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Author: M. Sugiyama Publisher: ISBN: 9781912554584 Category : Languages : en Pages : 196
Book Description
This book demonstrates the relationships between images and indulgences in fifteenth- and early sixteenth-century Netherlandish art. In the Roman Catholic Church, indulgences served as a way to reduce temporal punishment in purgatory for one's sins. Indulgences could be obtained by reciting prayers and performing devotional practices. Penitents could earn this type of devotional indulgence with the aid of paintings and other artifacts that possessed theological, historical, and aesthetic values as well as performative and promissory ones. In this study, we explore not only the power of indulgenced images but also the power of their audiences, creating a way to communicate with the divine.
Author: M. Sugiyama Publisher: ISBN: 9781912554584 Category : Languages : en Pages : 196
Book Description
This book demonstrates the relationships between images and indulgences in fifteenth- and early sixteenth-century Netherlandish art. In the Roman Catholic Church, indulgences served as a way to reduce temporal punishment in purgatory for one's sins. Indulgences could be obtained by reciting prayers and performing devotional practices. Penitents could earn this type of devotional indulgence with the aid of paintings and other artifacts that possessed theological, historical, and aesthetic values as well as performative and promissory ones. In this study, we explore not only the power of indulgenced images but also the power of their audiences, creating a way to communicate with the divine.
Author: Kathryn M. Rudy Publisher: BRILL ISBN: 9004326960 Category : Art Languages : en Pages : 338
Book Description
Rubrics, Images and Indulgences in Late Medieval Netherlandish Manuscripts considers how indulgences (the remission of time in Purgatory) were used to market certain images and how images helped to spread indulgences in the decades before the Protestant Reformation.
Author: National Gallery of Art (U.S.) Publisher: Cambridge University Press ISBN: 9780894680939 Category : Art Languages : en Pages : 296
Book Description
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Author: Ingrid Falque Publisher: BRILL ISBN: 9004409734 Category : Art Languages : en Pages : 659
Book Description
This is the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is an appendix to the book Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting. The catalogue can be accessed and downloaded for free as well as be purchased in hardback.
Author: Henk van Veen Publisher: Amsterdam University Press ISBN: 9048505224 Category : Architecture Languages : en Pages : 492
Book Description
Een introductie op de Oudnederlandse schilderkunst In de negentiende eeuw vond de herontdekking plaats van vijftiende-eeuwse paneelschilders uit de Nederlanden, zoals de Meester van Flémalle alias Robert Campin, Rogier van der Weyden, de gebroeders van Eyck, Hugo van der Goes, Hans Memling, Geertgen tot Sint Jans en Gerard David. Sindsdien heeft de belangstelling voor hun werken zoals die tot uitdrukking komt in collectionering en onderzoek een geweldige vlucht genomen. De bestudering van deze schilderijen omvat allerlei aspecten, zoals toeschrijving en datering, bronnen-onderzoek, inhoudelijke interpretaties, en onderzoek naar werkplaatspraktijken en de sociale en cultuur-historische context. Deze publikatie biedt een introductie op de Oudnederlandse schilderkunst door te laten zien op welke verschillende manieren deze kunst sedert haar herontdekking verzameld, onderzocht en geïnterpreteerd is. Allereerst wordt dit gedemonstreerd aan de hand van de bespreking van een aantal afzonderlijke werken. Dan wordt de geschiedenis van de herontdekking, van het ontstaan van collecties, en van de ontwikkeling van allerlei kunst- en cultuurhistorische visies en benaderingswijzen behandeld. Tot slot komen moderne invalshoeken aan de orde: materieel-technisch onderzoek, opdrachtgeversonderzoek en onderzoek naar symbolische betekenissen. - Het boek bevat bijdragen van experts uit binnen- en buitenland en is samengesteld door Bernhard Ridderbos (Rijksuniversiteit Groningen), Anne van Buren (emeritus-hoogleraar Tufts University, USA) en Henk van Veen (Rijksuniversiteit Groningen).
Author: Sarah Blick Publisher: BRILL ISBN: 900420573X Category : Art Languages : en Pages : 1403
Book Description
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experiences. The authors included here study the provocation and the reactions associated with medieval and Renaissance art and architecture. These essays trace the impetus towards interactivity from the points of view of their creators and those who used them.Contributors include: Mickey Abel, Alfred Acres, Kathleen Ashley, Viola Belghaus, Sarah Blick, Erika Boeckeler, Robert L.A. Clark, Lloyd DeWitt, Michelle Erhardt, Megan H. Foster-Campbell, Juan Luis González García, Laura D. Gelfand, Elina Gertsman, Walter S. Gibson, Margaret Goehring, Lex Hermans, Fredrika Jacobs, Annette LeZotte, Jane C. Long, Henry Luttikhuizen, Elizabeth Monroe, Scott B. Montgomery, Amy M. Morris, Vibeke Olson, Katherine Poole, Alexa Sand, Donna L. Sadler, Pamela Sheingorn, Suzanne Karr Schmidt, Anne Rudloff Stanton, Janet Snyder, Rita Tekippe, Mark Trowbridge, Mark S. Tucker, Kristen Van Ausdall, Susan Ward.
Author: Erwin Panofsky Publisher: ISBN: 9780064366823 Category : Painting Languages : en Pages : 626
Book Description
"The book had a wide impact on studies of Renaissance art and Early Netherlandish painting in particular, but also studies in iconography, art history, and intellectual history in general. The book is particularly well-known for its iconographic treatment of Van Eyck's Arnolfini Portrait as a kind of marriage contract. The book remains influential despite its reliance on black-and-white reproductions of paintings, which led to some errors of analysis."--The books that shaped art history (p. 95).
Author: M. Sugiyama
Author: M. Sugiyama
Author: Kathryn M. Rudy
Author: National Gallery of Art (U.S.)
Author: John Oliver Hand
Author: Ingrid Falque
Author: Zsuzsa Urbach
Author: Henk van Veen
Author: Otto Pächt
Author: Sarah Blick
Author: Erwin Panofsky