Author: WILLIAM J. LONG
Publisher: Full Moon Publications
ISBN:
Category : Religion
Languages : en
Pages : 488
Book Description
William Joseph Long (1866–1952) was an American writer, naturalist and minister. He lived and worked in Stamford, Connecticut as a minister of the First Congregationalist Church. As a naturalist, he would leave Stamford every March, often with his two daughters Lois Long and Cesca, son, Brian to travel to "the wilderness" of Maine. There they would stay until the first snows of October, although sometimes he would stay all winter. In the 1920s, he began spending his summers in Nova Scotia, claiming "the wilderness is getting too crowded". He wrote of these wilderness experiences in the books Ways of Wood Folk, Wilderness Ways, Wood-folk Comedies, Northern Trails, Wood Folk at School, and many others. His earlier books were illustrated by Charles Copeland; two later ones were illustrated by Charles Livingston Bull. Long believed that the best way to experience the wild was to plant yourself and sit for hours on end to let the wild "come to you; and they will!"
English Literature (illustrated)
Author: WILLIAM J. LONG
Publisher: Full Moon Publications
ISBN:
Category : Religion
Languages : en
Pages : 488
Book Description
William Joseph Long (1866–1952) was an American writer, naturalist and minister. He lived and worked in Stamford, Connecticut as a minister of the First Congregationalist Church. As a naturalist, he would leave Stamford every March, often with his two daughters Lois Long and Cesca, son, Brian to travel to "the wilderness" of Maine. There they would stay until the first snows of October, although sometimes he would stay all winter. In the 1920s, he began spending his summers in Nova Scotia, claiming "the wilderness is getting too crowded". He wrote of these wilderness experiences in the books Ways of Wood Folk, Wilderness Ways, Wood-folk Comedies, Northern Trails, Wood Folk at School, and many others. His earlier books were illustrated by Charles Copeland; two later ones were illustrated by Charles Livingston Bull. Long believed that the best way to experience the wild was to plant yourself and sit for hours on end to let the wild "come to you; and they will!"
Publisher: Full Moon Publications
ISBN:
Category : Religion
Languages : en
Pages : 488
Book Description
William Joseph Long (1866–1952) was an American writer, naturalist and minister. He lived and worked in Stamford, Connecticut as a minister of the First Congregationalist Church. As a naturalist, he would leave Stamford every March, often with his two daughters Lois Long and Cesca, son, Brian to travel to "the wilderness" of Maine. There they would stay until the first snows of October, although sometimes he would stay all winter. In the 1920s, he began spending his summers in Nova Scotia, claiming "the wilderness is getting too crowded". He wrote of these wilderness experiences in the books Ways of Wood Folk, Wilderness Ways, Wood-folk Comedies, Northern Trails, Wood Folk at School, and many others. His earlier books were illustrated by Charles Copeland; two later ones were illustrated by Charles Livingston Bull. Long believed that the best way to experience the wild was to plant yourself and sit for hours on end to let the wild "come to you; and they will!"
The Literary World
Jonson Versus Bakhtin
Author: Rocco Coronato
Publisher: BRILL
ISBN: 9004458557
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Ben Jonson has often been accused of needless erudition and of a morose refusal to join in the festive spirit. Further aggravation has come from the application of Bakhtin’s theory of carnival, especially in its posthumous form as a political allegory portraying the clash of high and low cultures. In an attempt to turn the tables on this tradition, Jonson Versus Bakhtin goes back to the sources, arguing that Jonson’s theatre allows for an original interpretation of the grotesque as a formal culture of antithesis and opposition that includes carnival. A robust observer of popular myths of festive liberation by way of a uniquely compendious adaptation of his sources, Jonson’s grotesque uncannily delves deep into the Renaissance theory of the coincidence of opposites as a way of envisaging virtue and other concepts of the mind, rather than serving up a pompous application of moral precepts or offering a political arena for ritual transgression. While richly based on an appropriate repertory of underlying sources, Jonson Versus Bakhtin steers away from any tiresome reference hunting mania, appealing to a broader audience interested in re-appraising Ben Jonson’s genius for richly contrastive imagery, as well as re-considering the relevance of Bakhtin’s theory to Elizabethan and Jacobean drama and to the Renaissance culture of the grotesque.
Publisher: BRILL
ISBN: 9004458557
Category : Literary Criticism
Languages : en
Pages : 277
Book Description
Ben Jonson has often been accused of needless erudition and of a morose refusal to join in the festive spirit. Further aggravation has come from the application of Bakhtin’s theory of carnival, especially in its posthumous form as a political allegory portraying the clash of high and low cultures. In an attempt to turn the tables on this tradition, Jonson Versus Bakhtin goes back to the sources, arguing that Jonson’s theatre allows for an original interpretation of the grotesque as a formal culture of antithesis and opposition that includes carnival. A robust observer of popular myths of festive liberation by way of a uniquely compendious adaptation of his sources, Jonson’s grotesque uncannily delves deep into the Renaissance theory of the coincidence of opposites as a way of envisaging virtue and other concepts of the mind, rather than serving up a pompous application of moral precepts or offering a political arena for ritual transgression. While richly based on an appropriate repertory of underlying sources, Jonson Versus Bakhtin steers away from any tiresome reference hunting mania, appealing to a broader audience interested in re-appraising Ben Jonson’s genius for richly contrastive imagery, as well as re-considering the relevance of Bakhtin’s theory to Elizabethan and Jacobean drama and to the Renaissance culture of the grotesque.
A Counter-History of Crime Fiction
Author: Maurizio Ascari
Publisher: Springer
ISBN: 0230234534
Category : Fiction
Languages : en
Pages : 236
Book Description
This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
Publisher: Springer
ISBN: 0230234534
Category : Fiction
Languages : en
Pages : 236
Book Description
This book takes a look at the evolution of crime fiction. Considering 'criminography' as a system of inter-related sub-genres, it explores the connections between modes of literature such as revenge tragedies, the gothic and anarchist fiction, while taking into account the influence of pseudo-sciences such as mesmerism and criminal anthropology.
Catalogue of the Reference Library
Author: Birmingham Free Libraries. Reference Department
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 1638
Book Description
Publisher:
ISBN:
Category : Dictionary catalogs
Languages : en
Pages : 1638
Book Description