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Author: Mary Ruefle Publisher: Sarabande Books ISBN: 1946448028 Category : Literary Collections Languages : en Pages : 33
Book Description
"It is impossible for me to write about the imagination; it is like asking a fish to describe the sea," Mary Ruefle announces at the start of her essay. With wit and intellectual abandon, Ruefle draws inspiration from Wittgenstein, Shakespeare, Jesus, Steve Jobs, Johnny Cash, and Emily Dickson to explore her subject. The chapbook features original interior illustrations. Mary Ruefle is the author of numerous volumes of poetry and prose, including Madness, Rack, and Honey: Collected Lectures, a finalist for the National Book Critics Circle Award in Criticism, and Selected Poems, winner of the William Carlos Williams Award from the Poetry Society of America.
Author: Christos Lynteris Publisher: Springer Nature ISBN: 3030723046 Category : Science Languages : en Pages : 309
Book Description
This edited collection brings together new research by world-leading historians and anthropologists to examine the interaction between images of plague in different temporal and spatial contexts, and the imagination of the disease from the Middle Ages to today. The chapters in this book illuminate to what extent the image of plague has not simply reflected, but also impacted the way in which the disease is experienced in different historical periods. The book asks what is the contribution of the entanglement between epidemic image and imagination to the persistence of plague as a category of human suffering across so many centuries, in spite of profound shifts in our medical understanding of the disease. What is it that makes plague such a visually charismatic subject? And why is the medical, religious and lay imagination of plague so consistently determined by the visual register? In answering these questions, this volume takes the study of plague images beyond its usual, art-historical framework, so as to examine them and their relation to the imagination of plague from medical, historical, visual anthropological, and postcolonial perspectives.
Author: Chiara Bottici Publisher: Columbia University Press ISBN: 0231527810 Category : Philosophy Languages : en Pages : 273
Book Description
Between the radical, creative capacity of our imagination and the social imaginary we are immersed in is an intermediate space philosophers have termed the imaginal, populated by images or (re)presentations that are presences in themselves. Offering a new, systematic understanding of the imaginal and its nexus with the political, Chiara Bottici brings fresh perspective to the formation of political and power relationships and the paradox of a world rich in imagery yet seemingly devoid of imagination. Bottici begins by defining the difference between the imaginal and the imaginary, locating the imaginal's root meaning in the image and its ability to both characterize a public and establish a set of activities within that public. She identifies the imaginal's critical role in powering representative democracies and its amplification through globalization. She then addresses the troublesome increase in images now mediating politics and the transformation of politics into empty spectacle. The spectacularization of politics has led to its virtualization, Bottici observes, transforming images into processes with an uncertain relationship to reality, and, while new media has democratized the image in a global society of the spectacle, the cloned image no longer mediates politics but does the act for us. Bottici concludes with politics' current search for legitimacy through an invented ideal of tradition, a turn to religion, and the incorporation of human rights language.
Author: Brian Godawa Publisher: IVP Books ISBN: 9780830837090 Category : Religion Languages : en Pages : 208
Book Description
Artist and screen writer Brian Godawa used to revel in his ability to argue the truth of the gospel, often crushing his opponents in the process. In time, however, he began to realize that winning an argument about the logic of Christianity did not equal persuading people to follow Jesus. What was missing? Through prayer and searching the Scriptures, Godawa realized that while God cares deeply for rationality, propositional truths were not the only, or even the primary, tools he used to reach people with his Truth. In fact, Godawa discovered that story, metaphor and imagery were central to God's communication style because they could go places reason could never go: into the heart. In his refreshing and challenging book, Godawa helps you break free from the spiritual suffocation of heady faith. Without negating the importance of reason and doctrine, Godawa challenges you to move from understanding the Bible "literally" to "literarily" by exploring the poetry, parables and metaphors found in God's Word. Weaving historical insight, pop culture and personal narrative throughout, Godawa reveals the importance God places on imagination and creativity in the Scriptures, and provides a biblical foundation for Christians to pursue image, beauty, wonder and mystery in their faith. For any Christian who wants to learn how to communicate and defend the Gospel in a postmodern context, this book will help you find a path between the two extremes of intellectualized faith and anti-intellectual faith by recovering a biblical balance between intellect and imagination.
