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Author: Patrick Hamilton Publisher: Abacus ISBN: 0349141630 Category : Fiction Languages : en Pages : 142
Book Description
'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters 'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick Hornby Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell. Impromptu in Moribundia is a satirical fable about one (nameless) man's trespass (through a fantastical machine called the 'Asteradio') into a parallel universe on a far-off planet where the 'miserably dull affairs of England' are mirrored and transformed into an apparent idyll of bourgeois English imagination. Moribundia is the 'physical enactment of the stereotypes and myths of English middle-class culture and consciousness.' Yet the narrator comes to discover that he has stumbled among a people characterised by 'cupidity, ignorance, complacence, meanness, ugliness, short-sightedness, cowardice, credulity, hysteria and, when the occasion called for it . . . cruelty and blood-thirstiness.
Author: Patrick Hamilton Publisher: Abacus ISBN: 0349141630 Category : Fiction Languages : en Pages : 142
Book Description
'I recommend Hamilton at every opportunity, because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters 'If you were looking to fly from Dickens to Martin Amis with just one overnight stop, then Hamilton is your man' Nick Hornby Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell. Impromptu in Moribundia is a satirical fable about one (nameless) man's trespass (through a fantastical machine called the 'Asteradio') into a parallel universe on a far-off planet where the 'miserably dull affairs of England' are mirrored and transformed into an apparent idyll of bourgeois English imagination. Moribundia is the 'physical enactment of the stereotypes and myths of English middle-class culture and consciousness.' Yet the narrator comes to discover that he has stumbled among a people characterised by 'cupidity, ignorance, complacence, meanness, ugliness, short-sightedness, cowardice, credulity, hysteria and, when the occasion called for it . . . cruelty and blood-thirstiness.
Author: Charlotte Charteris Publisher: Springer ISBN: 3030024148 Category : Literary Criticism Languages : en Pages : 289
Book Description
Offering a radical reassessment of 1930s British literature, this volume questions the temporal limits of the literary decade, and broadens the scope of queer literary studies to consider literary-historical responses to a variety of behaviours encompassed by the term ‘queer’ in its many senses. Whilst it is informed by the history of sexuality in twentieth-century Europe, it is also profoundly concerned with what Christopher Isherwood termed ‘the market value of the Odd.’ Drawing, for its methodology, on the work of Raymond Williams, it traces the impact of the Great War on the development of language, examining the use of ten ‘keywords’ in the prose of Christopher Isherwood, Evelyn Waugh and Patrick Hamilton, and that of their respective literary milieux, in order to establish how queer lives and modern sub-cultural identities were forged collaboratively within the fictional realm. By utilizing contemporary perspectives on performativity in conjunction with detailed close readings it repositions these authors as self-conscious agents actively producing their own queer masculinities through calculated acts of linguistic transgression.
Author: Richard Dellamora Publisher: Routledge ISBN: 1000169278 Category : Language Arts & Disciplines Languages : en Pages : 258
Book Description
Beginning with Somerset Maugham’s innovative, sexually dissident South Seas novel and tales and Alfred Hitchcock’s gay-inflected revisiting of the Jack the Ripper sensation in silent film, this book considers the continuing presence of the past in future-oriented work of the 1930s and the Second World War by Sylvia Townsend Warner, Virginia Woolf, George Orwell, and the playwright and novelist, Patrick Hamilton. The final three chapters carry the discussion to the present in analyses of works by lesbian, postcolonial, and gay authors such as Sarah Waters, Amitav Ghosh, and Alan Hollinghurst. Focusing on questions about temporality and changes in gender and sexuality, especially gay and lesbian, straight and queer, following the rejection of the Victorian patriarchal marriage model, this study examines the continuing influence of late Victorian Aestheticist and Decadent culture in Modernist writing and its permutations in England.
Author: James Smith Publisher: Cambridge University Press ISBN: 1108574793 Category : Literary Criticism Languages : en Pages : 269
Book Description
The 1930s is frequently seen as a unique moment in British literary history, a decade where writing was shaped by an intense series of political events, aesthetic debates, and emerging literary networks. Yet what is contained under the rubric of 1930s writing has been the subject of competing claims, and therefore this Companion offers the reader an incisive survey covering the decade's literature and its status in critical debates. Across the chapters, sustained attention is given to writers of growing scholarly interest, to pivotal authors of the period, such as Auden, Orwell, and Woolf, to the development of key literary forms and themes, and to the relationship between this literature and the decade's pressing social and political contexts. Through this, the reader will gain new insight into 1930s literary history, and an understanding of many of the critical debates that have marked the study of this unique literary era.
