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Images, Perceptions and Productions in and of Antiquity

Images, Perceptions and Productions in and of Antiquity PDF Author: Maria Helena Trindade
Publisher:
ISBN: 9781527592759
Category : Civilization, Ancient
Languages : en
Pages : 0

Book Description
This book provides access to new and exclusive research in several Antiquity and Antiquity-related fields and subjects. Revolving around four general subjects (Ancient Egypt, the Ancient Near and Middle East, the Classical World, and the Reception of Antiquity), it will provide access to new works spanning from archaeology, literature, art, reception studies, among others, allowing the reader to gain insights into some of the most current subjects of investigation in modern academia.

Images, Perceptions and Productions in and of Antiquity

Images, Perceptions and Productions in and of Antiquity PDF Author: Maria Helena Trindade
Publisher:
ISBN: 9781527592759
Category : Civilization, Ancient
Languages : en
Pages : 0

Book Description
This book provides access to new and exclusive research in several Antiquity and Antiquity-related fields and subjects. Revolving around four general subjects (Ancient Egypt, the Ancient Near and Middle East, the Classical World, and the Reception of Antiquity), it will provide access to new works spanning from archaeology, literature, art, reception studies, among others, allowing the reader to gain insights into some of the most current subjects of investigation in modern academia.

Images, Perceptions and Productions in and of Antiquity

Images, Perceptions and Productions in and of Antiquity PDF Author: Maria Helena Trindade Lopes
Publisher: Cambridge Scholars Publishing
ISBN: 1527592766
Category : History
Languages : en
Pages : 363

Book Description
This book provides access to new and exclusive research in several Antiquity and Antiquity-related fields and subjects. Revolving around four general subjects (Ancient Egypt, the Ancient Near and Middle East, the Classical World, and the Reception of Antiquity), it will provide access to new works spanning from archaeology, literature, art, reception studies, among others, allowing the reader to gain insights into some of the most current subjects of investigation in modern academia.

Gender and Change in Archaeology

Gender and Change in Archaeology PDF Author: Nona Palincaş
Publisher: Springer Nature
ISBN: 3031521552
Category :
Languages : en
Pages : 379

Book Description


Women in Ancient Egypt

Women in Ancient Egypt PDF Author: Mariam F. Ayad
Publisher: American University in Cairo Press
ISBN: 1649032692
Category : History
Languages : en
Pages : 511

