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Author: Jonathan Stockdale Publisher: University of Hawaii Press ISBN: 0824854977 Category : Religion Languages : en Pages : 194
Book Description
For over three hundred years during the Heian period (794–1185), execution was customarily abolished in favor of banishment. During the same period, exile emerged widely as a concern within literature and legend, in poetry and diaries, and in the cultic imagination, as expressed in oracles and revelations. While exile was thus one sanction available to the state, it was also something more: a powerful trope through which members of court society imagined the banishment of gods and heavenly beings, of legendary and literary characters, and of historical figures, some transformed into spirits. This compelling and well-researched volume is the first in English to explore the rich resonance of exile in the cultural life of the Japanese court. Rejecting the notion that such narratives merely reflect a timeless literary archetype, Jonathan Stockdale shows instead that in every case narratives of exile emerged from particular historical circumstances—moments in which elites in the capital sought to reveal and to re-imagine their world and the circulation of power within it. By exploring the relationship of banishment to the structures of inclusion and exclusion upon which Heian court society rested, Stockdale moves beyond the historiographical discussion of "center and margin" to offer instead a theory of exile itself. Stockdale's arguments are situated in astute and careful readings of Heian sources. His analysis of a literary narrative, the Tale of the Bamboo Cutter, for example, shows how Kaguyahime's exile from the "Capital of the Moon" to earth implicitly portrays the world of the Heian court as a polluted periphery. His exploration of one of the most well-known historical instances of banishment, that of Sugawara Michizane, illustrates how the political sanction of exile could be met with a religious rejoinder through which an exiled noble is reinstated in divine form, first as a vengeful spirit and then as a deity worshipped at the highest levels of court society. Imagining Exile in Heian Japan is a model of interdisciplinary scholarship that will appeal to anyone interested in the interwoven connections among the literature, politics, law, and religion of early and classical Japan.
Author: Jonathan Stockdale Publisher: University of Hawaii Press ISBN: 0824854977 Category : Religion Languages : en Pages : 194
Book Description
For over three hundred years during the Heian period (794–1185), execution was customarily abolished in favor of banishment. During the same period, exile emerged widely as a concern within literature and legend, in poetry and diaries, and in the cultic imagination, as expressed in oracles and revelations. While exile was thus one sanction available to the state, it was also something more: a powerful trope through which members of court society imagined the banishment of gods and heavenly beings, of legendary and literary characters, and of historical figures, some transformed into spirits. This compelling and well-researched volume is the first in English to explore the rich resonance of exile in the cultural life of the Japanese court. Rejecting the notion that such narratives merely reflect a timeless literary archetype, Jonathan Stockdale shows instead that in every case narratives of exile emerged from particular historical circumstances—moments in which elites in the capital sought to reveal and to re-imagine their world and the circulation of power within it. By exploring the relationship of banishment to the structures of inclusion and exclusion upon which Heian court society rested, Stockdale moves beyond the historiographical discussion of "center and margin" to offer instead a theory of exile itself. Stockdale's arguments are situated in astute and careful readings of Heian sources. His analysis of a literary narrative, the Tale of the Bamboo Cutter, for example, shows how Kaguyahime's exile from the "Capital of the Moon" to earth implicitly portrays the world of the Heian court as a polluted periphery. His exploration of one of the most well-known historical instances of banishment, that of Sugawara Michizane, illustrates how the political sanction of exile could be met with a religious rejoinder through which an exiled noble is reinstated in divine form, first as a vengeful spirit and then as a deity worshipped at the highest levels of court society. Imagining Exile in Heian Japan is a model of interdisciplinary scholarship that will appeal to anyone interested in the interwoven connections among the literature, politics, law, and religion of early and classical Japan.
Author: Torquil Duthie Publisher: BRILL ISBN: 900426454X Category : Poetry Languages : en Pages : 463
Book Description
In Man’yōshū and the Imperial Imagination in Early Japan, Torquil Duthie examines the literary representation of the late seventh-century Yamato court as a realm of "all under heaven.” Through close readings of the early volumes of the poetic anthology Man’yōshū (c. eighth century) and the last volumes of the official history Nihon shoki (c. 720), Duthie shows how competing political interests and different styles of representation produced not a unified ideology, but rather a “bundle” of disparate imperial imaginaries collected around the figure of the imperial sovereign. Central to this process was the creation of a tradition of vernacular poetry in which Yamato courtiers could participate and recognize themselves as the cultured officials of the new imperial realm.
