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Author: Hugh Magennis Publisher: Cambridge University Press ISBN: 0521495660 Category : History Languages : en Pages : 226
Book Description
This book explores ideas of community and of the relationship of individuals to communities widely evident in Old English poetry. It pays particular attention to the context in which major poetic manuscripts of the late Anglo-Saxon period were received, a time when concerns about community appear to have been of special urgency. The book identifies key features of the audience or readership of Old English poetry in this period, and relates the interests of these groups of people to themes reflected in the poetic texts.
Author: Hugh Magennis Publisher: Cambridge University Press ISBN: 0521495660 Category : History Languages : en Pages : 226
Book Description
This book explores ideas of community and of the relationship of individuals to communities widely evident in Old English poetry. It pays particular attention to the context in which major poetic manuscripts of the late Anglo-Saxon period were received, a time when concerns about community appear to have been of special urgency. The book identifies key features of the audience or readership of Old English poetry in this period, and relates the interests of these groups of people to themes reflected in the poetic texts.
Author: Harriet Soper Publisher: Cambridge University Press ISBN: 1009315129 Category : Literary Criticism Languages : en Pages : 289
Book Description
In the first book-length study of the whole lifespan in Old English verse, Harriet Soper reveals how poets depicted varied paths through life, including their staging of entanglements between human life courses and those of the nonhuman or more-than-human. While Old English poetry sometimes suggests that uniform patterns shape each life, paralleling patristic traditions of the ages of man, it also frequently disrupts a sense of steady linearity through the life course in striking ways, foregrounding moments of sudden upheaval over smooth continuity, contingency over predictability, and idiosyncrasy over regularity. Advancing new readings of a diverse range of Old English poems, Soper draws on an array of supporting contexts and theories to illuminate these texts, unearthing their complex and fascinating depictions of ageing through life. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Jennifer Neville Publisher: Cambridge University Press ISBN: 113942596X Category : Literary Criticism Languages : en Pages : 236
Book Description
This book examines descriptions of the natural world in a wide range of Old English poetry. Jennifer Neville describes the physical conditions experienced by the Anglo-Saxons - the animals, diseases, landscapes, seas and weather with which they had to contend. She argues that poetic descriptions of these elements were not a reflection of the existing physical conditions but a literary device used by Anglo-Saxons to define more important issues: the state of humanity, the creation and maintenance of society, the power of individuals, the relationship between God and creation and the power of writing to control information. Examples of contemporary literature in other languages are used to provide a sense of Old English poetry's particular approach, which incorporated elements from Germanic, Christian and classical sources. The result of this approach was not a consistent cosmological scheme but a rather contradictory vision which reveals much about how the Anglo-Saxons viewed themselves.
Author: Allen J. Frantzen Publisher: John Wiley & Sons ISBN: 1118255607 Category : Literary Criticism Languages : en Pages : 353
Book Description
Anglo-Saxon Keywords presents a series of entries that reveal the links between modern ideas and scholarship and the central concepts of Anglo-Saxon literature, language, and material culture. Reveals important links between central concepts of the Anglo-Saxon period and issues we think about today Reveals how material culture—the history of labor, medicine, technology, identity, masculinity, sex, food, land use—is as important as the history of ideas Offers a richly theorized approach that intersects with many disciplines inside and outside of medieval studies
Author: Steven J. A. Breeze Publisher: Boydell & Brewer ISBN: 1843846454 Category : Beowulf Languages : en Pages : 279
Book Description
Acts of performance, such as music, storytelling, and poetry recital, have made significant contributions to the rediscovery and widening popularity of Old English poetry. However, while these performances capture the imagination, they also influence an audience's view of the world of the original poems, even to propagating certain assumptions, particularly those to do with performance practices. By stripping away these assumptions, this book aims to uncover the ways in which representations of performance in Old English poetry are intimately associated with poetic production and fundamental cultural concerns. Through an examination of Beowulf, diverse wisdom poems, and the "artist" poems Deor and Widsith, it proposes that poets constructed an imaginary domain of "poetic performance", which negotiated tensions between early medieval creativity and core social beliefs. It also shows how the poems' relationship with oral methods of composition and circulation weakened in later medieval poetry as both language and poetic form altered. Overall, the book explores what depictions of performance within these texts can tell us about early medieval conceptualisations, processes, and practices, in the poetic imagination and in wider culture. Through an analysis of Eddic poetry and Laȝamon's Brut, it also highlights a tradition of "poetic performance" in English poetics.
Author: Victoria Thompson Publisher: Boydell Press ISBN: 1843837315 Category : History Languages : en Pages : 250
Book Description
Study of late Anglo-Saxon texts and grave monuments illuminates contemporary attitudes towards dying and the dead. Pre-Conquest attitudes towards the dying and the dead have major implications for every aspect of culture, society and religion of the Anglo-Saxon period; but death-bed and funerary practices have been comparatively and unjustly neglected by historical scholarship. In her wide-ranging analysis, Dr Thompson examines such practices in the context of confessional and penitential literature, wills, poetry, chronicles and homilies, to show that complex and ambiguous ideas about death were current at all levels of Anglo-Saxon society. Her study also takes in grave monuments, showing in particular how the Anglo-Scandinavian sculpture of the ninth to the eleventh centuries may indicate notonly the status, but also the religious and cultural alignment of those who commissioned and made them. Victoria Thompson is Lecturer in the Centre for Nordic Studies at the University of the Highlands and Islands.