Book Description
Cutting-edge research by twenty-four international scholars on female power, agency, health, and literacy in ancient Egypt There has been considerable scholarship in the last fifty years on the role of ancient Egyptian women in society. With their ability to work outside the home, inherit and dispense of property, initiate divorce, testify in court, and serve in local government, Egyptian women exercised more legal rights and economic independence than their counterparts throughout antiquity. Yet, their agency and autonomy are often downplayed, undermined, or outright ignored. In Women in Ancient Egypt twenty-four international scholars offer a corrective to this view by presenting the latest cutting-edge research on women and gender in ancient Egypt. Covering the entirety of Egyptian history, from earliest times to Late Antiquity, this volume commences with a thorough study of the earliest written evidence of Egyptian women, both royal and non-royal, before moving on to chapters that deal with various aspects of Egyptian queens, followed by studies on the legal status and economic roles of non-royal women and, finally, on women’s health and body adornment. Within this sweeping chronological range, each study is intensely focused on the evidence recovered from a particular site or a specific time-period. Rather than following a strictly chronological arrangement, the thematic organization of chapters enables readers to discern diachronic patterns of continuity and change within each group of women. · Clémentine Audouit, Paul Valery University, Montpellier, France · Anne Austin, University of Missouri, St. Louis, Missouri, USA · Mariam F. Ayad, The American University in Cairo, Cairo, Egypt · Romane Betbeze, Université de Genève, Switzerland, and Ecole Pratique des Hautes Etudes, PSL, France · Anke Ilona Blöbaum, Saxon Academy of Sciences and Humanities in Leipzig, Leipzig, Germany · Eva-Maria Engel, Humboldt-Universität zu Berlin, Berlin, Germany · Renate Fellinger, University of Cambridge, Cambridge, UK · Kathrin Gabler, University of Basel, Basel, Switzerland · Rahel Glanzmann, independent scholar, Basel, Switzerland. · Izold Guegan, Swansea University, UK, and Sorbonne University, Paris, France · Fayza Haikal, The American University in Cairo, Cairo, Egypt · Janet H. Johnson, Oriental Institute, University of Chicago, Chicago, Il, USA · Katarzyna Kapiec, Institute of the Mediterranean and Oriental Cultures of the Polish Academy of Sciences, Warsaw, Poland · Susan Anne Kelly, Macquarie University Sydney, Sydney, Australia · AnneMarie Luijendijk, Princeton University, Princeton, New Jersey, USA · Suzanne Onstine, University of Memphis, Memphis, Tennessee, USA · José Ramón Pérez-Accino Picatoste, Facultad de Geografía e Historia, Universidad Complutense de Madrid, Madrid, Spain · Tara Sewell-Lasater, University of Houston, Houston, Texas, USA · Yasmin El Shazly, American Research Center in Egypt, Cairo, Egypt · Reinert Skumsnes, Centre for Gender Research, University of Oslo, Oslo, Norway · Isabel Stünkel, The Metropolitan Museum of Art, New York, New York, USA · Inmaculada Vivas Sainz, National Distance Education University), Madrid, Spain · Hana Vymazalová, Czech Institute of Egyptology, Faculty of Arts, Charles University, Prague, Czeck Republic · Jacquelyn Williamson, George Mason University, Fairfax, Viriginia, USA · Annik Wüthrich, Austrian Academy of Sciences, Austrian Archaeological Institute, Vienna, Austria

Using Images in Late Antiquity

Using Images in Late Antiquity PDF Author: Stine Birk
Publisher: Oxbow Books
ISBN: 1782972641
Category : History
Languages : en
Pages : 337

Book Description
Fifteen papers focus on the active and dynamic uses of images during the first millennium AD. They bring together an international group of scholars who situate the period’s visual practices within their political, religious, and social contexts. The contributors present a diverse range of evidence, including mosaics, sculpture, and architecture from all parts of the Mediterranean, from Spain in the west to Jordan in the east. Contributions span from the depiction of individuals on funerary monuments through monumental epigraphy, Constantine’s expropriation and symbolic re-use of earlier monuments, late antique collections of Classical statuary, and city personifications in mosaics to the topic of civic prosperity during the Theodosian period and dynastic representation during the Umayyad dynasty. Together they provide new insights into the central role of visual culture in the constitution of late antique societies.

Image and Text in Graeco-Roman Antiquity

Image and Text in Graeco-Roman Antiquity PDF Author: Michael Squire
Publisher: Cambridge University Press
ISBN: 9781107657540
Category : Art
Languages : en
Pages : 0

Book Description
The relation between the visual and the verbal spheres has been much contested in recent years, from laments about the 'logocentricism' of the academy to the heralding of the 'pictorial turn' of the multimedia age. This lavishly illustrated book recontextualises these debates through the historical lens of Greek and Roman antiquity. Dr Squire shows how modern Western concepts of 'words' and 'pictures' derive from a post-Reformation tradition of theology and aesthetics. Where modern critics assume a bipartite separation between images and texts, classical antiquity toyed with a more playful and engaged relation between the two. By using the ancient world to rethink our own ideologies of the visual and the verbal, this interdisciplinary book brings together classics and art history, as well as a sustained reflection on their historiography: the result is a new and explosive cultural history of Western visual thinking.

IMAGES OF ANTIQUITY.

