Impressionism Abroad PDF Download

Author: Erica E. Hirshler
Publisher: Royal Academy Publications
ISBN:
Category : Art
Languages : en
Pages : 150

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Book Description
Includes Biographies of collectors and artists, and list of Lenders to the exhibition.

Author: Erica Hirshler
Publisher: Royal Academy Books
ISBN: 9781903973776
Category : Art
Languages : en
Pages : 0

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Book Description
"The Museum of Fine Arts in Boston possesses one of the world's finest collections of nineteenth-century French and American art. This colourful book illustrates many of its highlights." "As she outlines the history of the collection, Erica Hirshler considers the taste in Boston for atmospheric landscapes which, by the late 1880s, had led young Boston painters to Monet's door. Their willingness to embrace Impressionism helped to popularise this style of painting throughout the United States." "All the high points of Boston's nineteenth-century collections are revealed here, with works by the leading French Impressionist painters and their American counterparts, such as Childe Hassam and Philip Hale."--BOOK JACKET.

Author: Helene Barbara Weinberg
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136

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Book Description

Author: Emily C. Burns
Publisher: Routledge
ISBN: 1000372952
Category : Art
Languages : en
Pages : 318

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Book Description
This book offers microhistories related to the transnational circulations of impressionism in the late nineteenth and early twentieth centuries. The contributors rethink the role of "French" impressionism in shaping these iterations by placing France within its global and imperialist context and arguing that impressionisms might be framed through the mobility studies’ concept of "constellations of mobility." Artists engaging with impressionism in France, as in other global contexts, relied on, responded to, appropriated, and resisted elements of form and content based on fluid and interconnected political realities and market structures. Written by scholars and curators, the chapters demand reconsideration of impressionism as a historical construct and the meanings assigned to that term. This project frames future discussion in art history, cultural studies, and global studies on the politics of appropriating impressionism.

Author: Susie Brooks
Publisher: Compass Point Books
ISBN: 0756562376
Category : Juvenile Nonfiction
Languages : en
Pages : 49

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Book Description
"First published in Great Britain in 2018 by Wayland"--Verso.

Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 1876509996
Category : Art, American
Languages : en
Pages : 341

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Book Description
An exhibition publication featuring curatorial essays and works from the Metropolitan Museum of Art, New York

Author: William H. Gerdts
Publisher: Abbeville Press
ISBN:
Category : Art
Languages : en
Pages : 290

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Book Description
Lavishly illustrated, meticulously researched, and gracefully written, this definitive study of California's distinctive style of impressionism surveys the movement's sources abroad, its most influential artists, and the critical responses to the style. 248 illustrations, 201 in color.

Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644

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Book Description
A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the defini­tion, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.

Author: John I. Clancy
Publisher: Nova Publishers
ISBN: 9781590335451
Category : Art
Languages : en
Pages : 242

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Book Description
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.

Author: Michael Fried
Publisher: Harvard University Press
ISBN: 0674984951
Category : Literary Criticism
Languages : en
Pages : 270

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Book Description
“My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel—it is, before all, to make you see. That—and no more, and it is every-thing.” So wrote Joseph Conrad in the best-known account of literary impressionism, the late nineteenth- and early twentieth-century movement featuring narratives that paint pictures in readers’ minds. If literary impressionism is anything, it is the project to turn prose into vision. But vision of what? Michael Fried demonstrates that the impressionists sought to compel readers not only to see what was described and narrated but also to see writing itself. Fried reads Conrad, Stephen Crane, Frank Norris, W. H. Hudson, Ford Madox Ford, H. G. Wells, Jack London, Rudyard Kipling, Erskine Childers, R. B. Cunninghame Graham, and Edgar Rice Burroughs as avatars of the scene of writing. The upward-facing page, pen and ink, the look of written script, and the act of inscription are central to their work. These authors confront us with the sheer materiality of writing, albeit disguised and displaced so as to allow their narratives to proceed to their ostensible ends. What Was Literary Impressionism? radically reframes a large body of important writing. One of the major art historians and art critics of his generation, Fried turns to the novel and produces a rare work of insight and erudition that transforms our understanding of some of the most challenging fiction in the English language.