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Author: Himawan Pratista Publisher: Montase Press ISBN: 623887810X Category : Literary Criticism Languages : en Pages : 225
Book Description
Indonesian horror films are currently in full swing. Not a week goes by without a new horror film releasing in theaters. The Indonesian horror genre has a long history since ages decades. Horror films today are formed by the ups and downs, development, and exploration of the genre from time to time. The development of themes, stories, and aesthetic aspects are increasingly varied, and filmmakers are always trying to find loopholes to find new approaches that the market likes. What exactly is the definition of an Indonesian horror film? What is behind the success of horror films in Indonesia? Do our horror films have a quality that is considered as good,and even unique in the storytelling and the aesthetics? Through a historical point of view, this book makes observations using a narrative and cinematic approach. This book will describe the achievements and developments of Indonesian horror films from time to time. Each era has its uniqueness. Each film represents its era. Every filmmaker has a different approach and style to respond to their times. As a result, Indonesian horror films will continue to develop dynamically at any time. The book Horror Film Book: From Caligari to Hereditary is closely related to this book. Indonesian Horror Film: Rise from the Grave is a development of discussion about Indonesian horror films. Through Horror Films: From Caligari to Hereditary, we can understand the global expansion of the horror genre from time to time. Meanwhile, through the Indonesian Horror Film: Rising from the Grave, we can understand the position of Indonesian horror films in the development of the global horror genre.
Author: Himawan Pratista Publisher: Montase Press ISBN: 623887810X Category : Literary Criticism Languages : en Pages : 225
Book Description
Indonesian horror films are currently in full swing. Not a week goes by without a new horror film releasing in theaters. The Indonesian horror genre has a long history since ages decades. Horror films today are formed by the ups and downs, development, and exploration of the genre from time to time. The development of themes, stories, and aesthetic aspects are increasingly varied, and filmmakers are always trying to find loopholes to find new approaches that the market likes. What exactly is the definition of an Indonesian horror film? What is behind the success of horror films in Indonesia? Do our horror films have a quality that is considered as good,and even unique in the storytelling and the aesthetics? Through a historical point of view, this book makes observations using a narrative and cinematic approach. This book will describe the achievements and developments of Indonesian horror films from time to time. Each era has its uniqueness. Each film represents its era. Every filmmaker has a different approach and style to respond to their times. As a result, Indonesian horror films will continue to develop dynamically at any time. The book Horror Film Book: From Caligari to Hereditary is closely related to this book. Indonesian Horror Film: Rise from the Grave is a development of discussion about Indonesian horror films. Through Horror Films: From Caligari to Hereditary, we can understand the global expansion of the horror genre from time to time. Meanwhile, through the Indonesian Horror Film: Rising from the Grave, we can understand the position of Indonesian horror films in the development of the global horror genre.
Author: Himawan Pratista Publisher: Montase Press ISBN: 6026131477 Category : Performing Arts Languages : en Pages : 215
Book Description
For a film lover or cinephile, knowledge of the genre is absolute. Genre is our first kick-off before we start to watch films. By understanding the genre more deeply and broadly, we can find out the position of a film in its genre. Is there any innovation from the story? Is there any remarkable aesthetic achievement? This book helps and guides film lover to understand a genre more comprehensively. What kind of films do we need to watch to understand a genre fully? This popular genre book series answers it thoroughly. The popular genre book series, Horror Film : From Caligari to Hereditary covers everything about the horror genre and its development. Using the historical approach, this book examines influential horror films from the classic film era to the present. Each film will be discussed in detail, using narrative and cinematic approaches, and how it influenced the genre in its time. Indonesian horror films are also included and discussed in contemporary horror films. This book is intended for film lover, especially the horror genre. With a light but profound writing style, this book can be read by anyone. For horror fans, this book is highly suggested for you to have to expand your insight and understanding of the horror genre.
Author: Harry M. Benshoff Publisher: John Wiley & Sons ISBN: 1119335019 Category : Performing Arts Languages : en Pages : 613
Book Description
This cutting-edge collection features original essays by eminent scholars on one of cinema's most dynamic and enduringly popular genres, covering everything from the history of horror movies to the latest critical approaches. Contributors include many of the finest academics working in the field, as well as exciting younger scholars Varied and comprehensive coverage, from the history of horror to broader issues of censorship, gender, and sexuality Covers both English-language and non-English horror film traditions Key topics include horror film aesthetics, theoretical approaches, distribution, art house cinema, ethnographic surrealism, and horror's relation to documentary film practice A thorough treatment of this dynamic film genre suited to scholars and enthusiasts alike
Author: Nils Bubandt Publisher: Routledge ISBN: 1317682513 Category : Political Science Languages : en Pages : 211
Book Description
Indonesia has been an electoral democracy for more than a decade, and yet the political landscape of the world’s third-largest democracy is as complex and enigmatic as ever. The country has achieved a successful transition to democracy and yet Indonesian democracy continues to be flawed, illiberal, and predatory. This book suggests that this and other paradoxes of democracy in Indonesia often assume occult forms in the Indonesian political imagination, and that the spirit-like character of democracy and corruption traverses into the national media and the political elite. Through a series of biographical accounts of political entrepreneurs, all of whom employ spirits in various, but always highly contested, ways, the book seeks to provide a portrait of Indonesia’s contradictory democracy, contending that the contradictions that haunt democracy in Indonesia also infect democracy globally. Exploring the intimate ways in which the world of politics and the world of spirits are entangled, it argues that Indonesia’s seemingly peculiar problems with democracy and spirits in fact reflect a set of contradictions within democracy itself. Engaging with recent attempts to look at contemporary politics through the lens of the occult, Democracy, Corruption and the Politics of Spirits in Contemporary Indonesia will be of interest to academics in the fields of Asian Studies, Anthropology and Political Science and relevant for the study of Indonesian politics and for debates about democracy in Asia and beyond.