Author: Susan L Burns Publisher: Duke University Press ISBN: 0822384906 Category : Political Science Languages : en Pages : 295
Book Description
Exploring the emergence and evolution of theories of nationhood that continue to be evoked in present-day Japan, Susan L. Burns provides a close examination of the late-eighteenth-century intellectual movement kokugaku, which means "the study of our country.” Departing from earlier studies of kokugaku that focused on intellectuals whose work has been valorized by modern scholars, Burns seeks to recover the multiple ways "Japan" as social and cultural identity began to be imagined before modernity. Central to Burns's analysis is Motoori Norinaga’s Kojikiden, arguably the most important intellectual work of Japan's early modern period. Burns situates the Kojikiden as one in a series of attempts to analyze and interpret the mythohistories dating from the early eighth century, the Kojiki and Nihon shoki. Norinaga saw these texts as keys to an original, authentic, and idyllic Japan that existed before being tainted by "flawed" foreign influences, notably Confucianism and Buddhism. Hailed in the nineteenth century as the begetter of a new national consciousness, Norinaga's Kojikiden was later condemned by some as a source of Japan's twentieth-century descent into militarism, war, and defeat. Burns looks in depth at three kokugaku writers—Ueda Akinari, Fujitani Mitsue, and Tachibana Moribe—who contested Norinaga's interpretations and produced competing readings of the mythohistories that offered new theories of community as the basis for Japanese social and cultural identity. Though relegated to the footnotes by a later generation of scholars, these writers were quite influential in their day, and by recovering their arguments, Burns reveals kokugaku as a complex debate—involving history, language, and subjectivity—with repercussions extending well into the modern era.
Author: Frank Feltens Publisher: Hirmer Verlag ISBN: 3777443506 Category : Art Languages : en Pages : 340
Book Description
Welches Bild von China hatten japanische Künstler vom späten 17. Jahrhundert, als ihr Land sich gegen die Welt abschottete, bis zur Öffnung im Zuge der Modernisierung ab der Mitte des 19. Jahrhunderts? Der Band untersucht vorrangig Darstellungen in der japanischen Malerei vom späten 17. bis zum 20. Jahrhundert, die China als realen Ort ebenso wie als imaginäres gelobtes Land zeigen. In drei Essays renommierter japanischer Kunsthistoriker*innen und über fünfzig Katalogeinträgen zu außergewöhnlichen Werken werden die komplexen Reaktionen der Kunst Japans auf die chinesische Kunst, Geschichte und Kultur offenbar. Eine Handvoll wissenschaftlicher Studien hinterfragt in jüngerer Zeit das etablierte Narrativ, das moderne Japan habe sich allein am Westen orientiert. Diese verbreitete Vorstellung von einem ausschließlich westlich inspirierten heutigen Japan thematisiert "Imagined Neighbors". Mit einem nuancierteren Ansatz bemüht sich der Band, die schwierige Aussöhnung zwischen Alt und Neu im Zuge der Neuerfindung des modernen Nationalstaats Japan zu verstehen.
Author: Akiko Hashimoto Publisher: State University of New York Press ISBN: 0791477681 Category : Social Science Languages : en Pages : 193
Book Description
An interdisciplinary look at the dramatic changes in the contemporary Japanese family, including both empirical data and analyses of popular culture.
Author: Susanna Soojung Lim Publisher: Routledge ISBN: 0415629217 Category : History Languages : en Pages : 239
Book Description
Throughout the centuries, as Russia strove to build itself into an imperial power equal to those in the West, China and Japan came to occupy a special place in Russians' view of the orient. Never colonised by Russia or the West, China and Japan were linked not only to the greatest of Russian imperial fantasies, but also, conversely, to a deep sense of insecurity regarding Russia's place in the world, a sense of insecurity which deepened as China and Japan began to modernise in the later nineteenth century. Drawing on a wide range of works by Russian writers and thinkers, Lim sets out how Russian perceptions of China and Japan were formed from Muscovy's first contacts with China in the late seventeenth century, through to the aftermath of Russia's defeat by Japan in the early twentieth century.