Author: Dennis L Sepper Publisher: Springer Science & Business Media ISBN: 940076507X Category : Science Languages : en Pages : 845
Book Description
This book discusses that imagination is as important to thinking and reasoning as it is to making and acting. By reexamining our philosophical and psychological heritage, it traces a framework, a conceptual topology, that underlies the most disparate theories: a framework that presents imagination as founded in the placement of appearances. It shows how this framework was progressively developed by thinkers like Plato, Aristotle, Descartes, and Kant, and how it is reflected in more recent developments in theorists as different as Peirce, Saussure, Wittgenstein, Benjamin, and Bachelard. The conceptual topology of imagination incorporates logic, mathematics, and science as well as production, play, and art. Recognizing this topology can move us past the confusions to a unifying view of imagination for the future.
Author: Alan J. Rocke Publisher: University of Chicago Press ISBN: 0226723356 Category : Science Languages : en Pages : 403
Book Description
Nineteenth-century chemists were faced with a particular problem: how to depict the atoms and molecules that are beyond the direct reach of our bodily senses. In visualizing this microworld, these scientists were the first to move beyond high-level philosophical speculations regarding the unseen. In Image and Reality, Alan Rocke focuses on the community of organic chemists in Germany to provide the basis for a fuller understanding of the nature of scientific creativity. Arguing that visual mental images regularly assisted many of these scientists in thinking through old problems and new possibilities, Rocke uses a variety of sources, including private correspondence, diagrams and illustrations, scientific papers, and public statements, to investigate their ability to not only imagine the invisibly tiny atoms and molecules upon which they operated daily, but to build detailed and empirically based pictures of how all of the atoms in complicated molecules were interconnected. These portrayals of “chemical structures,” both as mental images and as paper tools, gradually became an accepted part of science during these years and are now regarded as one of the central defining features of chemistry. In telling this fascinating story in a manner accessible to the lay reader, Rocke also suggests that imagistic thinking is often at the heart of creative thinking in all fields. Image and Reality is the first book in the Synthesis series, a series in the history of chemistry, broadly construed, edited by Angela N. H. Creager, John E. Lesch, Stuart W. Leslie, Lawrence M. Principe, Alan Rocke, E.C. Spary, and Audra J. Wolfe, in partnership with the Chemical Heritage Foundation.
Author: Margot McIlwain Nishimura Publisher: Getty Publications ISBN: 9780892369829 Category : Art Languages : en Pages : 96
Book Description
Images in the Margins is the third in the popular Medieval Imagination series of small, affordable books drawing on manuscript illumination in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme and provides an accessible, delightful introduction to the imagination of the medieval world. An astonishing mix of mundane, playful, absurd, and monstrous beings are found in the borders of English, French, and Italian manuscripts from the Gothic era. Unpredictable, topical, often irreverent, like the New Yorker cartoons of today, marginalia were a source of satire, serious social observation, and amusement for medieval readers. Through enlarged, full-color details and a lively narrative, this volume brings these intimately scaled, fascinating images to a wider audience. It accompanies an exhibition on view at the J. Paul Getty Museum from September 1 through November 8, 2009.
Author: Bernd Huppauf Publisher: Routledge ISBN: 1136603603 Category : Art Languages : en Pages : 374
Book Description
In this interdisciplinary anthology, essays study the relationship between the imagination and images both material and mental. Through case studies on a diverse array of topics including photography, film, sports, theater, and anthropology, contributors focus on the role of the creative imagination in seeing and producing images and the imaginary.
Author: Charles Taliaferro Publisher: Bloomsbury Publishing ISBN: 1441148825 Category : Religion Languages : en Pages : 339
Book Description
A philosophical inquiry into the strengths and weaknesses of theism and naturalism in accounting for the emergence of consciousness, the visual imagination and aesthetic values. The authors begin by offering an account of modern scientific practice which gives a central place to the visual imagination and aesthetic values. They then move to test the explanatory power of naturalism and theism in accounting for consciousness and the very visual imagination and aesthetic values that lie behind and define modern science. Taliaferro and Evans argue that evolutionary biology alone is insufficient to account for consciousness, the visual imagination and aesthetic values. Insofar as naturalism is compelled to go beyond evolutionary biology, it does not fare as well as theism in terms of explanatory power.
Author: C. S. Lewis
Author: C. S. Lewis
Author: Mary Ruefle
Author: Christos Lynteris
Author: Chiara Bottici
Author: Brian Godawa
Author: Dennis L Sepper
Author: Alan J. Rocke
Author: Margot McIlwain Nishimura
Author: Bernd Huppauf
Author: Charles Taliaferro