Author: Charlaine DeatheragePublisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Indigenous and Foreign Divinities in Plautus
Author: Charlaine DeatheragePublisher:
ISBN:
Category :
Languages : en
Pages : 152
Book Description
Ancient Perspectives on Egypt
Author: Roger MatthewsPublisher: Routledge
ISBN: 1315434911
Category : Social Science
Languages : en
Pages : 344
Book Description
The allure of Egypt is not exclusive to the modern world. Egypt also held a fascination and attraction for people of the past. In this book, academics from a wide range of disciplines assess the significance of Egypt within the settings of its past. The chronological span is from later prehistory, through to the earliest literate eras of interaction with Mesopotamia and the Levant, the Aegean, Greece and Rome. Ancient Perspectives on Egypt includes both archaeological and documented evidence, which ranges from the earliest writing attested in Egypt and Mesopotamia in the late fourth millennium BC, to graffiti from Abydos that demonstrate pilgrimages from all over the Mediterranean world, to the views of Roman poets on the nature of Egypt. This book presents, for the first time in a single volume, a multi-faceted but coherent collection of images of Egypt from, and of, the past.
Abstracts of Dissertations
Author: St. John's University (New York, N.Y.). Graduate School of Arts and SciencesPublisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 962
Book Description
Plautine Elements in Plautus
Author: Eduard FraenkelPublisher: OUP Oxford
ISBN: 0199249105
Category : Drama
Languages : en
Pages : 485
Book Description
Eduard Fraenkel was one of the most influential classicists of the twentieth century. His Plautine Elements in Plautus (originally published in German in 1922) revolutionized the study of Roman comedy. This translation makes this seminal work accessible to an English-speaking readership for the first time.
The Foreign Debt of English Literature
Author: Thomas George TuckerPublisher: Library of Alexandria
ISBN: 1465594493
Category : Literary Criticism
Languages : en
Pages : 203
Book Description
A just appreciation of any modern European literature is not to be derived from the study of that literature alone. Not one has grown up spontaneously and independently from the soil of the national genius. Some seeds at least have come from elsewhere. Often whole forms of writing have been transplanted bodily. We must particularly recognize these truths when dealing with English literature. The basis of the English mind is chiefly Teutonic, in some measure Celtic. If the English genius had been left to itself, to develop its spiritual and intellectual creations in its own way, English literature would have been a very different thing in both substance and form. But in reality English literary history is the story of the Teutonic and Celtic tendencies “corrected and clarified,” and the Teutonic and Celtic invention immensely assisted, by influences and ideas flowing in from other sources. There have been large ingraftings from other stocks, either partially kindred or altogether alien—from Greeks, Romans, Italians, French, Spaniards, Germans, as well as from Hebrews and other Orientals. All sound study is comparative. We must place other literatures beside our own, if we desire to appraise rightly our national genius, its capacities, and its creations. We find our English writers composing their works in certain forms, and giving expression to a certain range of ideas. How came they to employ these particular forms of creation? How did they arrive at these particular ideas? How is it with other nations? Have they built upon the same lines and with the same materials, or how is it with them? Have we borrowed from them, or they from us? If there have been borrowings, when and in what measure did they occur? Looking back over the changes of spirit and form which our poetry, for example, has undergone, we shall encourage altogether false notions of the causes of such changes, unless we see how, every now and then, a shower of new ideas, a stream of new light, has come in from abroad. Most readers know in some vague way that Chaucer avows or betrays his debts to France and Italy; that Shakespeare did not invent his own plots, but borrowed from Italians, from Plautus, from Plutarch, and others; that Milton was steeped in the Greek, Latin, and Italian classics. But we want to know more than this. We want to perceive with some definiteness how far the whole course of English literature has been enriched by tributary streams, and what sort of waters they brought. It would be instructive to draw a diagram of our literary history; to liken it to the course of a river, and to picture its various fountain-heads and tributaries pouring in their several quotas at their several times. In all modern literatures there is a large proportion which is unoriginal to them. Milton has been mentioned already. Those who read only English works find Milton full of nobility of thought and imagery. Yet, before Milton produced his greater poems, he had read, re-read, and deliberately steeped himself in, the literature of Greece, Rome, modern Italy, and France. Precisely how much of Milton is made up of Homer, Euripides, Virgil, Dante, Ariosto, and other predecessors, can only be known to such as have those authors at their finger-ends. Shelley, again, is commonly regarded as one of the most daringly original of English writers. Yet Shelley’s mind was an amalgam of himself, Homer, Euripides, Plato, Virgil, Dante, Calderon, Goethe; and this, once more, is but another way of saying that it had incorporated the genius of generations of Greeks, Romans, Spaniards, Italians, and Germans. We cannot therefore arrive at the true genius of Milton or of Shelley, or speak understandingly of their originality, until we have surveyed those other literatures and their relations with our own. Let us, indeed, claim with a proper national pride that the influence of English literature, of our Shakespeare, our Bacon, our Locke, our Byron, upon foreign writers has been profound. Her debt to modern literature has been repaid by England, and, at least in the influence of Shakespeare, more than repaid. But with that question we are not here concerned.
The Oxford Handbook of Greek and Roman Comedy
Author: Michael FontainePublisher: Oxford University Press
ISBN: 0199743541
Category : Drama
Languages : en
Pages : 913
Book Description
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
The New International Encyclopaedia
Author: Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 962
Book Description
The Æneid ... with English Notes, by C. Anthon ... Adapted for Use in English Schools by ... F. Metcalfe. Lat
Author: VirgilA History of the Roman World from 753 to 146 B.C.
Author: Howard H. ScullardPublisher: Taylor & Francis
ISBN: 104003537X
Category : History
Languages : en
Pages : 472
Book Description
A History of the Roman World from 753 to 146 B.C. (1969) examines the rise of Rome from a small city-state among many to its conquest and unification of Italy and the founding of its overseas Empire. It covers in detail Rome’s struggle with Carthage for supremacy, as well as Rome’s political, economic and social life during the period.
Author: Virgil