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Author: Rebecca Maloy Publisher: Oxford University Press ISBN: 0199886261 Category : Music Languages : en Pages : 460
Book Description
The offertory has played a crucial role in recent vigorous debates about the origins of Gregorian chant. Its elaborate solo verses are among the most splendid of chant melodies, yet the verses ceased to be performed in the twelfth and thirteenth centuries, making them among the least known and studied members of the repertory. Rebecca Maloy now offers the first comprehensive investigation of the offertory, drawing upon its music, texts, and liturgical history to shed new light on its origins and chronology. Maloy addresses issues that are at the very heart of chant scholarship, such as the relationship between the Gregorian and Old Roman melodies, the nature of oral transmission, the presence of non-Roman pieces in the Gregorian repertory, and the influence of theoretical thought on the transmission of the melodies. Although the Old Roman chant versions were not recorded in writing until the eleventh century, it has long been assumed that they closely reflect the eighth-century state of the melodies. Maloy illustrates, however, that rather than preserving a pristine earlier version of the melodies, the prolonged period of oral transmission from the eighth to the eleventh centuries instead enforced a formulaic trend. Demonstrating that certain musical and textual traits of the offertory are distributed in distinct patterns by liturgical season, she outlines new chronological layers within the repertory, and along the way, explores the presence and implications of foreign imports into the Roman and Gregorian repertories. Carefully weighing questions surrounding the origins of elaborate verse melodies, Maloy deftly establishes that these melodies reached their final form at a relatively late date. Available for the first time as a complete critical edition, ninety-four Gregorian and Old Roman offertories are presented on a companion website in transcriptions which readers can view side-by-side. The book also provides music examples and essays that elucidate these transcriptions with significant insights into their similarities and differences. Inside the Offertory will be an important and longstanding resource for all students and scholars of early liturgical music, as well as performers of early music and medievalists interested in music.
Author: Rebecca Maloy Publisher: Oxford University Press ISBN: 0199886261 Category : Music Languages : en Pages : 460
Book Description
The offertory has played a crucial role in recent vigorous debates about the origins of Gregorian chant. Its elaborate solo verses are among the most splendid of chant melodies, yet the verses ceased to be performed in the twelfth and thirteenth centuries, making them among the least known and studied members of the repertory. Rebecca Maloy now offers the first comprehensive investigation of the offertory, drawing upon its music, texts, and liturgical history to shed new light on its origins and chronology. Maloy addresses issues that are at the very heart of chant scholarship, such as the relationship between the Gregorian and Old Roman melodies, the nature of oral transmission, the presence of non-Roman pieces in the Gregorian repertory, and the influence of theoretical thought on the transmission of the melodies. Although the Old Roman chant versions were not recorded in writing until the eleventh century, it has long been assumed that they closely reflect the eighth-century state of the melodies. Maloy illustrates, however, that rather than preserving a pristine earlier version of the melodies, the prolonged period of oral transmission from the eighth to the eleventh centuries instead enforced a formulaic trend. Demonstrating that certain musical and textual traits of the offertory are distributed in distinct patterns by liturgical season, she outlines new chronological layers within the repertory, and along the way, explores the presence and implications of foreign imports into the Roman and Gregorian repertories. Carefully weighing questions surrounding the origins of elaborate verse melodies, Maloy deftly establishes that these melodies reached their final form at a relatively late date. Available for the first time as a complete critical edition, ninety-four Gregorian and Old Roman offertories are presented on a companion website in transcriptions which readers can view side-by-side. The book also provides music examples and essays that elucidate these transcriptions with significant insights into their similarities and differences. Inside the Offertory will be an important and longstanding resource for all students and scholars of early liturgical music, as well as performers of early music and medievalists interested in music.
Author: Catholic Church Publisher: USCCB Publishing ISBN: 9781574555431 Category : Religion Languages : en Pages : 172
Book Description
From USCCB Publishing, this revision of the General Instruction of the Roman Missal (GIRM) seeks to promote more conscious, active, and full participation of the faithful in the mystery of the Eucharist. While the Missale Romanum contains the rite and prayers for Mass, the GIRM provides specific detail about each element of the Order of Mass as well as other information related to the Mass.