Author: Leonard Neidorf Publisher: Cornell University Press ISBN: 1501766929 Category : Literary Criticism Languages : en Pages : 214
Book Description
In The Art and Thought of the Beowulf Poet, Leonard Neidorf explores the relationship between Beowulf and the legendary tradition that existed prior to its composition. The Beowulf poet inherited an amoral heroic tradition, which focused principally on heroes compelled by circumstances to commit horrendous deeds: fathers kill sons, brothers kill brothers, and wives kill husbands. Medieval Germanic poets relished the depiction of a hero's unyielding response to a cruel fate, but the Beowulf poet refused to construct an epic around this traditional plot. Focusing instead on a courteous and pious protagonist's fight against monsters, the poet creates a work that is deeply untraditional in both its plot and its values. In Beowulf, the kin-slayers and oath-breakers of antecedent tradition are confined to the background, while the poet fills the foreground with unconventional characters, who abstain from transgression, display courtly etiquette, and express monotheistic convictions. Comparing Beowulf with its medieval German and Scandinavian analogues, The Art and Thought of the Beowulf Poet argues that the poem's uniqueness reflects one poet's coherent plan for the moral renovation of an amoral heroic tradition. In Beowulf, Neidorf discerns the presence of a singular mind at work in the combination and modification of heroic, folkloric, hagiographical, and historical materials. Rather than perceive Beowulf as an impersonally generated object, Neidorf argues that it should be read as the considered result of one poet's ambition to produce a morally edifying, theologically palatable, and historically plausible epic out of material that could not independently constitute such a poem.
Author: Michael D. J. Bintley Publisher: Boydell & Brewer Ltd ISBN: 178327008X Category : Art Languages : en Pages : 314
Book Description
Essays on the depiction of animals, birds and insects in early medieval material culture, from texts to carvings to the landscape itself. For people in the early Middle Ages, the earth, air, water and ether teemed with other beings. Some of these were sentient creatures that swam, flew, slithered or stalked through the same environments inhabited by their human contemporaries. Others were objects that a modern beholder would be unlikely to think of as living things, but could yet be considered to possess a vitality that rendered them potent. Still others were things half glimpsed on a dark night or seen only in the mind's eye; strange beasts that haunted dreams and visions or inhabited exotic lands beyond the compass of everyday knowledge. This book discusses the various ways in which the early English and Scandinavians thought about and represented these other inhabitants of their world, and considers the multi-faceted nature of the relationship between people and beasts. Drawing on the evidence of material culture, art, language, literature, place-names and landscapes, the studies presented here reveal a world where the boundaries between humans, animals, monsters and objects were blurred and often permeable, and where to represent the bestial could be to holda mirror to the self. Michael D.J. Bintley is Senior Lecturer in Medieval Literature at Canterbury Christ Church University; Thomas J.T. Williams is a doctoral researcher at UCL's Institute of Archaeology. Contributors: Noël Adams, John Baker, Michael D. J. Bintley, Sue Brunning, László Sándor Chardonnens, Della Hooke, Eric Lacey, Richard North, Marijane Osborn, Victoria Symons, Thomas J. Williams
Author: Sarah Harlan-Haughey Publisher: Routledge ISBN: 1317034686 Category : Literary Criticism Languages : en Pages : 241
Book Description
Arguing that outlaw narratives become particularly popular and poignant at moments of national ecological and political crisis, Sarah Harlan-Haughey examines the figure of the outlaw in Anglo-Saxon poetry and Old English exile lyrics such as Beowulf, works dealing with the life and actions of Hereward, the Anglo-Norman romance of Fulk Fitz Waryn, the Robin Hood ballads, and the Tale of Gamelyn. Although the outlaw's wilderness shelter changed dramatically from the menacing fens and forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, Harlan-Haughey observes that the outlaw remained strongly animalistic, other, and liminal. His brutality points to a deep literary ambivalence towards wilderness and the animal, at the same time that figures such as the Anglo-Saxon resistance fighter Hereward, the brutal yet courtly Gamelyn, and Robin Hood often represent a lost England imagined as pristine and forested. In analyzing outlaw literature as a form of nature writing, Harlan-Haughey suggests that it often reveals more about medieval anxieties respecting humanity's place in nature than it does about the political realities of the period.
Author: Hugh Magennis
Author: Hugh Magennis
Author: Harriet Soper
Author: Jennifer Neville
Author: Allen J. Frantzen
Author: Steven J. A. Breeze
Author: Karl Fugelso
Author: Victoria Thompson
Author: Leonard Neidorf
Author: Michael D. J. Bintley
Author: Sarah Harlan-Haughey