Culture, Technology and the Image PDF Download

Author: Jeremy Pilcher
Publisher:
ISBN: 9781789381139
Category : Technology
Languages : en
Pages :

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Author: Beth Felker Jones
Publisher: InterVarsity Press
ISBN: 0830851208
Category : Religion
Languages : en
Pages : 276

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Book Description
Humans are created in the image of God, yet by choosing to rebel against God we become unfaithful bearers of his image. But Jesus, who is the image of God, restores the divine image in us. At the intersection of theology and culture, these essays offer a unified vision of what it means to be truly human and created in the divine image in the world today.

Author: Anthony A. Hoekema
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802808509
Category : Religion
Languages : en
Pages : 282

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ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.

Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212

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The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

Author: Joseph D Anderson
Publisher: SIU Press
ISBN: 9780809327461
Category : Art
Languages : en
Pages : 276

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Looking at film through its communication properties rather than its social or political implications, this work draws on the tenets of James J. Gibson's ecological theory of visual perception and offers a new understanding of how moving images are seen and understood.

Author: J. Richard Middleton
Publisher: Brazos Press
ISBN: 1587431106
Category : Religion
Languages : en
Pages : 304

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Offers a deeply informed take on a key Christian doctrine and its interpretation and relevance today.

Author: Kenneth Ewart Boulding
Publisher: University of Michigan Press
ISBN: 9780472060474
Category : Business & Economics
Languages : en
Pages : 192

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Boulding discusses the image as the key to understanding society and human behavior

Author: Noreen L. Herzfeld
Publisher: Fortress Press
ISBN: 9781451415186
Category : Religion
Languages : en
Pages : 166

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Book Description
In Our Image brilliantly illuminates who we are as humans by demonstrating the surprisingly deep parallels between our motivations to replicate ourselves through computer technology and our emerging understanding of ourselves as relational beings created in God's image. This book is required reading for anyone--Christian or non-Christian--intrigued by the possibility of artificial intelligence.

Author: Brigitte Peucker
Publisher: Stanford University Press
ISBN: 9780804754316
Category : Literary Criticism
Languages : en
Pages : 276

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Book Description
Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body—images and the real—are juxtaposed and entwined in a set of relations.

Author: Liam Kennedy
Publisher: Routledge
ISBN: 1000211746
Category : Art
Languages : en
Pages : 305

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Book Description
Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.