Author: Kornelia Imesch
Publisher: Peter Lang
ISBN: 9783039113088
Category : Art
Languages : fr
Pages : 324
Book Description
S. 209-225, interview med Kirsten Dufour, fransk tekst med engelsk resumé
Inscriptions, transgressions
Author: Kornelia Imesch
Publisher: Peter Lang
ISBN: 9783039113088
Category : Art
Languages : fr
Pages : 324
Book Description
S. 209-225, interview med Kirsten Dufour, fransk tekst med engelsk resumé
Publisher: Peter Lang
ISBN: 9783039113088
Category : Art
Languages : fr
Pages : 324
Book Description
S. 209-225, interview med Kirsten Dufour, fransk tekst med engelsk resumé
Inscription, Memory, Transgression
Author: Binghui Liao
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Chinese poetry
Languages : en
Pages : 776
Book Description
The Origin of Sin
Author: David Konstan
Publisher: Bloomsbury Publishing
ISBN: 1350278610
Category : Religion
Languages : en
Pages : 217
Book Description
Where did the idea of sin arise from? In this meticulously argued book, David Konstan takes a close look at classical Greek and Roman texts, as well as the Bible and early Judaic and Christian writings, and argues that the fundamental idea of "sin" arose in the Hebrew Bible and the New Testament, although this original meaning was obscured in later Jewish and Christian interpretations. Through close philological examination of the words for "sin," in particular the Hebrew hata' and the Greek hamartia, he traces their uses over the centuries in four chapters, and concludes that the common modern definition of sin as a violation of divine law indeed has antecedents in classical Greco-Roman conceptions, but acquired a wholly different sense in the Hebrew Bible and New Testament.
Publisher: Bloomsbury Publishing
ISBN: 1350278610
Category : Religion
Languages : en
Pages : 217
Book Description
Where did the idea of sin arise from? In this meticulously argued book, David Konstan takes a close look at classical Greek and Roman texts, as well as the Bible and early Judaic and Christian writings, and argues that the fundamental idea of "sin" arose in the Hebrew Bible and the New Testament, although this original meaning was obscured in later Jewish and Christian interpretations. Through close philological examination of the words for "sin," in particular the Hebrew hata' and the Greek hamartia, he traces their uses over the centuries in four chapters, and concludes that the common modern definition of sin as a violation of divine law indeed has antecedents in classical Greco-Roman conceptions, but acquired a wholly different sense in the Hebrew Bible and New Testament.
Video Art Historicized
Author: Malin Hedlin Hayden
Publisher: Routledge
ISBN: 1317001958
Category : Art
Languages : en
Pages : 273
Book Description
Video art emerged as an art form that from the 1960s and onwards challenged the concept of art - hence, art historical practices. From the perspective of artists, critics, and scholars engaged with this new medium, art was seen as too limiting a notion. Important issues were to re-think art as a means for critical investigations and a demand for visual reconsiderations. Likewise, art history was argued to be in crisis and in need of adapting its theories and methods in order to produce interpretations and thereby establish historical sense for moving images as fine art. Yet, as this book argues, video art history has evolved into a discourse clinging to traditional concepts, ideologies, and narrative structures - manifested in an increasing body of texts. Video Art Historicized provides a novel, insightful and also challenging re-interpretation of this field by examining the discourse and its own premises. It takes a firm conceptual approach to the material, examining the conceptual, theoretical, and methodological implications that are simultaneously contested by both artists and authors, yet intertwined in both the legitimizing and the historicizing processes of video as art. By engaging art history’s most debated concepts (canon, art, and history) this study provides an in-depth investigation of the mechanisms of the historiography of video art. Scrutinizing various narratives on video art, the book emphasizes the profound and widespread hesitations towards, but also the efforts to negotiate, traditional concepts and practices. By focusing on the politics of this discourse, theoretical issues of gender, nationality, and particular themes in video art, Malin Hedlin Hayden contests the presumptions that inform video art and its history.
Publisher: Routledge
ISBN: 1317001958
Category : Art
Languages : en
Pages : 273
Book Description
Video art emerged as an art form that from the 1960s and onwards challenged the concept of art - hence, art historical practices. From the perspective of artists, critics, and scholars engaged with this new medium, art was seen as too limiting a notion. Important issues were to re-think art as a means for critical investigations and a demand for visual reconsiderations. Likewise, art history was argued to be in crisis and in need of adapting its theories and methods in order to produce interpretations and thereby establish historical sense for moving images as fine art. Yet, as this book argues, video art history has evolved into a discourse clinging to traditional concepts, ideologies, and narrative structures - manifested in an increasing body of texts. Video Art Historicized provides a novel, insightful and also challenging re-interpretation of this field by examining the discourse and its own premises. It takes a firm conceptual approach to the material, examining the conceptual, theoretical, and methodological implications that are simultaneously contested by both artists and authors, yet intertwined in both the legitimizing and the historicizing processes of video as art. By engaging art history’s most debated concepts (canon, art, and history) this study provides an in-depth investigation of the mechanisms of the historiography of video art. Scrutinizing various narratives on video art, the book emphasizes the profound and widespread hesitations towards, but also the efforts to negotiate, traditional concepts and practices. By focusing on the politics of this discourse, theoretical issues of gender, nationality, and particular themes in video art, Malin Hedlin Hayden contests the presumptions that inform video art and its history.
