Author: University of London. School of Oriental and African Studies. LibraryPublisher:
ISBN:
Category :
Languages : en
Pages : 588
Book Description
List of Titles Added to the Catalogue
Author: University of London. School of Oriental and African Studies. LibraryPublisher:
ISBN:
Category :
Languages : en
Pages : 588
Book Description
Philosophy manual: a South-South perspective
Author: Chanthalangsy, PhinithPublisher: UNESCO Publishing
ISBN: 9231010069
Category : Philosophy
Languages : en
Pages : 236
Book Description
L'idiot chinois
Author: Kyril RyjikPublisher:
ISBN:
Category : Chinese characters
Languages : fr
Pages : 480
Book Description
The Violence of Modernity
Author: Debarati SanyalPublisher: JHU Press
ISBN: 1421429292
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The Violence of Modernity turns to Charles Baudelaire, one of the most canonical figures of literary modernism, in order to reclaim an aesthetic legacy for ethical inquiry and historical critique. Works of modern literature are commonly theorized as symptomatic responses to the trauma of history. In a climate that tends to privilege crisis over critique, Debarati Sanyal argues that it is urgent to rethink literary experience in terms that recall its contestatory potential. Examining Baudelaire's poems afresh, she shifts the focus of critical attention toward an account of modernism as an active engagement with violence, specifically the violence of history in nineteenth-century France. Sanyal analyzes a literary current that uses the traditional hallmarks of modernism—irony, intertextuality, self-reflexivity, and formalism—to challenge the historical violence of modernity. Baudelaire and the committed ironists writing in his wake teach us how to read and resist the violence of history, and thereby to challenge the melancholy tenor of our contemporary "wound culture." In a series of provocative readings, Sanyal presents Baudelaire's poetry as an aesthetic form that contests historical violence through rhetorical strategies of complicity, counterviolence, and critique. The book develops a new account of Baudelaire's significance as a modernist by dislodging him both from his traditional status as a practitioner of "art for art's sake" and from his more recent incarnation as the poet of trauma. Following her extended analysis of Baudelaire's poetry, Sanyal in later chapters considers a number of authors influenced by his strategies—including Rachilde, Virginie Despentes, Albert Camus, and Jean-Paul Sartre—to examine the relevance of their interventions for our current climate of trauma and terror. The result is a study that underscores how Baudelaire's legacy continues to energize literary engagements with the violence of modernity.
Simulacra and Simulation
Author: Jean BaudrillardPublisher: University of Michigan Press
ISBN: 9780472065219
Category : Art
Languages : en
Pages : 174
Book Description
Develops a theory of contemporary culture that relies on displacing economic notions of cultural production with notions of cultural expenditure. This book represents an effort to rethink cultural theory from the perspective of a concept of cultural materialism, one that radically redefines postmodern formulations of the body.
The Antinomies Of Realism
Author: Fredric JamesonPublisher: Verso Books
ISBN: 1781681910
Category : Literary Criticism
Languages : en
Pages : 432
Book Description
The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past. Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history. In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices. In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies.
Listening to Spoken English
Author: Gillian BrownPublisher: Routledge
ISBN: 1134961057
Category : Language Arts & Disciplines
Languages : en
Pages : 155
Book Description
For those who are familiar with the first edition, it will be convenient to have some indication of where the main changes lie. Chapter one has been largely rewritten to give an outline of current approaches to a model of comprehension of spoken language. Chapter two has a new initial section but otherwise remains as it was. Chapter three incorporates a new section on "pause" and how this interacts with rhythm, and rather more on the function of stress. Chapter four has an extended initial section but otherwise remains largely as it was. Chapter five on intonation contains several sections which have been rewritten to varying extents. Chapter six of the first edition has disappeared: in 1977, very little work had been published on "fillers" and it seemed worthwhile incorporating a chapter that sat rather oddly with the phonetic/phonological interests of the rest of the book. Not that there is a great industry of descriptions of the forms and functions of these and similar phenomena there seems no reason to retain this early but admittedly primitive account. The chapter on "paralinguistic vocal features", now chapter six, has some rewriting in the early part but considerable rewriting in the last sections. The final chapter on "teaching listening comprehension" has grown greatly in length. It still incorporates some material from the original chapter but most of it is completely rewritten.
The Abuse of Casuistry
Author: Albert R. JonsenPublisher: Univ of California Press
ISBN: 9780520060630
Category : Philosophy
Languages : en
Pages : 438
Book Description
In this engaging study, the authors put casuistry into its historical context, tracing the origin of moral reasoning in antiquity, its peak during the sixteenth and early seventeenth century, and its subsequent fall into disrepute from the mid-seventeenth century.
Le Tumulte Noir
Author: Jody BlakePublisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232
Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.
Music and the Occult
Author: Joscelyn GodwinPublisher:
ISBN: 9781187822531
Category : Harmony of the spheres
Languages : en
Pages : 261
Book Description
"This book is an adventure into the unexplored territory of French esoteric philosophies and their relation to music. Occultism and esotericism flourished in nineteenth-century France as they did nowhere else. Many philosophers sought the key to the universe, some claimed to have found it, and, in the unitive vision that resulted, music invariably played an important part. These modern Pythagoreans all believed in the Harmony of the Spheres and in the powerful effects of music on the human soul and body. Faced with the challenge of the rationalist Enlightenment, then with that of modern scientism, they adapted their occultism to the prevailing style ... A widely published musicologist and authority on esotericism, Godwin is able to give a clear and concise context for these philosophers' often surprising beliefs, and he demonstrates how this "speculative music" influenced composers such as Satie and Debussy, who were familiar with occultism. His long study of music and the Western esoteric tradition makes him uniquely qualified to unravel the strange story of these forgotten sages."--Publisher's description.