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Author: Patrick S. Tomlinson Publisher: Macmillan + ORM ISBN: 1250302765 Category : Fiction Languages : en Pages : 310
Book Description
It's Hunt for the Red October in Space, with this brand new military science fiction novel from Patrick S. Tomlinson, In the Black In a demilitarized zone on the border of human space, long range spy satellites are mysteriously going quiet, and no one knows why. Captain Susan Kamala and her crew are dispatched to figure out what's going on and solve the problem. That problem, however, is a mysterious, bleeding edge alien ship that no human vessel could hope to match in open conflict. But, it's not spoiling for a fight. Now, the Captain and her Crew must figure out how to navigate a complicated game of diplomacy, balancing the needs of their corporate overlords, and the honest desire for a lasting peace between the two races, all without letting a long standing cold war turn hot. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Patrick S. Tomlinson Publisher: Macmillan + ORM ISBN: 1250302765 Category : Fiction Languages : en Pages : 310
Book Description
It's Hunt for the Red October in Space, with this brand new military science fiction novel from Patrick S. Tomlinson, In the Black In a demilitarized zone on the border of human space, long range spy satellites are mysteriously going quiet, and no one knows why. Captain Susan Kamala and her crew are dispatched to figure out what's going on and solve the problem. That problem, however, is a mysterious, bleeding edge alien ship that no human vessel could hope to match in open conflict. But, it's not spoiling for a fight. Now, the Captain and her Crew must figure out how to navigate a complicated game of diplomacy, balancing the needs of their corporate overlords, and the honest desire for a lasting peace between the two races, all without letting a long standing cold war turn hot. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Ekow Eshun Publisher: Thames & Hudson ISBN: 0500777314 Category : Art Languages : en Pages : 306
Book Description
In the Black Fantastic assembles art and imagery from across the African diaspora that embraces ideas of the mythic and the speculative. Neither Afrofuturism nor Magic Realism, but inhabiting its own universe, In the Black Fantastic brings to life a cultural movement that conjures otherworldly visions out of the everyday Black experience and beyond looking at how speculative fictions in Black art and culture are boldly reimagining perspectives on race, gender, identity and the body in the 21st century. Transcending time, space and genre to span art, design, fashion architecture, film, literature and popular culture from African myth to future fantasies and beyond, this vital, timely and compelling publication is an expressive exploration of Black popular culture at its most wildly imaginative, artistically ambitious and politically urgent.
Author: Robert M. Entman Publisher: University of Chicago Press ISBN: 0226210766 Category : Political Science Languages : en Pages : 326
Book Description
Living in a segregated society, white Americans learn about African Americans through the images the media show. This text offers a look at the racial patterns in the mass media and how they shape the ambivalent attitudes of whites toward blacks.
Author: Beverly Daniel Tatum Publisher: Basic Books ISBN: 1541616588 Category : Social Science Languages : en Pages : 461
Book Description
The classic, New York Times-bestselling book on the psychology of racism that shows us how to talk about race in America. Walk into any racially mixed high school and you will see Black, White, and Latino youth clustered in their own groups. Is this self-segregation a problem to address or a coping strategy? How can we get past our reluctance to discuss racial issues? Beverly Daniel Tatum, a renowned authority on the psychology of racism, argues that straight talk about our racial identities is essential if we are serious about communicating across racial and ethnic divides and pursuing antiracism. These topics have only become more urgent as the national conversation about race is increasingly acrimonious. This fully revised edition is essential reading for anyone seeking to understand dynamics of race and racial inequality in America.
Author: Erika Vause Publisher: University of Virginia Press ISBN: 0813941423 Category : History Languages : en Pages : 306
Book Description
"The most dishonorable act that can dishonor a man." Such is Félix Grandet’s unsparing view of bankruptcy, adding that even a highway robber—who at least "risks his own life in attacking you"—is worthier of respect. Indeed, the France of Balzac’s day was an unforgiving place for borrowers. Each year, thousands of debtors found themselves arrested for commercial debts. Those who wished to escape debt imprisonment through bankruptcy sacrificed their honor—losing, among other rights and privileges, the ability to vote, to serve on a jury, or even to enter the stock market. Arguing that French Revolutionary and Napoleonic legislation created a conception of commercial identity that tied together the debtor’s social, moral, and physical person, In the Red and in the Black examines the history of debt imprisonment and bankruptcy as a means of understanding the changing logic of commercial debt. Following the practical application of these laws throughout the early nineteenth century, Erika Vause traces how financial failure and fraud became legally disentangled. The idea of personhood established in the Revolution’s aftermath unraveled over the course of the century owing to a growing penal ideology that stressed the state’s virtual monopoly over incarceration and to investors’ desire to insure their financial risks. This meticulously researched study offers a novel conceptualization of how central "the economic" was to new understandings of self, state, and the market. Telling a story deeply resonant in our own age of ambivalence about the innocence of failures by financial institutions and large-scale speculators, Vause reveals how legal personalization and depersonalization of debt was essential for unleashing the latent forces of capitalism itself.