The Politics of Spatial Transgressions in the Arts
Author: Gregory Blair
Publisher: Springer Nature
ISBN: 3030553892
Category : Political Science
Languages : en
Pages : 185
Book Description
This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized.
Publisher: Springer Nature
ISBN: 3030553892
Category : Political Science
Languages : en
Pages : 185
Book Description
This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized.
An Introduction to the Critical Study of the Holy Scriptures
Author: Thomas Hartwell Horne
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 700
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 700
Book Description
An Introduction to the Critical Study and Knowledge of the Holy Scriptures
Author: Thomas Hartwell Horne
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 720
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 720
Book Description
A Commentary on the Holy Scriptures
Buddhism and Transgression
Author: Adrian Konik
Publisher: BRILL
ISBN: 9004178759
Category : Religion
Languages : en
Pages : 221
Book Description
If Buddhism is to remain relevant to the contemporary era, through providing effective solutions to the proliferating and protean discursive problems encountered by its present-day practitioners, it cannot continue to ignore the role of discourse in the formation of subjectivity. In the interest of problematizing such ignorance, this book explores the potential interface between Foucaultian discourse analysis and the development of an indigenous rationale for the practice of contemporary Western Buddhism, along with the growing significance of such a rationale for traditional Buddhism in an era dominated by disciplinary/bio-power. Through doing so, this book radically re-conceptualizes the role of Buddhism in the world today by linking Buddhist practice with acts of discursive transgression.
Publisher: BRILL
ISBN: 9004178759
Category : Religion
Languages : en
Pages : 221
Book Description
If Buddhism is to remain relevant to the contemporary era, through providing effective solutions to the proliferating and protean discursive problems encountered by its present-day practitioners, it cannot continue to ignore the role of discourse in the formation of subjectivity. In the interest of problematizing such ignorance, this book explores the potential interface between Foucaultian discourse analysis and the development of an indigenous rationale for the practice of contemporary Western Buddhism, along with the growing significance of such a rationale for traditional Buddhism in an era dominated by disciplinary/bio-power. Through doing so, this book radically re-conceptualizes the role of Buddhism in the world today by linking Buddhist practice with acts of discursive transgression.
The Architecture of Transgression
Author:
Publisher: John Wiley & Sons
ISBN: 1118759079
Category : Architecture
Languages : en
Pages : 136
Book Description
Transgression suggests operating beyond accepted norms andradically reinterpreting practice by pushing at the boundaries ofboth what architecture is, and what it could or even should be. Thecurrent economic crisis and accompanying political/social unresthas exacerbated the difficulty into which architecture has longbeen sliding: challenged by other professions and a culture ofconservatism, architecture is in danger of losing its prized statusas one of the pre-eminent visual arts. Transgression opens up newpossibilities for practice. It highlights the positive impact thatworking on the architectural periphery can make on the mainstream,as transgressive practices have the potential to reinvent andreposition the architectural profession: whether they aresubverting notions of progress; questioning roles and mechanisms ofproduction; aligning with political activism; pioneering urbaninterventions; advocating informal or incomplete development;actively destabilising environments or breaking barriers of taste.In this new dispersed and expanded field of operation, the balanceof architectural endeavour is shifted from object to process, fromservice to speculation, and from formal to informal in a way thatprovides both critical and political impetus to proactively affectchange. Contributors: Can Altay, Edward Denison and Guangyu Ren, KimDovey, Chris Jenks, David Littlefield, Silvia Loeffler, AlistairParvin, Louis Rice, Patrik Schumacher and Robin Wilson Featured architects: atelier d’architectureautogérée, Lina Bo Bardi, Construire/La Machine, EXYZT,Didier Faustino/Bureau des Mésarchitectures, Lacaton &Vassal, N55, Catie Newell/*Alibi Studio, Wang Shu, Superflex andBernard Tschumi
Publisher: John Wiley & Sons
ISBN: 1118759079
Category : Architecture
Languages : en
Pages : 136
Book Description
Transgression suggests operating beyond accepted norms andradically reinterpreting practice by pushing at the boundaries ofboth what architecture is, and what it could or even should be. Thecurrent economic crisis and accompanying political/social unresthas exacerbated the difficulty into which architecture has longbeen sliding: challenged by other professions and a culture ofconservatism, architecture is in danger of losing its prized statusas one of the pre-eminent visual arts. Transgression opens up newpossibilities for practice. It highlights the positive impact thatworking on the architectural periphery can make on the mainstream,as transgressive practices have the potential to reinvent andreposition the architectural profession: whether they aresubverting notions of progress; questioning roles and mechanisms ofproduction; aligning with political activism; pioneering urbaninterventions; advocating informal or incomplete development;actively destabilising environments or breaking barriers of taste.In this new dispersed and expanded field of operation, the balanceof architectural endeavour is shifted from object to process, fromservice to speculation, and from formal to informal in a way thatprovides both critical and political impetus to proactively affectchange. Contributors: Can Altay, Edward Denison and Guangyu Ren, KimDovey, Chris Jenks, David Littlefield, Silvia Loeffler, AlistairParvin, Louis Rice, Patrik Schumacher and Robin Wilson Featured architects: atelier d’architectureautogérée, Lina Bo Bardi, Construire/La Machine, EXYZT,Didier Faustino/Bureau des Mésarchitectures, Lacaton &Vassal, N55, Catie Newell/*Alibi Studio, Wang Shu, Superflex andBernard Tschumi