Images of Egypt in Twentieth Century Literature PDF Download

Author: Hoda Gindi
Publisher:
ISBN:
Category : Arabic literature
Languages : en
Pages : 464

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Author: Stephen C. Russell
Publisher: Walter de Gruyter
ISBN: 3110221713
Category : History
Languages : en
Pages : 301

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This book suggests a regional paradigm for understanding the development of the traditions about Egypt and the exodus in the Hebrew Bible. It offers fresh readings of the golden calf stories in 1 Kgs 12:25-33 and Exod 32, the Balaam oracles in Num 22-24, and the Song of the Sea in Exod 15:1b-18 and from these paints a picture of the differing traditions about Egypt that circulated in Cisjordan Israel, Transjordan Israel, and Judah in the 8th century B.C.E. and earlier. In the north, an exodus from Egypt was celebrated in the Bethel calf cult as a journey of Israelites from Egypt to Cisjordan, without a detour eastward to Sinai. This exodus was envisioned in military terms as suggested by the nature of the polemic in Exod 32, and the attribution of the exodus to the warrior Yahweh, Israel's own deity. In the east, a tradition of deliverance from Egypt was celebrated, rather than the idea of a journey, and it was credited to El. In the south, Egypt was recognized as a major enemy, whom Yahweh had defeated, but the traditions there were not formulated in terms of an exodus. While acknowledging the reshaping of these traditions in response to the exile, Images of Egypt argues that they originated in the pre-exilic period and relate to Syro-Palestinian history as it is otherwise known.

Author: Francis Frith
Publisher:
ISBN:
Category : History
Languages : en
Pages : 126

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Priceless views of Egyptian and biblical antiquities as they looked in the mid-19th century, before war, neglect, and exploitation took their toll. 77 spectacular photographs of the Pyramids, Sphinx, Karnak, Luxor, Thebes, Mt. Horeb, Old Jerusalem, the Dead Sea, Damascus, and more. Introduction. Captions.

Author: Mona Abaza
Publisher: Amer Univ in Cairo Press
ISBN: 9789774163944
Category : Art
Languages : en
Pages : 216

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The private collection of a prominent Egyptian art gallery owner. Egypt's modern art scene has been marked by many influential local and foreign painters. Mona Abaza retraces the highlights of the country's twentieth-century art world through the private collection of one of Cairo's most reputable private gallery owners, Sherwet Shafei. The 200 color reproductions of paintings from Sherwet Shafei's collection represent works from very early pioneers such as Mahmoud Sa�d and Ragheb Ayad to later figures such as Hamed Nada and Youssef Sida. In a comprehensive introduction that examines the life and career of Sherwet Shafei and her pivotal role in promoting and creating a market for modern Egyptian art, the author also addresses the tendencies of emerging art collectors in Egypt's "blossoming" market, the burdens of forgery, and the impact of globalization on the art industry. This book serves as a repository of Egyptian cultural heritage by offering a rare viewing of a valuable collection that has yet to be displayed in its entirety.

Author: Charles Wendell
Publisher: Univ of California Press
ISBN: 9780520021112
Category : History
Languages : en
Pages : 356

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Author: Camille Paglia
Publisher: Pantheon Books
ISBN: 0375424601
Category : Art
Languages : en
Pages : 226

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Presents a chronological tour of major themes in Western art as reflected by more than two dozen seminal images that use such mediums as paint, sculpture, architecture, performance art, and digital art.