Author: Gennifer Weisenfeld Publisher: Univ of California Press ISBN: 0520271955 Category : Art Languages : en Pages : 414
Book Description
Imaging Disaster is a rich social history of Japan’s Great Kanto Earthquake of 1923. Drawing on a kaleidoscopic range of images from the fine arts, magazines, cartoons, and other popular sources, Gennifer Weisenfeld has produced an original study of this catastrophic event from an art historical perspective. —Jonathan Reynolds, Barnard College Imaging Disaster is an exhaustive and illuminating study of the visual culture generated by Japan’s most devastating natural disaster. Comprehensive in scope—covering photography, cinema, painting, postcards, sketches, urban planning, and even scientific models—Weisenfeld makes a compelling point that the massive profusion of visual representations that followed the quake must itself be considered an integral part of this tragic historical event.—Seiji Lippit, UCLA
Author: William Glass Publisher: Cambridge Scholars Publishing ISBN: 1443824801 Category : Political Science Languages : en Pages : 455
Book Description
Beyond Imagined Uniqueness: Nationalisms in Comparative Perspectives is a collection of essays from a variety of disciplines and theoretical perspectives that explore the contentious issue of nationalism in historical and contemporary settings. They adopt an interdisciplinary approach to the topic of nationalism and its permutations and modes of expression. The unspoken context of these essays is the trends subsumed under the processes of globalization. Though the world may be becoming more integrated economically, these essays suggest social, cultural, and political forces, historically rooted, keep the nation and national identity alive and well. The comparative perspectives offered by the essays appear in two ways: one set is the explicit comparisons of nations made by several authors within their essays and between the essays themselves when the authors focus on developments within a single nation. A second, and indeed more thought-provoking set of comparisons come from the way the essays address nationalism in disparate scholarly approaches that include visual culture, history, sociology, and literature. Moreover, while traditional themes in the study of nationalism are not ignored, these essays expand the discussion with case studies of nationalism in Turkey, Asia, and Eastern Europe. Even when nationalism is considered in those areas that have been the central focus of nationalism studies (Western Europe and the USA), the authors bring unique voices to the conversation as in the use of portraiture as a vehicle of nationalism in Cold War America or children’s literature shaping a Swedish American identity or in the idea of a covenant as a source of Dutch nationalism or the role of minority languages in West European societies. Section One of this volume contains essays that examine the terrain of the national imaginary through language, monuments, and visual culture. Several of the essays in this traverse the cultural sites of representation and commemoration of the nation, looking carefully at the “politics of memory” in places, material objects, and texts. Section Two provides more individual case studies of nations, though many of these essays engage significant regional and international tensions especially in a post Cold War world that has often influenced the internal dynamics of nation-building. Section Three moves the focus away from the nation to immigrant communities, especially those in the United States, Canada, and the Caribbean. Diasporas throughout the world have challenged many theories about the nation, as crossing borders becomes the norm rather the exception.
Author: Kandice Chuh Publisher: Duke University Press ISBN: 0822384426 Category : Social Science Languages : en Pages : 229
Book Description
Imagine Otherwise is an incisive critique of the field of Asian American studies. Recognizing that the rubric "Asian American" elides crucial differences, Kandice Chuh argues for reframing Asian American studies as a study defined not by its subjects and objects, but by its critique. Toward that end, she urges the foregrounding of the constructedness of "Asian American" formations and shows how this understanding of the field provides the basis for continuing to use the term "Asian American" in light of—and in spite of—contemporary critiques about its limitations. Drawing on the insights of poststructuralist theory, postcolonial studies, and investigations of transnationalism, Imagine Otherwise conceives of Asian American literature and U.S. legal discourse as theoretical texts to be examined for the normative claims about race, gender, and sexuality that they put forth. Reading government and legal documents, novels including Carlos Bulosan's America Is in the Heart, John Okada's No-No Boy, Chang-rae Lee's A Gesture Life, Ronyoung Kim's Clay Walls, and Lois Ann Yamanaka's Blu's Hanging, and the short stories "Immigration Blues" by Bienvenido Santos and "High-Heeled Shoes" by Hisaye Yamamoto, Chuh works through Filipino American and Korean American identity formation and Japanese American internment during World War II as she negotiates the complex and sometimes tense differences that constitute 'Asian America' and Asian American studies.
Author: Jonathan Stockdale
Author: Jonathan Stockdale
Author: Torquil Duthie
Author: Susan L Burns
Author: Frank Feltens
Author: Michael Weiner
Author: Akiko Hashimoto
Author: Susanna Soojung Lim
Author: Gennifer Weisenfeld
Author: William Glass
Author: Kandice Chuh