Author: Gregory Claeys Publisher: Oxford University Press ISBN: 0191088617 Category : History Languages : en Pages : 569
Book Description
Dystopia: A Natural History is the first monograph devoted to the concept of dystopia. Taking the term to encompass both a literary tradition of satirical works, mostly on totalitarianism, as well as real despotisms and societies in a state of disastrous collapse, this volume redefines the central concepts and the chronology of the genre and offers a paradigm-shifting understanding of the subject. Part One assesses the theory and prehistory of 'dystopia'. By contrast to utopia, conceived as promoting an ideal of friendship defined as 'enhanced sociability', dystopia is defined by estrangement, fear, and the proliferation of 'enemy' categories. A 'natural history' of dystopia thus concentrates upon the centrality of the passion or emotion of fear and hatred in modern despotisms. The work of Le Bon, Freud, and others is used to show how dystopian groups use such emotions. Utopia and dystopia are portrayed not as opposites, but as extremes on a spectrum of sociability, defined by a heightened form of group identity. The prehistory of the process whereby 'enemies' are demonised is explored from early conceptions of monstrosity through Christian conceptions of the devil and witchcraft, and the persecution of heresy. Part Two surveys the major dystopian moments in twentieth century despotisms, focussing in particular upon Nazi Germany, Stalinism, the Chinese Cultural Revolution, and Cambodia under Pol Pot. The concentration here is upon the political religion hypothesis as a key explanation for the chief excesses of communism in particular. Part Three examines literary dystopias. It commences well before the usual starting-point in the secondary literature, in anti-Jacobin writings of the 1790s. Two chapters address the main twentieth-century texts usually studied as representative of the genre, Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four. The remainder of the section examines the evolution of the genre in the second half of the twentieth century down to the present.
Author: Marina MacKay Publisher: Oxford University Press ISBN: 019255851X Category : Literary Criticism Languages : en Pages : 268
Book Description
Before his masterpiece The Rise of the Novel made him one of the most influential post-war British literary critics, Ian Watt was a soldier, a prisoner of war of the Japanese, and a forced labourer on the notorious Burma-Thailand Railway. Both an intellectual biography and an intellectual history of the mid-century, this book reconstructs Watt's wartime world: these were harrowing years of mass death, deprivation, and terror, but also ones in which communities and institutions were improvised under the starkest of emergency conditions. Ian Watt: The Novel and the Wartime Critic argues that many of our foundational stories about the novel—about the novel's origins and development, and about the social, moral, and psychological work that the novel accomplishes—can be traced to the crises of the Second World War and its aftermath.
Author: Steve Ellis Publisher: Cambridge University Press ISBN: 1107054583 Category : Fiction Languages : en Pages : 261
Book Description
This book considers the literary construction of what E. M. Forster calls 'the 1939 State', namely the anticipation of the Second World War between the Munich crisis of 1938 and the end of the Phoney War in the spring of 1940. Steve Ellis investigates not only myriad responses to the imminent war but also various peace aims and plans for post-war reconstruction outlined by such writers as T. S. Eliot, H. G. Wells, J. B. Priestley, George Orwell, E. M. Forster and Leonard and Virginia Woolf. He argues that the work of these writers is illuminated by the anxious tenor of this period. The result is a novel study of the 'long 1939', which transforms readers' understanding of the literary history of the eve-of-war era.
Author: D. J. Taylor Publisher: Simon and Schuster ISBN: 1639364528 Category : Biography & Autobiography Languages : en Pages : 490
Book Description
A fascinating exploration of George Orwell—and his body of work—by an award-winning Orwellian biographer and scholar, presenting the author anew to twenty-first-century readers. We find ourselves in an era when the moment is ripe for a reevaluation of the life and the works of one of the twentieth century’s greatest authors. This is the first twenty-first-century biography on George Orwell, with special recognition to D. J. Taylor's stature as an award-winning biographer and Orwellian. Using new sources that are now available for the first time, we are tantalizingly at the end of the lifespan of Orwell's last few contemporaries, whose final reflections are caught in this book. The way we look at a writer and his canon has changed even over the course of the last two decades; there is a post-millennial prism through which we must now look for such a biography to be fresh and relevant. This is what Orwell: The New Life achieves.
Author: Patrick Hamilton
Author: Patrick Hamilton
Author: Laura Frost
Author: Charlotte Charteris
Author: Richard Dellamora
Author: James Smith
Author: Gregory Claeys
Author: R. B Singh
Author: Marina MacKay
Author: Steve Ellis
Author: D. J. Taylor