has natural history been so fun! Scientific accuracy and humor combine to tell the entire history of Earth in a comic book format. A paleontologist and a storyteller take two children through the birth of our planet, the beginning of microbes, and through the heydays of protozoans, dinosaurs, and early mammals with unfailing enthusiasm. The art accurately portrays animal species and prehistoric landscapes, includes maps and infographics, but also adds humorous touches: a google-eyed prehistoric fish looking startled to be walking on land and the children popping out of a tree top to surprise a Brachiosaurus. The combined expertise of author Jean-Baptiste de Panafieu, a science writer and biologist, and illustrator Adriene Barman, the creator behind Creaturepedia and Plantopedia, makes for a science read you can trust. Fans of Maris Wicks's Human Body Theater and Nathan Hale will be pleased.
Super Graphic
Author: Tim Leong
Publisher: Chronicle Books
ISBN: 1452135274
Category : Art
Languages : en
Pages : 196
Book Description
The comic book universe is adventurous, mystifying, and filled with heroes, villains, and cosplaying Comic-Con attendees. This book by one of Wired magazine's art directors traverses the graphic world through a collection of pie charts, bar graphs, timelines, scatter plots, and more. Super Graphic offers readers a unique look at the intricate and sometimes contradictory storylines that weave their way through comic books, and shares advice for navigating the pages of some of the most popular, longest-running, and best-loved comics and graphic novels out there. From a colorful breakdown of the DC Comics reader demographic to a witty Venn diagram of superhero comic tropes and a Chris Ware sadness scale, this book charts the most arbitrary and monumental characters, moments, and equipment of the wide world of comics. Plus, this is the fixed format version, which includes high-resolution images.
Publisher: Chronicle Books
ISBN: 1452135274
Category : Art
Languages : en
Pages : 196
Book Description
The comic book universe is adventurous, mystifying, and filled with heroes, villains, and cosplaying Comic-Con attendees. This book by one of Wired magazine's art directors traverses the graphic world through a collection of pie charts, bar graphs, timelines, scatter plots, and more. Super Graphic offers readers a unique look at the intricate and sometimes contradictory storylines that weave their way through comic books, and shares advice for navigating the pages of some of the most popular, longest-running, and best-loved comics and graphic novels out there. From a colorful breakdown of the DC Comics reader demographic to a witty Venn diagram of superhero comic tropes and a Chris Ware sadness scale, this book charts the most arbitrary and monumental characters, moments, and equipment of the wide world of comics. Plus, this is the fixed format version, which includes high-resolution images.
Comic Book Women
Author: Peyton Brunet
Publisher: University of Texas Press
ISBN: 1477324143
Category : Social Science
Languages : en
Pages : 432
Book Description
2023 Ray and Pat Browne Best Single Work by One or More Authors in Popular and American Culture, Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Ray and Pat Browne Best Edited Reference/Primary Source Work in Popular Culture Award (Honorable Mention), Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Peter C. Rollins Book Award, Southwest Texas Popular Culture and American Culture Associations (SWPACA) A revisionist history of women's pivotal roles as creators of and characters in comic books. The history of comics has centered almost exclusively on men. Comics historians largely describe the medium as one built by men telling tales about male protagonists, neglecting the many ways in which women fought for legitimacy on the page and in publishers’ studios. Despite this male-dominated focus, women played vital roles in the early history of comics. The story of how comic books were born and how they evolved changes dramatically when women like June Tarpé Mills and Lily Renée are placed at the center rather than at the margins of this history, and when characters such as the Black Cat, Patsy Walker, and Señorita Rio are analyzed. Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others. This revisionist history reclaims the forgotten work done by women in the comics industry and reinserts female creators and characters into the canon of comics history.
