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Author: Adrian Rifkin Publisher: Routledge ISBN: 1134918712 Category : Art Languages : en Pages : 179
Book Description
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.
Author: Adrian Rifkin Publisher: Routledge ISBN: 1134918712 Category : Art Languages : en Pages : 179
Book Description
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon. Rifkin sets out to show how, by thinking of the historical archive as a form of the unconscious, we can renew our understanding of nineteenth-century conservative or academic cultures by reading them against their 'other'. He situates Ingres in the world of the Parisian Arcades, as represented by Walter Benjamin, and examines the effect of this juxtaposition on how we think of Benjamin himself, following Ingres' image in popular cultures of the twentieth century. Rifkin then returns to the late eighteenth and early nineteenth centuries to find traces of the emergence of bizarre symptoms in Ingres' early work, symptoms which open him to a variety of conflicting readings and appropriations. It concludes by examining his importance for the great French art critic Jean Cassou on the one hand, and in making a bold, contemporary gay appropriation on the other. Ingres Then, and Now transforms the popular image we have of Ingres. It argues that the figure of the artist is neither fixed in time or place - there is neither an essential man named Ingres, nor a singular body of his work - but is an effect of many, complex and overlapping historical effects.
Author: Susan L. Siegfried Publisher: ISBN: Category : Art Languages : en Pages : 536
Book Description
Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative - in his classical literary, historical, and religious subjects - was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history.
Author: Jean-Auguste-Dominique Ingres Publisher: Courier Corporation ISBN: 9780486276212 Category : Art Languages : en Pages : 54
Book Description
Ingres’ portrait drawings rank among the art’s supreme achievements, exhibiting the artist’s brilliant draftsmanship and rare ability to capture character and personal style. This splendid volume presents Ingres portraits of many affluent and distinguished men and women of his age, among them the celebrated French composer Charles Gounod. Sources include the Louvre Museum, the Metropolitan Museum of Art and the Pierpont Morgan Library.
Author: Carol Ockman Publisher: ISBN: 9780300059618 Category : Art Languages : en Pages : 178
Book Description
This provocative book - the first full-length feminist and sociohistorical study of Ingres's art - explores the meanings behind the fluid, distorted, and sensualized bodies that populate these works. Carol Ockman traces the shift in late eighteenth-century French art from the neoclassical representation of the heroic male to the sensualized, homoerotic male nude to the nineteenth-century emphasis on the female nude. She then explores the problems posed by the increasing identification of the sensual with the female body, demonstrating that both neoclassicism and modernism sanction an ideal that conjoins the sensual and feminine with the deformed and bestial.
Author: Jay McKean Fisher Publisher: Pennsylvania State University Press ISBN: 0271026820 Category : Art Languages : en Pages : 389
Book Description
Rarely seen drawings and watercolors by some of the most influential French artists of the nineteenth century are the subject of this richly illustrated publication from The Baltimore Museum of Art and the Walters Art Museum. From revealing preparatory sketches to exquisite finished watercolors, more than 100 works by artists such as Eugene Delacroix, Honore Daumier, Paul Cezanne, and Edgar Degas illuminate the range of French art over the course of a century of innovation. The BMA and the Walters have combined holdings of more than 900 French drawings from the nineteenth century, one of the nation's strongest and richest collections of French art from this period. The publication also includes works from the Peabody Institute Art Collection of the Maryland State Archives. The Essence of Line offers the first comprehensive discussion of the formation of these collections and their significance for the history of French art. The catalogue includes essays by Jay McKean Fisher, William R. Johnston, and Cheryl K. Snay that provide insights into the artistic, commercial, and social functions that drawings served for their creators and collectors, as well as how collecting patterns influenced the development of modernism. Conservator Kimberly Schenck bridges the worlds of the collector and of the artist by examining the production and the use of drawing materials in an epoch of radical changes in technique as well as style. Published on the occasion of an exhibition jointly organized by The Baltimore Museum of Art and the Walters Art Museum, this book presents a panorama of sketches, watercolors, and presentation drawings, many of them little known outside a small circle of experts. It is correlated with an online database of more than 900 nineteenth-century French drawings in the holdings of these Baltimore museums.
Author: Christopher John Murray Publisher: Routledge ISBN: 1135455791 Category : History Languages : en Pages : 1303
Book Description
In 850 analytical articles, this two-volume set explores the developments that influenced the profound changes in thought and sensibility during the second half of the eighteenth century and the first half of the nineteenth century. The Encyclopedia provides readers with a clear, detailed, and accurate reference source on the literature, thought, music, and art of the period, demonstrating the rich interplay of international influences and cross-currents at work; and to explore the many issues raised by the very concepts of Romantic and Romanticism.
Author: Suzanne Loebl Publisher: Harper Collins ISBN: 0062010344 Category : Art Languages : en Pages : 452
Book Description
From literary polymath Suzanne Loebl (the author of ten books, most recently the acclaimed America’s Art Museums) comes the captivating, first-of-its kind exploration into the philanthropic and cultural legacy of one of America’s wealthiest and most influential families: The Rockefellers. Fueled by John D. Rockefeller’s vast petroleum fortune, the entire family’s terrific passion for the arts transformed the artistic infrastructure of twentieth century America. Funding museums like the MoMA, the Cloisters, the Metropolitan Museum of Art, the Museum of the Oriental Art at the University of Chicago, and commissioning major architectural projects like Rockefeller Center, Riverside Church, and Lincoln Center, the Rockefellers’ achievements forever changed the cultural landscape of the Western world. Loebl’s penetrating biography is the first book to deeply explore the family’s critical role as collectors and patrons of the arts.
Author: Adrian Rifkin
Author: Adrian Rifkin
Author: Sarah E. Betzer
Author: Jean-Auguste-Dominique Ingres![Ingres, 1780-1867 [par] Francis Jourdain PDF](https://books.google.com/books/content/images/frontcover/QgOCvAEACAAJ?fife=w80-h100)
Author: Jean-Auguste-Dominique Ingres
Author: Susan L. Siegfried
Author: Jean-Auguste-Dominique Ingres
Author: Carol Ockman
Author: Jay McKean Fisher
Author: Christopher John Murray
Author: Suzanne Loebl