Author: Patricia Mohammed
Publisher:
ISBN: 9780230012493
Category : Art and society
Languages : en
Pages : 0
Book Description
This study of the region's iconography explores how a Caribbean sensibility has been shaped. It circles the Caribbean while focusing on Haiti, Jamaica, Trinidad and Barbados. It traces the parameters drawn by the colonial encounter and crosses the boundaries of the methodologies and material of history, art, and cultural studies.
Imaging the Caribbean
Author: Patricia Mohammed
Publisher:
ISBN: 9780230012493
Category : Art and society
Languages : en
Pages : 0
Book Description
This study of the region's iconography explores how a Caribbean sensibility has been shaped. It circles the Caribbean while focusing on Haiti, Jamaica, Trinidad and Barbados. It traces the parameters drawn by the colonial encounter and crosses the boundaries of the methodologies and material of history, art, and cultural studies.
Publisher:
ISBN: 9780230012493
Category : Art and society
Languages : en
Pages : 0
Book Description
This study of the region's iconography explores how a Caribbean sensibility has been shaped. It circles the Caribbean while focusing on Haiti, Jamaica, Trinidad and Barbados. It traces the parameters drawn by the colonial encounter and crosses the boundaries of the methodologies and material of history, art, and cultural studies.
High Mas
Author: Kevin Adonis Browne
Publisher: Univ. Press of Mississippi
ISBN: 1496819411
Category : Social Science
Languages : en
Pages : 261
Book Description
Overall Winner of the 2019 OCM Bocas Prize for Caribbean Literature High Mas: Carnival and the Poetics of Caribbean Culture explores Caribbean identity through photography, criticism, and personal narrative. Taking a sophisticated and unapologetically subjective Caribbean point of view, the author delves into Mas—a key feature of Trinidad performance—as an emancipatory practice. The photographs and essays here immerse the viewer in carnival experience as never before. Kevin Adonis Browne divulges how performers are or wish to be perceived, along with how, as the photographer, he is implicated in that dynamic. The resulting interplay encourages an informed, nuanced approach to the imaging of contemporary Caribbeanness. The first series, “Seeing Blue,” features Blue Devils from the village of Paramin, whose performances signify an important revision of the post-emancipation tradition of Jab Molassie (Molasses Devil) in Trinidad. The second series, “La Femme des Revenants,” chronicles the debut performance of Tracey Sankar’s La Diablesse, which reintroduced the “Caribbean femme fatale” to a new audience. The third series, “Moko Jumbies of the South,” looks at Stephanie Kanhai and Jonadiah Gonzales, a pair of stilt-walkers from the performance group Touch de Sky from San Fernando in southern Trinidad. “Jouvay Reprised,” the fourth series, follows the political activist group Jouvay Ayiti performing a Mas in the streets of Port of Spain on Emancipation Day in 2015. Troubling the borders that persist between performer and audience, embodiment and spirituality, culture and self-consciousness, the book interrogates what audiences understand about the role of the participant-observer in public contexts. Representing the uneasy embrace of tradition in Trinidad and the Caribbean at large, the book probes the multiple dimensions of vernacular experience and their complementary cultural expressions. For Browne, Mas performance is an exquisite refusal to fully submit to the lingering traumas of slavery, the tyrannies of colonialism, and the myths of independence.
Publisher: Univ. Press of Mississippi
ISBN: 1496819411
Category : Social Science
Languages : en
Pages : 261
Book Description
Overall Winner of the 2019 OCM Bocas Prize for Caribbean Literature High Mas: Carnival and the Poetics of Caribbean Culture explores Caribbean identity through photography, criticism, and personal narrative. Taking a sophisticated and unapologetically subjective Caribbean point of view, the author delves into Mas—a key feature of Trinidad performance—as an emancipatory practice. The photographs and essays here immerse the viewer in carnival experience as never before. Kevin Adonis Browne divulges how performers are or wish to be perceived, along with how, as the photographer, he is implicated in that dynamic. The resulting interplay encourages an informed, nuanced approach to the imaging of contemporary Caribbeanness. The first series, “Seeing Blue,” features Blue Devils from the village of Paramin, whose performances signify an important revision of the post-emancipation tradition of Jab Molassie (Molasses Devil) in Trinidad. The second series, “La Femme des Revenants,” chronicles the debut performance of Tracey Sankar’s La Diablesse, which reintroduced the “Caribbean femme fatale” to a new audience. The third series, “Moko Jumbies of the South,” looks at Stephanie Kanhai and Jonadiah Gonzales, a pair of stilt-walkers from the performance group Touch de Sky from San Fernando in southern Trinidad. “Jouvay Reprised,” the fourth series, follows the political activist group Jouvay Ayiti performing a Mas in the streets of Port of Spain on Emancipation Day in 2015. Troubling the borders that persist between performer and audience, embodiment and spirituality, culture and self-consciousness, the book interrogates what audiences understand about the role of the participant-observer in public contexts. Representing the uneasy embrace of tradition in Trinidad and the Caribbean at large, the book probes the multiple dimensions of vernacular experience and their complementary cultural expressions. For Browne, Mas performance is an exquisite refusal to fully submit to the lingering traumas of slavery, the tyrannies of colonialism, and the myths of independence.