Author: Richard A. Jones Publisher: University Press of America ISBN: 0761861343 Category : Philosophy Languages : en Pages : 239
Book Description
The Black Book: Wittgenstein and Race attempts to highlight the importance of Ludwig Wittgenstein’s work for contemporary African American and Africana philosophy. Richard A. Jones argues that Wittgenstein’s early Tractarian views on logical atomism and his later more holistic views from his work Philosophical Investigations are exceedingly relevant to African American philosophy. The Black Book investigates the epistemic, linguistic, and political grounds from which inspiration might be drawn. Ultimately, as philosophy attempts to redefine itself in a postmodern discourse where it has been deigned “concluded,” it is the “awe for the ordinary” that Wittgenstein inspires and that should re-inspire the creative imaginary in Africana thought. The Black Book is an attempt to show that Wittgenstein’s work continues to be important, not only for African American philosophers, but for all philosophers.
Author: Menena Cottin Publisher: Groundwood Books Ltd ISBN: Category : Juvenile Nonfiction Languages : en Pages : 34
Book Description
In a story where the text appears in white letters on a black background, as well as in braille, and the illustrations are also raised on a black surface, Thomas describes how he recognizes different colors using various senses.
Author: Patrick S. Tomlinson Publisher: Macmillan + ORM ISBN: 0765398656 Category : Fiction Languages : en Pages : 357
Book Description
The only thing as infinite and expansive as the universe is humanity’s unquestionable ability to make bad decisions. Humankind ventures further into the galaxy than ever before... and immediately causes an intergalactic incident. In their infinite wisdom, the crew of the exploration vessel Magellan, or as she prefers “Maggie,” decides to bring the alienstructure they just found back to Earth. The only problem? The aliens are awfully fond of that structure. A planet full of bumbling, highly evolved primates has just put itself on a collision course with a far wider, and more hostile, galaxy that is stranger than anyone can possibly imagine. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Fred Moten Publisher: U of Minnesota Press ISBN: 1452906084 Category : Music Languages : en Pages : 383
Book Description
Investigates the connections between jazz, sexual identity, and radical black politics In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on “The Burton Greene Affair,” exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten’s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition
Author: Fred Moten Publisher: Duke University Press ISBN: 0822372223 Category : Social Science Languages : en Pages : 266
Book Description
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In Black and Blur—the first volume in his sublime and compelling trilogy consent not to be a single being—Fred Moten engages in a capacious consideration of the place and force of blackness in African diaspora arts, politics, and life. In these interrelated essays, Moten attends to entanglement, the blurring of borders, and other practices that trouble notions of self-determination and sovereignty within political and aesthetic realms. Black and Blur is marked by unlikely juxtapositions: Althusser informs analyses of rappers Pras and Ol' Dirty Bastard; Shakespeare encounters Stokely Carmichael; thinkers like Kant, Adorno, and José Esteban Muñoz and artists and musicians including Thornton Dial and Cecil Taylor play off each other. Moten holds that blackness encompasses a range of social, aesthetic, and theoretical insurgencies that respond to a shared modernity founded upon the sociological catastrophe of the transatlantic slave trade and settler colonialism. In so doing, he unsettles normative ways of reading, hearing, and seeing, thereby reordering the senses to create new means of knowing.
Author: Patrick S. Tomlinson
Author: Patrick S. Tomlinson
Author: Ekow Eshun
Author: Robert M. Entman
Author: Beverly Daniel Tatum
Author: Erika Vause
Author: Richard A. Jones
Author: Menena Cottin
Author: Patrick S. Tomlinson
Author: Fred Moten
Author: Fred Moten