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Author: Sean Zdenek Publisher: University of Chicago Press ISBN: 022631281X Category : Language Arts & Disciplines Languages : en Pages : 357
Book Description
Imagine a common movie scene: a hero confronts a villain. Captioning such a moment would at first glance seem as basic as transcribing the dialogue. But consider the choices involved: How do you convey the sarcasm in a comeback? Do you include a henchman’s muttering in the background? Does the villain emit a scream, a grunt, or a howl as he goes down? And how do you note a gunshot without spoiling the scene? These are the choices closed captioners face every day. Captioners must decide whether and how to describe background noises, accents, laughter, musical cues, and even silences. When captioners describe a sound—or choose to ignore it—they are applying their own subjective interpretations to otherwise objective noises, creating meaning that does not necessarily exist in the soundtrack or the script. Reading Sounds looks at closed-captioning as a potent source of meaning in rhetorical analysis. Through nine engrossing chapters, Sean Zdenek demonstrates how the choices captioners make affect the way deaf and hard of hearing viewers experience media. He draws on hundreds of real-life examples, as well as interviews with both professional captioners and regular viewers of closed captioning. Zdenek’s analysis is an engrossing look at how we make the audible visible, one that proves that better standards for closed captioning create a better entertainment experience for all viewers.
Author: Sean Zdenek Publisher: University of Chicago Press ISBN: 022631281X Category : Language Arts & Disciplines Languages : en Pages : 357
Book Description
Imagine a common movie scene: a hero confronts a villain. Captioning such a moment would at first glance seem as basic as transcribing the dialogue. But consider the choices involved: How do you convey the sarcasm in a comeback? Do you include a henchman’s muttering in the background? Does the villain emit a scream, a grunt, or a howl as he goes down? And how do you note a gunshot without spoiling the scene? These are the choices closed captioners face every day. Captioners must decide whether and how to describe background noises, accents, laughter, musical cues, and even silences. When captioners describe a sound—or choose to ignore it—they are applying their own subjective interpretations to otherwise objective noises, creating meaning that does not necessarily exist in the soundtrack or the script. Reading Sounds looks at closed-captioning as a potent source of meaning in rhetorical analysis. Through nine engrossing chapters, Sean Zdenek demonstrates how the choices captioners make affect the way deaf and hard of hearing viewers experience media. He draws on hundreds of real-life examples, as well as interviews with both professional captioners and regular viewers of closed captioning. Zdenek’s analysis is an engrossing look at how we make the audible visible, one that proves that better standards for closed captioning create a better entertainment experience for all viewers.
Author: James H. Charlesworth Publisher: Westminster John Knox Press ISBN: 9780664230043 Category : Religion Languages : en Pages : 338
Book Description
This volume ofThe Dead Sea Scrollsincludes fragments of the Damascus Document, some works of the Torah, and other related documents. The Princeton Dead Sea Scrolls Project provides a major landmark in general access to these documents. It is the first serious attempt to provide accurate transcriptions and translations with critical commentary to all the nonbiblical scrolls found at Qumran. These are important reference books for specialized studies in biblical fields.
Author: Louis Roy, O.P. Publisher: State University of New York Press ISBN: 0791487318 Category : Religion Languages : en Pages : 252
Book Description
This book offers a philosophical account of ordinary consciousness as a step toward understanding mystical consciousness. Presupposing a living interaction between meditation and thinking, the work draws on Western and Japanese thinkers to develop a philosophy of religion that is friendly to the experience of meditators and that can explore such themes as emptiness, nothingness, and the self. Western thinkers considered include Plotinus, Eckhart, Schleiermacher, Heidegger, Brentano, Husserl, Sartre, and Lonergan; and Japanese thinkers referenced include Nishitani, Hisamatsu, and Suzuki. All employed centering prayer, Zen, or other forms of mental concentration. Particular emphasis is placed on the work of twentieth-century Catholic philosopher Bernard Lonergan, whose writings on consciousness can inform an understanding of mysticism.
Author: Ann Scholl Publisher: Peter Lang ISBN: 9780820452456 Category : Literary Criticism Languages : en Pages : 164
Book Description
Ann Scholl revises the traditional understanding of the role of imagination and sensory perception in Descartes's Meditations. Traditionally, Cartesian scholars have focused primarily on sensory perception as the more significant of the two «special» modes of thought. In this work, Ann Scholl describes how a better understanding of Descartes's skepticism and his arguments for dualism are reached when imagination instead is understood as the more primary of the two special modes of thought. The result is a fresh reading and interpretation of Descartes's most influential work.
Author: Sean Zdenek
Author: Sean Zdenek
Author: United States. Joint Publications Research Service
Author: United States. Central Intelligence Agency
Author: 
Author: James H. Charlesworth
Author: United States. Foreign Broadcast Information Service
Author: Louis Roy, O.P.
Author: Ann Scholl
Author: United States. Census Office
Author: Zoological Society of London