An Eye for the Tropics
Author: Krista A. Thompson
Publisher: Duke University Press
ISBN: 0822388561
Category : Photography
Languages : en
Pages : 421
Book Description
Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands’ tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque “tropical” paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
Publisher: Duke University Press
ISBN: 0822388561
Category : Photography
Languages : en
Pages : 421
Book Description
Images of Jamaica and the Bahamas as tropical paradises full of palm trees, white sandy beaches, and inviting warm water seem timeless. Surprisingly, the origins of those images can be traced back to the roots of the islands’ tourism industry in the 1880s. As Krista A. Thompson explains, in the late nineteenth century, tourism promoters, backed by British colonial administrators, began to market Jamaica and the Bahamas as picturesque “tropical” paradises. They hired photographers and artists to create carefully crafted representations, which then circulated internationally via postcards and illustrated guides and lectures. Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures. Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
Far from Mecca
Author: Aliyah Khan
Publisher: Rutgers University Press
ISBN: 1978806647
Category : History
Languages : en
Pages : 272
Book Description
Far from Mecca: Globalizing the Muslim Caribbean is the first academic work on Muslims in the English-speaking Caribbean. Khan focuses on the fiction, poetry and music of Islam in Guyana, Trinidad, and Jamaica, combining archival research, ethnography, and literary analysis to argue for a historical continuity of Afro- and Indo-Muslim presence and cultural production in the Caribbean: from Arabic-language autobiographical and religious texts written by enslaved Sufi West Africans in nineteenth century Jamaica, to early twentieth century fictions of post-indenture South Asian Muslim indigeneity and El Dorado, to the 1990 Jamaat al-Muslimeen attempted government coup in Trinidad and its calypso music, to judicial cases of contemporary interaction between Caribbean Muslims and global terrorism. Khan argues that the Caribbean Muslim subject, the "fullaman," a performative identity that relies on gendering and racializing Islam, troubles discourses of creolization that are fundamental to postcolonial nationalisms in the Caribbean.
Publisher: Rutgers University Press
ISBN: 1978806647
Category : History
Languages : en
Pages : 272
Book Description
Far from Mecca: Globalizing the Muslim Caribbean is the first academic work on Muslims in the English-speaking Caribbean. Khan focuses on the fiction, poetry and music of Islam in Guyana, Trinidad, and Jamaica, combining archival research, ethnography, and literary analysis to argue for a historical continuity of Afro- and Indo-Muslim presence and cultural production in the Caribbean: from Arabic-language autobiographical and religious texts written by enslaved Sufi West Africans in nineteenth century Jamaica, to early twentieth century fictions of post-indenture South Asian Muslim indigeneity and El Dorado, to the 1990 Jamaat al-Muslimeen attempted government coup in Trinidad and its calypso music, to judicial cases of contemporary interaction between Caribbean Muslims and global terrorism. Khan argues that the Caribbean Muslim subject, the "fullaman," a performative identity that relies on gendering and racializing Islam, troubles discourses of creolization that are fundamental to postcolonial nationalisms in the Caribbean.
