Author: Henry Davenport Northrop
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 638
Book Description
Indian Horrors
Author: Henry Davenport Northrop
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 638
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 638
Book Description
Indian Horrors, Or, Massacres by the Red Men
Author: Henry Davenport Northrop
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 636
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 636
Book Description
The Only Good Indians
Author: Stephen Graham Jones
Publisher: Gallery / Saga Press
ISBN: 1982136464
Category : Fiction
Languages : en
Pages : 336
Book Description
A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians is “a masterpiece. Intimate, devastating, brutal, terrifying, warm, and heartbreaking in the best way” (Paul Tremblay, author of A Head Full of Ghosts). This novel follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways.
Publisher: Gallery / Saga Press
ISBN: 1982136464
Category : Fiction
Languages : en
Pages : 336
Book Description
A NEW YORK TIMES BESTSELLER From USA TODAY bestselling author Stephen Graham Jones comes a “masterpiece” (Locus Magazine) of a novel about revenge, cultural identity, and the cost of breaking from tradition. Labeled “one of 2020’s buzziest horror novels” (Entertainment Weekly), this is a remarkable horror story that “will give you nightmares—the good kind of course” (BuzzFeed). Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians is “a masterpiece. Intimate, devastating, brutal, terrifying, warm, and heartbreaking in the best way” (Paul Tremblay, author of A Head Full of Ghosts). This novel follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways.
Indian Horror Cinema
Author: Mithuraaj Dhusiya
Publisher: Taylor & Francis
ISBN: 1351386484
Category : Performing Arts
Languages : en
Pages : 278
Book Description
This book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam. The author shows that the alienation of the body and bodily functions through the medium of the horror film serves to deconstruct stereotypes of caste, class, gender and anthropocentrism. Some riveting insights emerge thus, such as the masculinist undertow of the possession narrative and how complex structures of resistance accompany the anxieties of culture via the dread of laughter. This original account of Indian cinematic history is accessible yet strongly analytical and includes an exhaustive filmography. The book will interest scholars and researchers in film studies, media and cultural studies, art, popular culture and performance, literature, gender, sociology, South Asian studies, practitioners, filmmakers as well as cinephiles.
Publisher: Taylor & Francis
ISBN: 1351386484
Category : Performing Arts
Languages : en
Pages : 278
Book Description
This book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam. The author shows that the alienation of the body and bodily functions through the medium of the horror film serves to deconstruct stereotypes of caste, class, gender and anthropocentrism. Some riveting insights emerge thus, such as the masculinist undertow of the possession narrative and how complex structures of resistance accompany the anxieties of culture via the dread of laughter. This original account of Indian cinematic history is accessible yet strongly analytical and includes an exhaustive filmography. The book will interest scholars and researchers in film studies, media and cultural studies, art, popular culture and performance, literature, gender, sociology, South Asian studies, practitioners, filmmakers as well as cinephiles.
Bollywood Horrors
Author: Ellen Goldberg
Publisher: Bloomsbury Publishing
ISBN: 1350143154
Category : Art
Languages : en
Pages : 281
Book Description
Bollywood Horrors is a multi-faceted and wide-ranging collection that examines cinematic representations of real-life horror, the religious aspects of horror imagery and themes, and the ways in which Hindi films have projected "cinematic fears" onto the screen. Part I, "Atrocity", deals with Bollywood's representation of the real horrors of communal violence, rape culture, and human trafficking. In Part II ("Religion") the role of myth, ritual, and colonial constructions in producing the generic conventions of Hindi horror are discussed. Contributors focus on the stereotype of the tantric magician found in Indian literature beginning in the medieval period; the myth of the fearsome goddess Durga's slaying of the Buffalo Demon; and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. The final part - "Cinematic Fears" - explores three particular facets or exemplars of Bollywood horror: the 2002 film Raaz, the role of non-domestic haunted or uncanny spaces in Hindi cinema, and the aesthetics of film posters and song booklets advertising horror films.
Publisher: Bloomsbury Publishing
ISBN: 1350143154
Category : Art
Languages : en
Pages : 281
Book Description
Bollywood Horrors is a multi-faceted and wide-ranging collection that examines cinematic representations of real-life horror, the religious aspects of horror imagery and themes, and the ways in which Hindi films have projected "cinematic fears" onto the screen. Part I, "Atrocity", deals with Bollywood's representation of the real horrors of communal violence, rape culture, and human trafficking. In Part II ("Religion") the role of myth, ritual, and colonial constructions in producing the generic conventions of Hindi horror are discussed. Contributors focus on the stereotype of the tantric magician found in Indian literature beginning in the medieval period; the myth of the fearsome goddess Durga's slaying of the Buffalo Demon; and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. The final part - "Cinematic Fears" - explores three particular facets or exemplars of Bollywood horror: the 2002 film Raaz, the role of non-domestic haunted or uncanny spaces in Hindi cinema, and the aesthetics of film posters and song booklets advertising horror films.