IMAGES OF ANTIQUITY. PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

Book Description


Images of Myths in Classical Antiquity

Images of Myths in Classical Antiquity PDF Author: Susan Woodford
Publisher:
ISBN: 9780521782678
Category : Art
Languages : en
Pages : 305

Book Description
Myths inspired Greek and Roman artists to rise to the challenge of conveying flowing narratives in static form. This book describes the different ways painters, sculptors and other artists explored and exploited the dense forest of myth. It explains how formulas were devised for certain stories; how these could be adapted, developed and even transferred to other contexts; how one myth could be distinguished from another - or confused with it; how myths related to daily life or political propaganda; and the influence of evolving tastes. Written in a lively and accessible style, fully illustrated with examples drawn from a wide range of media, Images of Myths in Classical Antiquity provides fresh and stimulating insights into the representation of myths in Greek and Roman art.

Sacred Landscapes in Antiquity

Sacred Landscapes in Antiquity PDF Author: Ralph Haussler
Publisher: Oxbow Books
ISBN: 1789253284
Category : Social Science
Languages : en
Pages : 816

Book Description
From generation to generation, people experience their landscapes differently. Humans depend on their natural environment: it shapes their behavior while it is often felt that deities responsible for both natural benefits and natural calamities (such as droughts, famines, floods and landslides) need to be appeased. We presume that, in many societies, lakes, rivers, rocks, mountains, caves and groves were considered sacred. Individual sites and entire landscapes are often associated with divine actions, mythical heroes and etiological myths. Throughout human history, people have also felt the need to monumentalize their sacred landscape. But this is where the similarities end as different societies had very different understandings, believes and practices. The aim of this new thematic appraisal is to scrutinize carefully our evidence and rethink our methodologies in a multi-disciplinary approach. More than 30 papers investigate diverse sacred landscapes from the Iberian peninsula and Britain in the west to China in the east. They discuss how to interpret the intricate web of ciphers and symbols in the landscape and how people might have experienced it. We see the role of performance, ritual, orality, textuality and memory in people’s sacred landscapes. A diachronic view allows us to study how landscapes were ‘rewritten’, adapted and redefined in the course of time to suit new cultural, political and religious understandings, not to mention the impact of urbanism on people’s understandings. A key question is how was the landscape manipulated, transformed and monumentalized – especially the colossal investments in monumental architecture we see in certain socio-historic contexts or the creation of an alternative humanmade, seemingly ‘non-natural’ landscape, with perfectly astronomically aligned buildings that define a cosmological order? Sacred Landscapes therefore aims to analyze the complex links between landscape, ‘religiosity’ and society, developing a dialectic framework that explores sacred landscapes across the ancient world in a dynamic, holistic, contextual and historical perspective.

The Infinite Image

The Infinite Image PDF Author: Zainab Bahrani
Publisher:
ISBN: 9781780232775
Category : Aesthetics, Ancient
Languages : en
Pages : 0

Book Description
In the ancient civilizations of the Near East and Mediterranean, images were used as a way to create reality and reach out to the infinite. Reviving the fascination that gripped the avant-garde and the surrealists when confronted with the arts of the ancient Near East, The Infinite Image presents a radical new reading of Mesopotamian art as an aesthetic realm defined by objects that transcend time in order to carry traces of the past into the present. Zainab Bahrani's book opens in the early twentieth century, when artists and intellectuals like Alberto Giacometti, Henry Moore, and Georges Bataille were captivated by the ancient sculptures they encountered in European museums--before the question of the aesthetic in ancient art was rejected by rationalist scientific archaeology later in the century. She then travels back through the writings of Derrida, Hegel, Kant, and Plato to Mesopotamia, using these thinkers to argue that ancient images formed an aesthetic dimension that was both historical and evolving. She also addresses issues of the politics of cultural heritage important to Near Eastern art in the context of the wars in Iraq and Afghanistan and current instabilities in the Middle East. With over one hundred illustrations, The Infinite Image will be necessary reading for anyone interested in the questions at the center of contemporary history and the anthropology of art.