The Caribbean
Author: Stephan Palmié
Publisher: University of Chicago Press
ISBN: 0226924645
Category : History
Languages : en
Pages : 678
Book Description
An “illuminating” survey of Caribbean history from pre-Columbian times to the twenty-first century (Los Angeles Times). Combining fertile soils, vital trade routes, and a coveted strategic location, the islands and surrounding continental lowlands of the Caribbean were one of Europe’s earliest and most desirable colonial frontiers. The region was colonized over the course of five centuries by a revolving cast of Spanish, Dutch, French, and English forces, who imported first African slaves and later Asian indentured laborers to help realize the economic promise of sugar, coffee, and tobacco. The Caribbean: A History of the Region and Its Peoples offers an authoritative one-volume survey of this complex and fascinating region. This groundbreaking work traces the Caribbean from its pre-Columbian state through European contact and colonialism to the rise of U.S. hegemony and the economic turbulence of the twenty-first century. The volume begins with a discussion of the region’s diverse geography and challenging ecology and features an in-depth look at the transatlantic slave trade, including slave culture, resistance, and ultimately emancipation. Later sections treat Caribbean nationalist movements for independence and struggles with dictatorship and socialism, along with intractable problems of poverty, economic stagnation, and migrancy. Written by a distinguished group of contributors, The Caribbean is an accessible yet thorough introduction to the region’s tumultuous heritage which offers enough nuance to interest scholars across disciplines. In its breadth of coverage and depth of detail, it will be the definitive guide to the region for years to come. Praise for The Caribbean “The editors of this volume have successfully assembled a survey of historical and contemporary issues which serves as an excellent introductory text for newcomers to the region, as well as a resource for more experienced researchers searching for a concise reference to any historical period.” —Journal of Caribbean History “This collection provides an engaging introduction to the history of a region defined by centuries of colonial domination and popular struggle. In these essays readers will recognize the Caribbean as a garden of social catastrophe and a grim incubator of modern global capitalism, as well as of people’s continuous attempts to resist, endure, or adapt to it. Scholars and students will find it to be a very useful handbook for current thinking on a vital topic.” —Vincent Brown, professor of history and of African and African American studies, Duke University
Publisher: University of Chicago Press
ISBN: 0226924645
Category : History
Languages : en
Pages : 678
Book Description
An “illuminating” survey of Caribbean history from pre-Columbian times to the twenty-first century (Los Angeles Times). Combining fertile soils, vital trade routes, and a coveted strategic location, the islands and surrounding continental lowlands of the Caribbean were one of Europe’s earliest and most desirable colonial frontiers. The region was colonized over the course of five centuries by a revolving cast of Spanish, Dutch, French, and English forces, who imported first African slaves and later Asian indentured laborers to help realize the economic promise of sugar, coffee, and tobacco. The Caribbean: A History of the Region and Its Peoples offers an authoritative one-volume survey of this complex and fascinating region. This groundbreaking work traces the Caribbean from its pre-Columbian state through European contact and colonialism to the rise of U.S. hegemony and the economic turbulence of the twenty-first century. The volume begins with a discussion of the region’s diverse geography and challenging ecology and features an in-depth look at the transatlantic slave trade, including slave culture, resistance, and ultimately emancipation. Later sections treat Caribbean nationalist movements for independence and struggles with dictatorship and socialism, along with intractable problems of poverty, economic stagnation, and migrancy. Written by a distinguished group of contributors, The Caribbean is an accessible yet thorough introduction to the region’s tumultuous heritage which offers enough nuance to interest scholars across disciplines. In its breadth of coverage and depth of detail, it will be the definitive guide to the region for years to come. Praise for The Caribbean “The editors of this volume have successfully assembled a survey of historical and contemporary issues which serves as an excellent introductory text for newcomers to the region, as well as a resource for more experienced researchers searching for a concise reference to any historical period.” —Journal of Caribbean History “This collection provides an engaging introduction to the history of a region defined by centuries of colonial domination and popular struggle. In these essays readers will recognize the Caribbean as a garden of social catastrophe and a grim incubator of modern global capitalism, as well as of people’s continuous attempts to resist, endure, or adapt to it. Scholars and students will find it to be a very useful handbook for current thinking on a vital topic.” —Vincent Brown, professor of history and of African and African American studies, Duke University
Wildlife of the Caribbean
Author: Herbert A. Raffaele
Publisher: Princeton University Press
ISBN: 0691153825
Category : History
Languages : en
Pages : 304
Book Description
The essential guide to the living wonders of the Caribbean islands This is the first comprehensive illustrated guide to the natural world of the Caribbean islands. It contains 600 vivid color images featuring 451 species of plants, birds, mammals, fish, seashells, and much more. While the guide primarily looks at the most conspicuous and widespread species among the islands, it also includes rarely seen creatures—such as the Rhinoceros Iguana and Cuban Solenodon—giving readers a special sense of the region's diverse wildlife. Each species is represented by one or more color photos or illustrations; details regarding its identification, status, and distribution; and interesting aspects of its life history or relationship to humans. In addition, an introductory section focuses on the unique characteristics of the Caribbean’s fauna and flora, the threats faced by both, and some of the steps being taken to sustain the area’s extraordinary natural heritage. Wildlife of the Caribbean is the essential field guide for learning about the living wonders in this area of the world. The only guide of its kind for the Caribbean islands 600 detailed color images feature 451 amazing species Straightforward descriptions suitable for general audience Compact size makes the guide easy to carry
Publisher: Princeton University Press
ISBN: 0691153825
Category : History
Languages : en
Pages : 304
Book Description
The essential guide to the living wonders of the Caribbean islands This is the first comprehensive illustrated guide to the natural world of the Caribbean islands. It contains 600 vivid color images featuring 451 species of plants, birds, mammals, fish, seashells, and much more. While the guide primarily looks at the most conspicuous and widespread species among the islands, it also includes rarely seen creatures—such as the Rhinoceros Iguana and Cuban Solenodon—giving readers a special sense of the region's diverse wildlife. Each species is represented by one or more color photos or illustrations; details regarding its identification, status, and distribution; and interesting aspects of its life history or relationship to humans. In addition, an introductory section focuses on the unique characteristics of the Caribbean’s fauna and flora, the threats faced by both, and some of the steps being taken to sustain the area’s extraordinary natural heritage. Wildlife of the Caribbean is the essential field guide for learning about the living wonders in this area of the world. The only guide of its kind for the Caribbean islands 600 detailed color images feature 451 amazing species Straightforward descriptions suitable for general audience Compact size makes the guide easy to carry
Coloniality of Diasporas
Author: Yolanda Martínez-San Miguel
Publisher: Springer
ISBN: 1137413077
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
Focusing on piracy in the seventeenth century, filibustering in the nineteenth century, intracolonial migrations in the 1930s, metropolitan racializations in the 1950s and 1960s, and feminist redefinitions of creolization and sexile from the 1940s to the 1990s, this book redefines the Caribbean beyond the postcolonial debate.
