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Author: Michael Lucken Publisher: Columbia University Press ISBN: 023154054X Category : Art Languages : en Pages : 257
Book Description
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts. Choosing a representative work from each of four modern genres—painting, film, photography, and animation—Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914–1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey—Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.
Author: Michael Lucken Publisher: Columbia University Press ISBN: 023154054X Category : Art Languages : en Pages : 257
Book Description
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts. Choosing a representative work from each of four modern genres—painting, film, photography, and animation—Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914–1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey—Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following.
Author: Michael Lucken Publisher: Asia Perspectives: History, Society, and Culture ISBN: 9780231172929 Category : Creation Languages : en Pages : 248
Book Description
The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construction, with roots in Romantic ideals of originality. Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture through several twentieth-century masterpieces.
Author: Michael Lucken Publisher: ISBN: 9780231177023 Category : Collective memory Languages : en Pages : 0
Book Description
Japanese memories of World War II exert a powerful influence over the nation's society and culture. Michael Lucken explores how the war manifested in literature, art, film, funerary practices, and education reform, creating an idea of Japanese identity that still resonates from soap operas to the response to the Fukushima nuclear disaster.
Author: Rupert Cox Publisher: Routledge ISBN: 1134397356 Category : Social Science Languages : en Pages : 362
Book Description
This book challenges the perception of Japan as a ‘copying culture’ through a series of detailed ethnographic and historical case studies. It addresses a question about why the West has had such a fascination for the adeptness with which the Japanese apparently assimilate all things foreign and at the same time such a fear of their skill at artificially remaking and automating the world around them. Countering the idea of a Japan that deviously or ingenuously copies others, it elucidates the history of creative exchanges with the outside world and the particular myths, philosophies and concepts which are emblematic of the origins and originality of copying in Japan. The volume demonstrates the diversity and creativity of copying in the Japanese context through the translation of a series of otherwise loosely related ideas and concepts into objects, images, texts and practices of reproduction, which include: shamanic theatre, puppetry, tea utensils, Kyoto town houses, architectural models, genres of painting, calligraphy, and poetry, ‘sample’ food displays, and the fashion and car industries.
Author: Ian Condry Publisher: Duke University Press ISBN: 0822388162 Category : Music Languages : en Pages : 263
Book Description
In this lively ethnography Ian Condry interprets Japan’s vibrant hip-hop scene, explaining how a music and culture that originated halfway around the world is appropriated and remade in Tokyo clubs and recording studios. Illuminating different aspects of Japanese hip-hop, Condry chronicles how self-described “yellow B-Boys” express their devotion to “black culture,” how they combine the figure of the samurai with American rapping techniques and gangsta imagery, and how underground artists compete with pop icons to define “real” Japanese hip-hop. He discusses how rappers manipulate the Japanese language to achieve rhyme and rhythmic flow and how Japan’s female rappers struggle to find a place in a male-dominated genre. Condry pays particular attention to the messages of emcees, considering how their raps take on subjects including Japan’s education system, its sex industry, teenage bullying victims turned schoolyard murderers, and even America’s handling of the war on terror. Condry attended more than 120 hip-hop performances in clubs in and around Tokyo, sat in on dozens of studio recording sessions, and interviewed rappers, music company executives, music store owners, and journalists. Situating the voices of Japanese artists in the specific nightclubs where hip-hop is performed—what musicians and fans call the genba (actual site) of the scene—he draws attention to the collaborative, improvisatory character of cultural globalization. He contends that it was the pull of grassroots connections and individual performers rather than the push of big media corporations that initially energized and popularized hip-hop in Japan. Zeebra, DJ Krush, Crazy-A, Rhymester, and a host of other artists created Japanese rap, one performance at a time.
Author: Ming Tiampo Publisher: University of Chicago Press ISBN: 0226801667 Category : Art Languages : en Pages : 259
Book Description
Gutai is the first book in English to examine Japan’s best-known modern art movement, a circle of postwar artists whose avant-garde paintings, performances, and installations foreshadowed many key developments in American and European experimental art. Working with previously unpublished photographs and archival resources, Ming Tiampo considers Gutai’s pioneering transnational practice, spurred on by mid-century developments in mass media and travel that made the movement’s field of reception and influence global in scope. Using these lines of transmission to claim a place for Gutai among modernist art practices while tracing the impact of Japan on art in Europe and America, Tiampo demonstrates the fundamental transnationality of modernism. Ultimately, Tiampo offers a new conceptual model for writing a global history of art, making Gutai an important and original contribution to modern art history.
Author: Etsuko Yamada Publisher: Tuttle Publishing ISBN: 1462916120 Category : Crafts & Hobbies Languages : en Pages : 117
Book Description
Wrap anything from a wine bottle to a yoga mat with this practical Japanese fabric-wrapping book. Long before today's eco-friendly philosophy of "reduce, reuse, recycle" entered America's collective consciousness, furoshiki--the Japanese method of wrapping things with fabric--flourished as a time-honored and practical art form. In Wrapping With Fabric, Etsuko Yamada--born into a long-line of furoshiki makers in Kyoto--explains the "one cloth, many uses" ideology behind the craft, the etiquette of color and the craft's fascinating history. From there, she shares the myriad ways in which a few basic techniques can transform a simple square of cloth into an elegant wrapper. Use your folded fabrics to: Gift-wrap anything from books to flowers Bundle up a picnic Tote items around Use as a handbag or backpack Make into a pillow covering Create decorative coverings for vases, tissue boxes, and more A quiet reminder that opportunities for artistry are everywhere around you, Wrapping With Fabric is the craft book that makes it easy to bring a touch of grace and ingenuity to everyday life--and help preserve the environment, too.
Author: John T. Carpenter Publisher: Metropolitan Museum of Art ISBN: 1588394719 Category : Art, Japanese Languages : en Pages : 218
Book Description
Exhibition of paintings, lacquerwork, ceramics, textiles, calligraphy, and other media all in the Rinpa style from 1600 to the present day.
Author: Makoto Fujimura Publisher: NavPress ISBN: 1641587113 Category : Religion Languages : en Pages : 225
Book Description
Embark on a profound journey through the depths of human emotion and spirituality in the updated anniversary edition of Refractions by renowned artist Makoto Fujimura. This timeless collection of reflective essays invites you to explore themes of grief, loss, tragedy, and disruption through the eyes of an artist’s soul. Originally conceived in the shadow of the fallen twin towers of the World Trade Center, near where Fujimura’s New York art studio stood, this anniversary edition includes new essays unpacking the author’s further insights into his concepts of culture care and a theology of making. Refractions carries the weight of history and the urgency of the moment, illuminating beauty, healing, and hope. A gift for any artist or supporter of the arts, Refractions connects faith, art, and life, offering insight into healing with the wisdom and perspective of a leading contemporary artist and follower of Jesus, making beauty from ashes, and the gospel as a message as breathtaking and intricate as the lives it touches. In a world marred by violence and despair, Fujimura guides you toward a deep understanding of life’s intricate tapestry, where beauty emerges from unexpected places, and healing finds its roots in the goodness of God and human resilience.
Author: Michael Lucken
Author: Michael Lucken
Author: Michael Lucken
Author: Stefan van Raaij
Author: Michael Lucken
Author: Rupert Cox
Author: Ian Condry
Author: Ming Tiampo
Author: Etsuko Yamada
Author: John T. Carpenter
Author: Makoto Fujimura