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Author: James D. Keyser Publisher: University of Washington Press ISBN: 0295806974 Category : Art Languages : en Pages : 140
Book Description
From the river valleys of interior British Columbia south to the hills of northern Oregon and east to the continental divide in western Montana, hundreds of cliffs and boulders display carved and painted designs created by ancient artists who inhabited this area, the Columbia Plateau, as long as seven thousand years ago. Expressing a vital social and spiritual dimension in the lives of these hunter-gathers, rock art captivates us with its evocative power and mystery. At once an irreplaceable yet fragile cultural resource, it documents Native histories, customs, and visions through thousands of years. This valuable reference and guidebook addresses basic questions of what petroglyphs and pictographs are, how they were produced, and how archaeologists classify and date them. James Keyser identifies five regions on the Columbia Plateau, each with its own variant of the rock art style identifiable as belonging exclusively to the region. He describes for each region the setting and scope of the rock art along with its design characteristics and possible meaning. Through line drawings, photographs, and detailed maps he provides a guide to the sites where rock art can be viewed. In western Montana, rock art motifs express the ritualistic seeking of a spirit helper from the natural world. In interior British Columbia, rayed arcs above the heads of human figures demonstrate possession of a guardian spirit. Twin figures on the central Columbia Plateau reveal another belief--the special power of twins--and hunting scenes celebrate success of the chase. The grimacing evocative face of Tsagiglalal, in lower Columbia pictographs, testifies to the Plateau Indians’ “death cult” response to the European diseases that decimated their villages between 1700 and 1840. On the southeastern Plateau, images of horse-back riders mark the adoption, after 1700 of the equestrian and cultural habits of the northwestern Great Plains Indians. Despite geographic differences in emphasis, similarities in design and technique link the drawings of all five regions. Human figures, animals depicting numerous species on the Plateau, geometric motifs, mysterious beings, and tally marks, whether painted or carved, appear throughout the Columbia Plateau.
Author: James D. Keyser Publisher: University of Washington Press ISBN: 0295806974 Category : Art Languages : en Pages : 140
Book Description
From the river valleys of interior British Columbia south to the hills of northern Oregon and east to the continental divide in western Montana, hundreds of cliffs and boulders display carved and painted designs created by ancient artists who inhabited this area, the Columbia Plateau, as long as seven thousand years ago. Expressing a vital social and spiritual dimension in the lives of these hunter-gathers, rock art captivates us with its evocative power and mystery. At once an irreplaceable yet fragile cultural resource, it documents Native histories, customs, and visions through thousands of years. This valuable reference and guidebook addresses basic questions of what petroglyphs and pictographs are, how they were produced, and how archaeologists classify and date them. James Keyser identifies five regions on the Columbia Plateau, each with its own variant of the rock art style identifiable as belonging exclusively to the region. He describes for each region the setting and scope of the rock art along with its design characteristics and possible meaning. Through line drawings, photographs, and detailed maps he provides a guide to the sites where rock art can be viewed. In western Montana, rock art motifs express the ritualistic seeking of a spirit helper from the natural world. In interior British Columbia, rayed arcs above the heads of human figures demonstrate possession of a guardian spirit. Twin figures on the central Columbia Plateau reveal another belief--the special power of twins--and hunting scenes celebrate success of the chase. The grimacing evocative face of Tsagiglalal, in lower Columbia pictographs, testifies to the Plateau Indians’ “death cult” response to the European diseases that decimated their villages between 1700 and 1840. On the southeastern Plateau, images of horse-back riders mark the adoption, after 1700 of the equestrian and cultural habits of the northwestern Great Plains Indians. Despite geographic differences in emphasis, similarities in design and technique link the drawings of all five regions. Human figures, animals depicting numerous species on the Plateau, geometric motifs, mysterious beings, and tally marks, whether painted or carved, appear throughout the Columbia Plateau.
Author: James D. Keyser Publisher: University of Washington Press ISBN: 9780295980942 Category : Art Languages : en Pages : 348
Book Description
Archaeologist Keyser and Klassen share with readers the origins, diversity, and beauty of Plains rock art, with the hope of encouraging greater awareness and respect for this cultural tradition by society as a whole. Their guide covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology and dating; and suggests interpretations of images and compositions. The text is illustrated throughout with black-and-white photos, maps and drawings. The writing is serious, but accessible to the general reader. c. Book News Inc.
