Ink Plum Blossoms PDF Download

Author: Maggie Bickford
Publisher:
ISBN: 9780521391528
Category : Art
Languages : en
Pages : 295

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Book Description
A study of ink plum (momei) painting.

Author: Helena Ospina de Fonseca
Publisher:
ISBN:
Category :
Languages : en
Pages : 154

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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870998064
Category : Art, Chinese
Languages : en
Pages : 375

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Book Description

Author: Petra ten-Doesschate Chu
Publisher: Getty Publications
ISBN: 1606064576
Category : Art
Languages : en
Pages : 322

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Book Description
Qing Encounters: Artistic Exchanges between China and the West examines how the contact between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. The essays in the volume reveal the extent to which images, artifacts, and natural specimens were traded and copied, and how these materials inflected both cultures’ visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople on both continents borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex new creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period.

Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 0300057016
Category : Calligraphy, Chinese
Languages : en
Pages : 571

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Book Description
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.

Author: Shane McCausland
Publisher: Hong Kong University Press
ISBN: 988802857X
Category : Biography & Autobiography
Languages : en
Pages : 459

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Book Description
Zhao Mengfu has enormous significance for Chinese art history. This work presents a new, synthetic portrait of the artist's development from the 1280s to his death in 1322, and evaluates his pivotal role in the social-political context in Yuan China as well as the development of the artist's self-consciousness. Shane McCausland's study features detailed interpretations of pictorial forms in light of historical changes, and close readings of critical colophons, many of whic are appended to artworks but neglected as visual sources. These readings are meant to stimulate visual analysis of the oeuvre as well as debate about the use of Tang (618-907) and other period modes as models for the 'Yuan renaissance.' The book challenges stereotypes portraying Zhao Mengfu as a traitor or careerist. The historical background of dynastic change and Mongol rule is treated in a revisionist manner that aims to contextualize the traditional Chinese hostility towards Zhao Mengfu as a Yuan scholar-official. The concern here is for his development, in the context of Mongol rule, as a Chinese scholar-artist. This book will be a must for scholars, curators, and other specialists in Chinese painting and calligraphy, especially those focusing on Yuan dynasty and literati painting. Shane McCauslandis a lecturer in the history of Chinese art in the Department of Art and Archaeology at SOAS, University of London.

Author: Anne Gerritsen
Publisher: Cambridge University Press
ISBN: 1108499953
Category : Art
Languages : en
Pages : 349

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Book Description
A compelling examination of the ultimate global commodity, blue and white porcelain, from kiln to consumers across the globe.

Author: David R. Knechtges
Publisher: University of Washington Press
ISBN: 0295802367
Category : Literary Criticism
Languages : en
Pages : 364

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Book Description
Key imperial and royal courts--in Han, Tang, and Song dynasty China; medieval and renaissance Europe; and Heian and Muromachi Japan--are examined in this comparative and interdisciplinary volume as loci of power and as entities that establish, influence, or counter the norms of a larger society. Contributions by twelve scholars are organized into sections on the rhetoric of persuasion, taste, communication, gender, and natural nobility. Writing from the perspectives of literature, history, and philosophy, the authors examine the use and purpose of rhetoric in their respective areas. In Rhetoric of Persuasion, we see that in both the third-century court of the last Han emperor and the fourteenth-century court of Edward II, rhetoric served to justify the deposition of a ruler and the establishment of a new regime. Rhetoric of Taste examines the court’s influence on aesthetic values in China and Japan, specifically literary tastes in ninth-century China, the melding of literary and historical texts into a sort of national history in fifteenth-century Japan, and the embrace of literati painting innovations in twelfth-century China during a time when the literati themselves were out of favor. Rhetoric of Communication considers official communications to the throne in third-century China, the importance of secret communications in Charlemagne’s court, and the implications of the use of classical Chinese in the Japanese court during the eighth and ninth centuries. Rhetoric of Gender offers the biography of a former Han emperor’s favorite consort and studies the metaphorical possibilities of Tang palace plaints. Rhetoric of Natural Nobility focuses on Dante’s efforts to confirm his nobility of soul as a poet, surmounting his non-noble ancestry, and the development of the texts that supported the political ideologies of the fifteenth-century Burgundian dukes Philip the Good and Charles the Bold.

Author: Paul Kocot Nietupski
Publisher: Rowman & Littlefield
ISBN: 1611460700
Category : Art
Languages : en
Pages : 249

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Book Description
Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. These essays by scholars of Asian art, philosophy, anthropology, and religion focus on objects held in ASIANetwork schools. The chapters' authors tell the stories of the collections, and the collections themselves tell stories of the collectors.

Author: Maria CHENG, TANG Wai Hung, Eric CHOY
Publisher: City University of HK Press
ISBN: 962937188X
Category :
Languages : en
Pages : 446

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Book Description
Essential Terms of Chinese Painting provides a comprehensive coverage of the broad spectrum of Chinese painting. Through an array of some 900 terms, it exhibits the history of Chinese culture, as interpreted by artists and portrayed in their work. In masterful detail, it describes not only the artistic implements and drawing styles, but also how these are influenced by changing cultural considerations over time such as religion, philosophy, intellectual ideas, and political developments. From the broad view of how the change of dynasties affected painting trends in both format and subject, to the smallest detail of the methods used to paint different styles of tree branches, this is a full compendium of the scope and depth of artwork from China. This volume features twelve chapters which • explore all major areas of art including techniques, implements and materials, inscriptions and seals, painting and mounting formats for all categories including landscape, bird-and-flower, figure and auspicious paintings; • provide a helpful resource for readers to enjoy Chinese art with over 500 full-colour illustrations and pictures to further elaborate the terms discussed; • serve as an introduction to begin a true understanding of traditional Chinese painting.