Imperative constructions in old English PDF Download

Author: Celia M. Millward
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111658406
Category : Language Arts & Disciplines
Languages : en
Pages : 76

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Author: Celia M. Millward
Publisher:
ISBN:
Category :
Languages : en
Pages : 73

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Author: Celia M. Millward
Publisher:
ISBN:
Category :
Languages : en
Pages : 75

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Author: Eirlys Davies
Publisher: Routledge
ISBN: 9780709945130
Category : Anglais (Langue) - Impératif
Languages : en
Pages : 275

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Author: Chung-hye Han
Publisher: Psychology Press
ISBN: 9780815337874
Category : Language Arts & Disciplines
Languages : en
Pages : 284

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The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

Author: William Wriley Kruger
Publisher:
ISBN:
Category : Corpora (Linguistics)
Languages : en
Pages : 119

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The nature of imperative syntax has remained an elusive, yet ever-present, subject in syntactic research, spanning several decades of linguistic inquiry and analysis, and it is therefore unsurprising that current views on the subject continue to be somewhat divided. This thesis examines the syntactic evidence from imperatives in Old English and ultimately seeks to develop a picture of the possibilities for imperative clauses in OE alongside an overall framework for imperative syntax within contemporary theoretical models of syntactic structure. The general, perceived pattern for OE imperative clauses (e.g. Millward 1971) is & ldquo;verb & minus;first, & rdquo; and statistical data from the corpora confirm this perception, with the majority of imperative clauses exhibiting the verb in clause & minus;initial position. Imperative constructions with post & minus; and preverbal overt subjects are also examined at length, and postverbal subjects are found to be the majority case. These results are further expanded by examinations of data from verb & minus;second and verb & minus;third contexts, which include possibilities for topicalized constituents and adverbs. Ultimately, the relative position of both the verb and the subject and the relationship between these and other elements in the totality of the data provide essential clues for constructing a clearer model of OE imperative syntax. Within a relatively rich cartographic framework (Rizzi 1997), I therefore argue that the imperative verb is standardly fronted to the head of ForceP, with the overt subject remaining in spec & minus;FinP, in parallel with other models for imperative syntax and OE syntax. Exceptions to this pattern for imperatives which suggest lower positions for the imperative verb (e.g. verb & minus;second and verb & minus;third constructions) are also accounted for, all with the central goal of demonstrating a consistent pattern underlying the realization of imperative syntax in Old English.

Author: David Lightfoot
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110819465
Category : Language Arts & Disciplines
Languages : en
Pages : 152

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Author: Viola G. Waterhouse
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111348911
Category : Language Arts & Disciplines
Languages : en
Pages : 160

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No detailed description available for "The history and development of tagmemics".

Author: Linda van Bergen
Publisher: Routledge
ISBN: 1317416740
Category : Language Arts & Disciplines
Languages : en
Pages : 231

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First published in 2003, this is a study of the syntactic behaviour of personal pronoun subjects and the indefinite pronoun man, in Old English. It focuses on differences in word order as compared to full noun phrases. In generative work on Old English, noun phrases have usually divided into two categories: 'nominal' and 'pronominal'. The latter category has typically been restricted to personal pronouns, but despite striking similarities to the behaviour of nominals there has been good reason to believe that man should be grouped with personal pronouns. This book explores investigations carried out in conjunction with the aid of the Toronto Corpus, which confirmed this hypothesis.

Author: Asier Alcázar
Publisher: Cambridge University Press
ISBN: 1107005809
Category : Language Arts & Disciplines
Languages : en
Pages : 237

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The imperative clause is one of three major sentence types that have been found to be universal across the languages of the world. Compared to declaratives and interrogatives, the imperative type has received comparatively less attention. Using compelling empirical evidence, this cutting-edge study presents a new linguistic theory of imperatives.