Indian Horrors, Or, Massacres by the Red Men
Author: Henry Davenport Northrop
Publisher:
ISBN:
Category : Americana
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category : Americana
Languages : en
Pages : 640
Book Description
Bollywood Horrors
Author: Ellen Goldberg
Publisher: Bloomsbury Publishing
ISBN: 1350143170
Category : Religion
Languages : en
Pages : 278
Book Description
Bollywood Horrors is a wide-ranging collection that examines the religious aspects of horror imagery, representations of real-life horror in the movies, and the ways in which Hindi films have projected cinematic fears onto the screen. Part one, “Material Cultures and Prehistories of Horror in South Asia” looks at horror movie posters and song booklets and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. Part two, “Cinematic Horror, Iconography and Aesthetics” examines the stereotype of the tantric magician found in Indian literature beginning in the medieval period, cinematic representations of the myth of the fearsome goddess Durga's slaying of the Buffalo Demon, and the influence of epic mythology and Hollywood thrillers on the 2002 film Raaz. The final part, “Cultural Horror,” analyzes elements of horror in Indian cinema's depiction of human trafficking, shifting gender roles, the rape-revenge cycle, and communal violence. This book also features images (colour in the hardback, black and white in the paperback).
Publisher: Bloomsbury Publishing
ISBN: 1350143170
Category : Religion
Languages : en
Pages : 278
Book Description
Bollywood Horrors is a wide-ranging collection that examines the religious aspects of horror imagery, representations of real-life horror in the movies, and the ways in which Hindi films have projected cinematic fears onto the screen. Part one, “Material Cultures and Prehistories of Horror in South Asia” looks at horror movie posters and song booklets and the surprising role of religion in the importation of Gothic tropes into Indian films, told through the little-known story of Sir Devendra Prasad Varma. Part two, “Cinematic Horror, Iconography and Aesthetics” examines the stereotype of the tantric magician found in Indian literature beginning in the medieval period, cinematic representations of the myth of the fearsome goddess Durga's slaying of the Buffalo Demon, and the influence of epic mythology and Hollywood thrillers on the 2002 film Raaz. The final part, “Cultural Horror,” analyzes elements of horror in Indian cinema's depiction of human trafficking, shifting gender roles, the rape-revenge cycle, and communal violence. This book also features images (colour in the hardback, black and white in the paperback).
Indian Horrors; Or, Massacres by the Red Men
Author: Henry Davenport Northrop
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 614
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 614
Book Description
Wild Life on the Plains and Horrors of Indian Warfare
Author: George Armstrong Custer
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 546
Book Description
Publisher:
ISBN:
Category : Indians of North America
Languages : en
Pages : 546
Book Description
The A to Z of Horror Cinema
Author: Peter Hutchings
Publisher: Scarecrow Press
ISBN: 0810870509
Category : Performing Arts
Languages : en
Pages : 432
Book Description
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.
Publisher: Scarecrow Press
ISBN: 0810870509
Category : Performing Arts
Languages : en
Pages : 432
Book Description
Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from the subtle and the poetic to the graphic and the gory but what links them all is their ability to frighten, disturb, shock, provoke, delight, irritate, amuse, and bemuse audiences. Horror's capacity to serve as an outlet to capture the changing patterns of our fears and anxieties has ensured not only its notoriety but also its long-term survival and its international popularity. Above all, however, it is the audience's continual desire to experience new frights and evermore-horrifying sights that continue to make films like The Exorcist, A Nightmare on Elm Street, Halloween, Night of the Living Dead, The Texas Chainsaw Massacre, Psycho, Ringu, and The Shining captivate viewers. The A to Z of Horror Cinema traces the development of horror cinema from the beginning of the 20th century to the present day. This is done through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced dictionary entries. Entries cover all the major movie villains, including Frankenstein and his monster, the vampire, the werewolf, the mummy, the zombie, the ghost, and the serial killer; the film directors, producers, writers, actors, cinematographers, make-up artists, special effects technicians, and composers who have helped to shape horror history; significant production companies and the major films that have come to stand as milestones in the development of the horror genre; and the different national traditions in horror cinema as well as horror's most popular themes, formats, conventions, and cycles.