Author: James D. Keyser Publisher: University of Washington Press ISBN: 0295806842 Category : Social Science Languages : en Pages : 345
Book Description
The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces. In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used rock art, such as complex depictions of hunting, to teach traditional knowledge and skills to the young. Other sites document the medicine powers and brave deeds of famous warriors. Some Plains rock art goes back more than 5,000 years; some forms were made continuously over many centuries. Archaeologists James Keyser and Michael Klassen show us the origins, diversity, and beauty of Plains rock art. The seemingly endless variety of images include humans, animals of all kinds, weapons, masks, mazes, handprints, finger lines, geometric and abstract forms, tally marks, hoofprints, and the wavy lines and starbursts that humans universally associate with trancelike states. Plains Indian Rock Art is the ultimate guide to the art form. It covers the natural and archaeological history of the northwestern Plains; explains rock art forms, techniques, styles, terminology, and dating; and offers interpretations of images and compositions.
Author: George Nash Publisher: Cambridge University Press ISBN: 9780521524247 Category : Art Languages : en Pages : 424
Book Description
A companion to The Archaeology of Rock-Art (Cambridge 1998), this new collection edited by Christopher Chippindale and George Nash addresses the most important component around the rock-art panel - its landscape. The Figured Landscapes of Rock-Art draws together the work of many well-known scholars from key regions of the world for rock-art and for rock-art research. It provides a unique, broad and varied insight into the arrangement, location, and structure of rock-art and its place within the landscapes of ancient worlds as ancient people experienced them. Packed with illustrations, as befits a book about images, The Figured Landscapes of Rock-Art offers a visual as well as a literary key to the understanding of this most lovely and alluring of archaeological traces.
Author: American Rock Art Research Association. Conference Publisher: ISBN: 9780976712152 Category : Bear Gulch Site (Mont.) Languages : en Pages : 216
Author: David A. Kaiser Publisher: American Rock Art Research Association ISBN: 9780988873087 Category : Art Languages : en Pages : 248
Book Description
American Indian Rock Art, published continuously since 1975, is the country's premier series of volumes dedicated to research on rock art as presented at the annual conferences of the American Rock Art Research Association (ARARA). This volume contains 16 papers submitted for publication during the Covid-19 pandemic year of 2020, when the annual conference was cancelled. Topics cover documentation, interpretation, and technical analyses of numerous sites in the Plains and Greater Southwest regions and beyond with over 350 illustrations, most in color.
Author: Kalyan Kumar Chakravarty Publisher: Motilal Banarsidass Publ. ISBN: 9788120814646 Category : Art Languages : en Pages : 264
Book Description
This is a unique volume in the history of rock art studies, meant at once for the advanced scholar, serious student and the curious but conscientious layman, co-authored by K.K. Chakravarty and R.G. Bednarik, who co-chaired the Rock Art session of the World Archaeological Congress 3 at Delhi in 1994. It is a synoptic but comprehensive survey, illustrated by 221 photographs and sketches, including 172 photographs in colour. The two scholars have not only described the latest state of research on rock art, but also transported rock art studies into the realm of interdisciplinary, inter-cultural analysis. Buttressed by an indicative map of the rock art regions, a list of major up to date direct dating results on rock art, a glossary of keywords related to spatial, temporal, technological, managerial categories, and an index, this volume blends precise, dispassionate descriptions with eloquent evocations. It blends conclusions distilled from rigorous, hard headed field research with penetrating criticism and assessment of the evidence. It combines a ruthless brevity and density with extraordinary felicity and clarity of language. Above all, it is an wonderful attempt at dealing with the problems of understanding, which dog human attempts to comprehend the meaning and shape of human creativity.
Author: Neville Agnew Publisher: Getty Publications ISBN: 0892368268 Category : Art Languages : en Pages : 375
Book Description
Conservation is a core value for most archaeological societies. It is highlighted in their codes of ethics, statements of mission, and governance. In recognition of this, the World Archaeological Congress, with the Getty Conservation Institute and a consortium of other conservation organizations, brought together scholars working throughout the globe to discuss vital issues that affect archaeological heritage today. This volume presents the proceedings of the Conservation Theme at the Congress, held in Washington, D.C., June 22–26, 2003. Among the topics discussed are: Innovative Approaches to Policy and Management of Archaeological Sites; Finding Common Ground: The Role of Stakeholders in Decision Making; Archaeology and Tourism: A Viable Partnership?; Preserving the Cultural Heritage of Iraq and Afghanistan; Archaeology and Conservation in China Today; and Managing Archaeological Sites and Rock Art Sites in Southern Africa. These proceedings should do much to promote and strengthen the relationship between the disciplines of conservation and archaeology.
Author: James D. Keyser
Author: James D. Keyser
Author: James D. Keyser
Author: James D. Keyser
Author: George Nash
Author: American Rock Art Research Association. Conference
Author: David A. Kaiser
Author: David A. Kaiser (writer on rock art)
Author: Kalyan Kumar Chakravarty
Author: Julie E. Francis
Author: Neville Agnew