Publisher: Springer
ISBN: 1137413077
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
Focusing on piracy in the seventeenth century, filibustering in the nineteenth century, intracolonial migrations in the 1930s, metropolitan racializations in the 1950s and 1960s, and feminist redefinitions of creolization and sexile from the 1940s to the 1990s, this book redefines the Caribbean beyond the postcolonial debate.
From San Juan to Paris and Back
Author: Edward J. Sullivan
Publisher: Yale University Press
ISBN: 0300203209
Category : Art
Languages : en
Pages : 209
Book Description
Introduction -- Francisco Oller and the worlds of the Caribbean -- Francisco Oller at home and abroad -- Francisco Oller and Raphael Cordero: art and pedagogy in late nineteenth-century Puerto Rico -- The Battle of Trevino: Oller and the dilemma of "official" painting -- Plantains and coconuts -- Conflicted affinities: Franciso Oller and William McKinley -- Oller and his work in the modern imagination.
Publisher: Yale University Press
ISBN: 0300203209
Category : Art
Languages : en
Pages : 209
Book Description
Introduction -- Francisco Oller and the worlds of the Caribbean -- Francisco Oller at home and abroad -- Francisco Oller and Raphael Cordero: art and pedagogy in late nineteenth-century Puerto Rico -- The Battle of Trevino: Oller and the dilemma of "official" painting -- Plantains and coconuts -- Conflicted affinities: Franciso Oller and William McKinley -- Oller and his work in the modern imagination.
Visible Empire
Author: Daniela Bleichmar
Publisher: University of Chicago Press
ISBN: 0226058530
Category : Art
Languages : en
Pages : 299
Book Description
Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now. In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
Publisher: University of Chicago Press
ISBN: 0226058530
Category : Art
Languages : en
Pages : 299
Book Description
Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now. In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
Wounded Images
Author: Kristine M. Whaley
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 223
Book Description
This volume works through deconstructing traditional models of the imago Dei in search of a more inclusive understanding of the doctrine, one that allows for literature to bring important questions to bear. Brief analyses of Karl Barth and Paul Tillich and then growing dissatisfaction with the two in various liberation theologies brings to light the problems of a perfected image of God. An exploration of four novels by Jean Rhys between 1928 and 1939 then follows the footsteps of Katie Cannon and others who include literature in their theological work. The Rhys novels follow tragic stories of women who are wounded both by others and by their own inability to see themselves as worthy. Through the questions these women ask about themselves and God, the reconstruction of the imago Dei is set up. This reconstruction centers trauma, wounds, and a non-contrastive transcendence that Kathryn Tanner defines. Ultimately it is not in how we are perfect, but rather through our risks, our wounds, and even our grief that we connect to God.
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 223
Book Description
This volume works through deconstructing traditional models of the imago Dei in search of a more inclusive understanding of the doctrine, one that allows for literature to bring important questions to bear. Brief analyses of Karl Barth and Paul Tillich and then growing dissatisfaction with the two in various liberation theologies brings to light the problems of a perfected image of God. An exploration of four novels by Jean Rhys between 1928 and 1939 then follows the footsteps of Katie Cannon and others who include literature in their theological work. The Rhys novels follow tragic stories of women who are wounded both by others and by their own inability to see themselves as worthy. Through the questions these women ask about themselves and God, the reconstruction of the imago Dei is set up. This reconstruction centers trauma, wounds, and a non-contrastive transcendence that Kathryn Tanner defines. Ultimately it is not in how we are perfect, but rather through our risks, our wounds, and even our grief that we connect to God.