Zen and the Fine Arts PDF Download

Author: Shinʼichi Hisamatsu
Publisher: Kodansha
ISBN:
Category : Religion
Languages : en
Pages : 412

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For other editions see Author Catalog.

Author: Cornell University. Libraries
Publisher:
ISBN:
Category : Southeast Asia
Languages : un
Pages : 388

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Author: Madhu Bhalla
Publisher: Taylor & Francis
ISBN: 100032947X
Category : Art
Languages : en
Pages : 238

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Book Description
This book presents new studies on intellectual and cultural interactions in the context of Buddhist heritage and Indo-Japanese dialogue in the late 19th and early 20th centuries on art, religion, and cultural politics. By revisiting Buddhist connections between India and Japan, it examines the pathways of communication on common aesthetic and religious heritage that emerged in the backdrop of colonial experiences and the rise of Asian nationalisms. The volume discusses themes such as Asian arts and crafts under colonialism, formation of East Asian art collections, development of Buddhist art history in Japan, Japanese encounters with Ajanta, India in the history of the Shinto tradition, Japan in India’s xenology, and Buddhism and world peace, and suggests paradigms of reconnecting cultural heritage within a global platform. With essays from experts across the world, this book will be an essential read for scholars and researchers of history, art history, ancient Indian history, colonial history, heritage and cultural studies, South Asian and East Asian history, visual and media studies, Asian studies, international relations and foreign policy, and the history of globalization.

Author: United States
Publisher: Rowman & Littlefield Publishers
ISBN: 9780874717853
Category : Language Arts & Disciplines
Languages : en
Pages : 644

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Author: Roy Starrs
Publisher: Global Oriental
ISBN: 9004211306
Category : History
Languages : en
Pages : 561

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By adopting an open, multidisciplinary, and transnational approach, this book sheds new light both on the specific achievements and on the often-unexpected interrelationships of the writers, artists and thinkers who helped to define the Japanese version of modernism and modernity.

Author: Monika Kopplin
Publisher: Unesco
ISBN:
Category : Art
Languages : en
Pages : 248

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Dating back several thousand years, the art of lacquer is one of the most ancient expressions of Asian culture, and this publication provides an overview of the different kinds of methods and materials used in Cambodia, China, India, Korea, Japan, Myanmar, Thailand and Vietnam. The number of people employed in this ancestral art has fallen dramatically throughout Asia in recent decades, and this book considers the challenges to its survival as well as highlighting the importance of documenting past and modern procedures.

Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 656

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Author: Library of Congress
Publisher:
ISBN:
Category : Subject catalogs
Languages : en
Pages : 648

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A cumulative list of works represented by Library of Congress printed cards.

Author: E. Kang
Publisher: Springer
ISBN: 0230376932
Category : History
Languages : en
Pages : 325

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During the premodern period, Japan had significant political, economic and cultural relations with Korea. This book purports that this period, from the fifteenth to the eighteenth century, was the formative stage of the East Asian diplomacy and ideology which laid the foundations for foreign relations between these two countries in the modern period. The book also investigates how Japan's and Korea's political and diplomatic ideologies emerged as a nascent form of nationalism which scholars have not previously clarified.

Author: William Wayne Farris
Publisher: University of Hawaii Press
ISBN: 0824889916
Category : History
Languages : en
Pages : 0

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Book Description
A Bowl for a Coin is the first book in any language to describe and analyze the history of all Japanese teas from the plant’s introduction to the archipelago around 750 to the present day. To understand the triumph of the tea plant in Japan, William Wayne Farris begins with its cultivation and goes on to describe the myriad ways in which the herb was processed into a palatable beverage, ultimately resulting in the wide variety of teas we enjoy today. Along the way, he traces in fascinating detail the shift in tea’s status from exotic gift item from China, tied to Heian (794–1185) court ritual and medicinal uses, to tax and commodity for exchange in the 1350s, to its complete nativization in Edo (1603–1868) art and literature and its eventual place on the table of every Japanese household. Farris maintains that the increasing sophistication of Japanese agriculture after 1350 is exemplified by tea farming, which became so advanced that Meiji (1868–1912) entrepreneurs were able to export significant amounts of Japanese tea to Euro-American markets. This in turn provided the much-needed foreign capital necessary to help secure Japan a place among the world’s industrialized nations. Tea also had a hand in initiating Japan’s “industrious revolution”: From 1400, tea was being drunk in larger quantities by commoners as well as elites, and the stimulating, habit-forming beverage made it possible for laborers to apply handicraft skills in a meticulous, efficient, and prolonged manner. In addition to aiding in the protoindustrialization of Japan by 1800, tea had by that time become a central commodity in the formation of a burgeoning consumer society. The demand-pull of tea consumption necessitated even greater production into the postwar period—and this despite challenges posed to the industry by consumers’ growing taste for coffee. A Bowl for a Coin makes a convincing case for how tea—an age-old drink that continues to adapt itself to changing tastes in Japan and the world—can serve as a broad lens through which to view the development of Japanese society over many centuries.