Publisher: University of Texas Press
ISBN: 1477324143
Category : Social Science
Languages : en
Pages : 432
Book Description
2023 Ray and Pat Browne Best Single Work by One or More Authors in Popular and American Culture, Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Ray and Pat Browne Best Edited Reference/Primary Source Work in Popular Culture Award (Honorable Mention), Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Peter C. Rollins Book Award, Southwest Texas Popular Culture and American Culture Associations (SWPACA) A revisionist history of women's pivotal roles as creators of and characters in comic books. The history of comics has centered almost exclusively on men. Comics historians largely describe the medium as one built by men telling tales about male protagonists, neglecting the many ways in which women fought for legitimacy on the page and in publishers’ studios. Despite this male-dominated focus, women played vital roles in the early history of comics. The story of how comic books were born and how they evolved changes dramatically when women like June Tarpé Mills and Lily Renée are placed at the center rather than at the margins of this history, and when characters such as the Black Cat, Patsy Walker, and Señorita Rio are analyzed. Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others. This revisionist history reclaims the forgotten work done by women in the comics industry and reinserts female creators and characters into the canon of comics history.
Masters of Comics
Author: Joel Meadows
Publisher: Insight Comics
ISBN: 9781683830696
Category : Art
Languages : en
Pages : 0
Book Description
Go inside the master’s studio and explore the creative spaces and processes of the legendary artists who brought you Batman: Year One, Akira, Saga, and more! Readers are invited into the studio spaces of some of the most popular and prolific comic artists in the world. Through dynamic photography and exclusive interviews, Masters of Comics offers a rare, personal look at these artists’ unique creative environments—spaces in which some of the greatest comics and graphic novels of the last fifty years took shape. Curated by Joel Meadows, editor of Tripwire Magazine, the book includes chapters on such legends as Milo Manara (The Ape, Click), Mike Kaluta (The Shadow ), Walter Simonson (Thor, Fantastic Four), and more. The first in a series focusing on artists at work in a variety of mediums and industries, Masters of Comics offers a glimpse “behind the veil,” shining new light on the artistic process. It’s the ultimate backstage pass for comic fans, as well as a wonderful learning tool for aspiring artists wishing to learn from the greats.
Publisher: Insight Comics
ISBN: 9781683830696
Category : Art
Languages : en
Pages : 0
Book Description
Go inside the master’s studio and explore the creative spaces and processes of the legendary artists who brought you Batman: Year One, Akira, Saga, and more! Readers are invited into the studio spaces of some of the most popular and prolific comic artists in the world. Through dynamic photography and exclusive interviews, Masters of Comics offers a rare, personal look at these artists’ unique creative environments—spaces in which some of the greatest comics and graphic novels of the last fifty years took shape. Curated by Joel Meadows, editor of Tripwire Magazine, the book includes chapters on such legends as Milo Manara (The Ape, Click), Mike Kaluta (The Shadow ), Walter Simonson (Thor, Fantastic Four), and more. The first in a series focusing on artists at work in a variety of mediums and industries, Masters of Comics offers a glimpse “behind the veil,” shining new light on the artistic process. It’s the ultimate backstage pass for comic fans, as well as a wonderful learning tool for aspiring artists wishing to learn from the greats.
Pulp Empire
Author: Paul S. Hirsch
Publisher: University of Chicago Press
ISBN: 0226829464
Category : Comics & Graphic Novels
Languages : en
Pages : 346
Book Description
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
Publisher: University of Chicago Press
ISBN: 0226829464
Category : Comics & Graphic Novels
Languages : en
Pages : 346
Book Description
Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
Comic Book Culture
Author: Ron Goulart
Publisher: Collectors Press, Inc.
ISBN: 1888054387
Category : Comic book covers
Languages : en
Pages : 216
Book Description
A history of American comic books told almost entirely through reprinted comic book covers.
Publisher: Collectors Press, Inc.
ISBN: 1888054387
Category : Comic book covers
Languages : en
Pages : 216
Book Description
A history of American comic books told almost entirely through reprinted comic book covers.