Improvising in Traditional 17th- and 18th-century Harmonic Style: Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems PDF Download

Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Improvising in Traditional 17th- and 18th-century Harmonic Style: Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems PDF full book. Access full book title Improvising in Traditional 17th- and 18th-century Harmonic Style: Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems by John R. Shannon. Download full books in PDF and EPUB format.

Improvising in Traditional 17th- and 18th-century Harmonic Style: Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems

Improvising in Traditional 17th- and 18th-century Harmonic Style: Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems PDF Author: John R. Shannon
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages :

Book Description

Improvising in Traditional 17th- and 18th-century Harmonic Style: Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems

Improvising in Traditional 17th- and 18th-century Harmonic Style: Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems PDF Author: John R. Shannon
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages :

Book Description

Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems

Expanded use of the dominant-seventh chord and temporary modulation to the dominant ; The minor mode ; Three specialized chords: the supertonic six-five, the diminished seventh, and the Neopolitan sixth ; Harmonic sequences ; New considerations about melody ; Improvising two baroque dances ; The use of rhythmic motives ; The use of keyboard figuration and improvisation on a ground bass ; Introducing counterpoint and improvising a Bicinium ; Improvising a short prelude ; More advanced ways of introducing a hymn ; Improvising a chorale motet ; Improvising a short fugue ; Accompanying hymns ; Accompanying anthems PDF Author: John R. Shannon
Publisher:
ISBN:
Category : Improvisation (Music)
Languages : en
Pages :

Book Description

Structural Functions of Harmony

Structural Functions of Harmony PDF Author: Arnold Schoenberg
Publisher: W. W. Norton & Company
ISBN: 9780393004786
Category : Music
Languages : en
Pages : 226

Book Description
This book is Schoenberg's last completed theoretical work and represents his final thoughts on the subject of classical and romantic harmony. The earlier chapters recapitulate in condensed form the principles laid down in his 'Theory of Harmony'; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of 'monotonality, ' showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

Jazzology

Jazzology PDF Author: Robert Rawlins
Publisher: Hal Leonard Corporation
ISBN: 1476840873
Category : Music
Languages : en
Pages : 275

Book Description
(Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more!

The Langloz Manuscript

The Langloz Manuscript PDF Author: Johann Sebastian Bach
Publisher: Oxford University Press on Demand
ISBN: 9780198167297
Category : Music
Languages : en
Pages : 190

Book Description
What sorts of processes were going through the mind of J.S. Bach as he improvised a fugue in three, four, or even six parts? And what sort of training equipped an organist of the early eighteenth century to practice the art of accompaniment and improvisation successfully? The practical method which linked keyboard technique, improvisation, performance, and composition in a continuum was the thoroughbass, the center of the Baroque musicians art. The Langloz Manuscript, originating in the era and proximity of Bach's region of activity, and containing the largest extant collection of figured bass fugues, provides a window into this very process, and demonstrates more clearly than any words can the method by which the art of thoroughbass provided a foundation for extemporised fugue. The present edition is the first publication of this manuscript.

Mozart's Music of Friends

Mozart's Music of Friends PDF Author: Edward Klorman
Publisher: Cambridge University Press
ISBN: 1107093651
Category : Art
Languages : en
Pages : 359

Book Description
This study analyzes chamber music from Mozart's time within its highly social salon-performance context.

Basic Music Theory

Basic Music Theory PDF Author: Jonathan Harnum
Publisher: Questions Ink. Publishing
ISBN: 9780970751287
Category : Music
Languages : en
Pages : 0

Book Description
Basic Music Theory takes you through the sometimes confusing world of written music with a clear, concise style that is at times funny and always friendly. The book is written by an experienced teacher using methods refined over more than ten years in his private teaching studio and in schools. --from publisher description.

Fretboard Harmony

Fretboard Harmony PDF Author: Jeffrey McFadden
Publisher:
ISBN: 9782896552986
Category : Guitar
Languages : en
Pages : 119

Book Description

Schubert's Late Music

Schubert's Late Music PDF Author: Lorraine Byrne Bodley
Publisher: Cambridge University Press
ISBN: 1107111293
Category : Art
Languages : en
Pages : 489

Book Description
A thematic exploration of Schubert's style, applied in readings of his instrumental and vocal literature by international scholars.

Composing for the Cinema

Composing for the Cinema PDF Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311

Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
➤