Author: Fulton J. Sheen Publisher: Ravenio Books ISBN: Category : Religion Languages : en Pages :
Book Description
Most books on the priesthood may be grouped into three categories: theological, pastoral and sociological. The theological treatises emphasize the priest as the minister and ambassador of Christ; the pastoral writings are concerned with the priest in the pulpit, the priest in the confessional, the priest at prayer, etc. The sociological writings, which are the latest type, refrain almost entirely from the spiritual and are concerned with the statistical study of the reaction of the faithful, the unbelievers and the general public to the priest. Is there room for another category? Such a possibility presented itself in writing our Life of Christ. In that book, we tried to show that, unlike anyone else, Our Lord came on earth not to live but to die. Death for our Redemption was the goal of His sojourn here, the gold that He was seeking. Every parable, every incident in His life—even the call of the Apostles, the temptation, the Transfiguration, the long conversation with the woman at the well—was focused upon that salutary death. He was, therefore, not primarily a teacher, but a Savior. The dark days in which that Life of Christ was written were hours when ink and gall did mix to reveal the mystery of the Crucifix. More and more that vision of Christ as Savior began to illumine the priesthood, and out of it came the thoughts in this book. To save anyone from reading it through, we here state briefly the thesis. We who have received the Sacrament of Orders call ourselves “priests”. The author does not recall any priest ever having said, “I was ordained a ‘victim’ ”, nor did he ever say, “I am studying to be a victim.” That seemed almost alien to being a priest. The seminary always told us to be “good” priests; never were we told to be willing victims. And yet was not Christ, the Priest, a Victim? Did He not come to die? He did not offer a lamb, a bullock or doves; He never offered anything except Himself. He gave Himself up on our behalf, a sacrifice breathing out fragrance as He offered it to God. (Ephesians 5:2) Pagan priests, Old Testament priests, medicine men, all offered a sacrifice apart from themselves. But not Our Lord. He was Sacerdos-Victima. This being so, just as we miss much in the life of Christ by not showing that the shadow of the Cross cast itself even over the crib and the carpenter shop as well as over His public life, so we have a mutilated concept of our priesthood if we envisage it apart from making ourselves victims in the prolongation of His Incarnation. There is nothing else in this book but that idea. And if the reader would like to hear that chord struck a hundred times, he may now proceed.
Author: Oxford University Press Publisher: Oxford University Press ISBN: 0199796068 Category : Religion Languages : en Pages : 810
Book Description
The 1928 Book of Common Prayer is a treasured resource for traditional Anglicans and others who appreciate the majesty of King James-style language. This classic edition features a Presentation section containing certificates for the rites of Baptism, Confirmation, and Marriage. The elegant burgundy hardcover binding is embossed with a simple gold cross, making it an ideal choice for both personal study and gift-giving. The 1928 Book of Common Prayer combines Oxford's reputation for quality construction and scholarship with a modest price - a beautiful prayer book and an excellent value.
Author: Catholic Church. United States Conference of Catholic Bishops Publisher: USCCB Publishing ISBN: 9781574554328 Category : Religion Languages : en Pages : 40
Book Description
In this volume in the Liturgy Documentary Series, the bishops reaffirm the distribution of the Holy Communion to the faithful under both kinds.
Author: Catholic Church Publisher: USCCB Publishing ISBN: 9781574557114 Category : Liturgical adaptation Languages : en Pages : 438
Book Description
As the number of available priests has declined, the Sunday Mass is becoming less and less available in some parishes and dioceses. Sunday Celebrations in the Absence of a Priest addresses this growing reality by providing the appropriate ritual to be used in the celebrating community. This revised ritual edition of Sunday Celebrations in the Absence of a Priest is fully bilingual, with Spanish and English printed side by side. It includes Morning Prayer, Evening Prayer, and two appendices, Directory for Sunday Celebrations in the Absence of a Priest and Gathered in Steadfast Faith. This beautifully bound ritual book includes three ribbons and is printed in two colors. It will be a welcome addition to the sacristy or library of every parish, school, convent, and religious house.
Author: David Hiley Publisher: Oxford University Press ISBN: 9780198165729 Category : Music Languages : en Pages : 764
Book Description
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.
Author: Rebecca Maloy
Author: Rebecca Maloy
Author: Catholic Church
Author: Fulton J. Sheen
Author: Oxford University Press
Author: Richard Rice
Author: Richard Robert Chope
Author: Catholic Church. United States Conference of Catholic Bishops
Author: Catholic Church
Author: 
Author: David Hiley