Author: Joyce Tyldesley
Publisher: Harvard University Press
ISBN: 0674983750
Category : Art
Languages : en
Pages : 249

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Little is known about Nefertiti, the Egyptian queen whose name means “a beautiful woman has come.” She was the wife of Akhenaten, the pharaoh who ushered in the dramatic Amarna Age, and she bore him at least six children. She played a prominent role in political and religious affairs, but after Akhenaten’s death she apparently vanished and was soon forgotten. Yet Nefertiti remains one of the most famous and enigmatic women who ever lived. Her instantly recognizable face adorns a variety of modern artifacts, from expensive jewelry to cheap postcards, t-shirts, and bags, all over the world. She has appeared on page, stage, screen, and opera. In Britain, one woman has spent hundreds of thousands of pounds on plastic surgery in hope of resembling the long-dead royal. This enduring obsession is the result of just one object: the lovely and mysterious Nefertiti bust, created by the sculptor Thutmose and housed in Berlin’s Neues Museum since before World War II. In Nefertiti’s Face, Egyptologist Joyce Tyldesley tells the story of the bust, from its origins in a busy workshop of the late Bronze Age to its rediscovery and controversial removal to Europe in 1912 and its present status as one of the world’s most treasured artifacts. This wide-ranging history takes us from the temples and tombs of ancient Egypt to wartime Berlin and engages the latest in Pharaonic scholarship. Tyldesley sheds light on both Nefertiti’s life and her improbable afterlife, in which she became famous simply for being famous.

Author: Eleanor Dobson
Publisher: Manchester University Press
ISBN: 1526141906
Category : Literary Criticism
Languages : en
Pages : 242

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This edited collection considers representations of ancient Egypt in the literature of the nineteenth-century. It addresses themes such as reanimated mummies, ancient Egyptian mythology and contemporary consumer culture across literary modes ranging from burlesque satire to historical novels, stage performances to Gothic fiction and popular culture to the highbrow. The book illuminates unknown sources of historical significance – including the first illustration of an ambulatory mummy – revising current understandings of the works of canonical writers and grounding its analysis firmly in a contemporary context. The contributors demonstrate the extensive range of cultural interest in ancient Egypt that flourished during Victoria’s reign. At the same time, they use ancient Egypt to interrogate ‘selfhood’ and ‘otherness’, notions of race, imperialism, religion, gender and sexuality.

Author: Reeva Spector Simon
Publisher: University of Texas Press
ISBN: 0292739605
Category : Literary Criticism
Languages : en
Pages : 225

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Illuminating a powerful intersection between popular culture and global politics, Spies and Holy Wars draws on a sampling of more than eight hundred British and American thrillers that are propelled by the theme of jihad—an Islamic holy war or crusade against the West. Published over the past century, the books in this expansive study encompass spy novels and crime fiction, illustrating new connections between these genres and Western imperialism. Demonstrating the social implications of the popularity of such books, Reeva Spector Simon covers how the Middle Eastern villain evolved from being the malleable victim before World War II to the international, techno-savvy figure in today's crime novels. She explores the impact of James Bond, pulp fiction, and comic books and also analyzes the ways in which world events shaped the genre, particularly in recent years. Worldwide terrorism and economic domination prevail as the most common sources of narrative tension in these works, while military "tech novels" restored the prestige of the American hero in the wake of post-Vietnam skepticism. Moving beyond stereotypes, Simon examines the relationships between publishing trends, political trends, and popular culture at large—giving voice to the previously unexamined truths that emerge from these provocative page-turners.

Author: Jean H. Duffy
Publisher: Liverpool University Press
ISBN: 9780853237884
Category : Literary Criticism
Languages : en
Pages : 320

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In the course of a writing career spanning half a century, Michel Butor has produced a remarkable range and volume of publications, including fiction, travel works, poetry, critical essays and various types of mixed-genre works which resist ready categorization. Much of this very diverse oeuvre is marked by his life-long passion for the visual arts. This study is the first full-length analysis of the role played by the references to the visual, plastic and architectural arts in Butor’s work. It addresses a wide range of issues including the role of the artwork, building or monument as narrative generator; the reflexive functions of the visual and architectural references; the interaction between visual/architectural references and intertextual citation; the role of collaboration in Butor’s oeuvre; the relationship between cultural baggage and the workings of the unconscious; the tension between Butor’s fascination for non-European artistic traditions and his continuing dialogue with the Western tradition.