Author: Cathleen Small Publisher: Cavendish Square Publishing, LLC ISBN: 1502609363 Category : Juvenile Nonfiction Languages : en Pages : 66
Book Description
When Mary Wollstonecraft Shelley published Frankenstein in 1818, little did she suspect the monster of her tale would turn into one of the worlds most recognizable and classic horror creatures. There have been other examples of the monster Shelley invented in different cultures; however, her monster and its story have had a lasting impact on pop culture today. This book delves into the world of Shelley, the manifestations of the monster in different cultures around the world, and the effect of the monster on todays society.
Author: Liana Chua Publisher: Routledge ISBN: 0415683459 Category : Philosophy Languages : en Pages : 226
Book Description
Over the last half-century, Southeast Asia has undergone innumerable, far-reaching changes that have consequences not only for large-scale institutions and processes, but also for everyday life. This book focuses on the topic of power in relation to these transformations, and looks at its various social, cultural, religious, economic and political forms. Consisting of empirically rich case studies, the book works from the ground up, seeking to capture Southeast Asians' own perspectives, conceptualizations and experiences of power.
Author: Rosalind Galt Publisher: Columbia University Press ISBN: 0231554044 Category : Performing Arts Languages : en Pages : 223
Book Description
The pontianak, a terrifying female vampire ghost, is a powerful figure in Malay cultures, as loved and feared in Southeast Asia as Dracula is in the West. In animist tradition, she is a woman who has died in childbirth, and her vengeful return upsets gender norms and social hierarchies. The pontianak first appeared on screen in late colonial Singapore in a series of popular films that combine indigenous animism and transnational production with the cultural and political force of the horror genre. In Alluring Monsters, Rosalind Galt explores how and why the pontianak found new life in postcolonial Southeast Asian film and society. She argues that the figure speaks to a series of intersecting anxieties: about femininity and modernity, globalization and indigeneity, racial and national identities, the relationship of Islam to animism, and heritage and environmental destruction. The pontianak offers abundant feminist potential, but her disruptive gender politics also unsettle queer and feminist film theories by putting them in dialogue with Malay epistemologies. Reading the pontianak as a precolonial figure of disturbance within postcolonial cultures, Galt reveals the importance of cinema to histories and theories of decolonization. From the horror films made by Cathay Keris and Shaw Studios in the 1950s and 1960s to contemporary film, television, art, and fiction in Malaysia and Singapore, the pontianak in all her media forms sheds light on how postcolonial identities are both developed and contested. In tracing the entanglements of Malay feminist animisms with postcolonial visual cultures, Alluring Monsters reveals how a “pontianak theory” can reshape understandings of anticolonial aesthetics and world cinema.
Author: Thomas Barker Publisher: Hong Kong University Press ISBN: 9888528076 Category : Performing Arts Languages : en Pages : 243
Book Description
In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This “going mainstream” paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because “going mainstream” has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped. “This is a significant piece of scholarly contribution informed by an extensive range of interviews with industry insiders. This volume is particularly welcome given the dearth of English-language publications on Indonesian cinema in the last two decades. I have no doubt that the book will be extensively used in any future work on national cinema, not just in Indonesia, but Southeast Asia more widely.” —Krishna Sen, University of Western Australia “Indonesian Cinema after the New Order is a marvelously entertaining and important contribution to the study of Indonesian cinema, youth culture, and media worlds in a global context. In fact, I would consider it the best book I have seen on the subject of the Indonesian film industry.” —Mary Steedly, Harvard University
Author: Sean Abley Publisher: McFarland ISBN: 1476651515 Category : Performing Arts Languages : en Pages : 494
Book Description
From the beginning, horror has been part of the cinema landscape. Despite some of the earliest genre films with gay directors such as F.W. Murnau (Nosferatu) and James Whale (Frankenstein, The Invisible Man, Bride of Frankenstein), LGBTQIA characters have rarely been portrayed in full view. For decades, filmmakers have included "coded" content in their films with the homosexual experience translated into censor-friendly subtext for consumption by general audiences. Gradually, LGBTQIA characters and themes have moved from the background to the foreground as the horror genre has grown along with its audience's tastes and attitudes. Likewise, more and more LGBTQIA writers and directors have begun to offer their queer-centric takes on scary movies and today, "queer horror" is a thriving film genre. With more than 900 entries, this critical filmography is a comprehensive, critical, yet playful examination of the history of LGBTQIA content in horror films. Eight journalistic contributors dig into every era of scary movies, including the early silents, pre- and post-Hays Code content, grindhouse sleaze, LGBTQIA indies, and megaplex studio releases. From Whale's The Old Dark House (1932) to Don Mancini's Chucky films and everything in between, this collection explores what can be found at the intersection of "LGBTQIA" and "horror" in the film industry.
Author: Jeffrey Andrew Weinstock Publisher: Routledge ISBN: 1317044258 Category : Literary Criticism Languages : en Pages : 558
Book Description
From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.
Author: Himawan Pratista
Author: Himawan Pratista
Author: Himawan Pratista
Author: Harry M. Benshoff
Author: Nils Bubandt
Author: Cathleen Small
Author: Liana Chua
Author: Rosalind Galt
Author: Thomas Barker
Author: Sean Abley
Author: Jeffrey Andrew Weinstock