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Author: Matthew C. Potter Publisher: Routledge ISBN: 0429752679 Category : Art Languages : en Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: Matthew C. Potter Publisher: Routledge ISBN: 0429752679 Category : Art Languages : en Pages : 603
Book Description
Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.
Author: Elizabeth A. Sudduth Publisher: Univ of South Carolina Press ISBN: 9781570035906 Category : Art Languages : en Pages : 428
Book Description
Bruccoli Great War Collection at the University of South Carolina: An Illustrated Catalogue provides a reference tool for the study of one of the great watershed moments in history on both sides of the Atlantic serving historians, researchers, and collectors.
Author: Reina Lewis Publisher: Bloomsbury Publishing ISBN: 1350135224 Category : History Languages : en Pages : 233
Book Description
In the first book to address the critical role of the (un)dressed body in the formation of the modern Middle East, these essays unveil contemporary struggles over nation, gender, modernity and post-modernity. Contributions from leading interdisciplinary scholars, exploring gender representation, photography, dress and visual culture, recount the role of the visible elite body in campaigns for gender and social emancipation, dress histories concerning early nationalist women and men, and legal frameworks used by those who seek to control the movement of gendered bodies. The result is a rich picture of a historical period and cultural landscape which brings dress and visual culture back into historical narratives of the modern Middle East. Recognising multiple modernities, multiple imperialisms and diverse regional experiences of post-colonialism, Fashioning the Modern Middle East contains a range of theoretical frameworks invaluable to students of fashion studies, Middle Eastern studies, anthropology, photography and gender. Bringing forward new primary material and re-investigating extant sources from new perspectives, this is the essential introduction to the role of the dressed and undressed body in the formation of the modern Middle East.
Author: Brian Saunders Publisher: CSIRO PUBLISHING ISBN: 0643106723 Category : Science Languages : en Pages : 520
Book Description
This book traces the discovery of Australia’s fishes from the earliest days of taxonomy to the first part of the 20th century. It provides a unique insight into the diverse pathways by which Australia’s fish were discovered and outlines the history of early maritime explorations in Australia that collected natural history specimens. The book covers the life and work of each of the most important discoverers, and assesses their accomplishments and the limitations of their work. Discovery of Australia’s Fishes is distinctive in that a biographic approach is integrated with chronological descriptions of the discovery of the Australian fish fauna. Many of northern Australia’s fishes are found in parts of the Indian and western Pacific oceans. The book covers the work of collectors who travelled outside Australia, together with that of the British and European zoologists who received and described their collections. The account ceases at 1930, the year the first modern checklist of Australian fishes was published. 2012 Whitley Award Commendation for Historical Zoology.
Author: Peter Stanley Publisher: National Library of Australia ISBN: 0642279055 Category : History Languages : en Pages : 269
Book Description
The Great War of 1914-1918 affected all Australians and decisively changed the new nation. They were 'The Crying Years' according to writer Zora Cross, who lost her brother in 1917. This visual history of Australia's Great War offers a different perspective on a period of time familiar to many. It helps to connect the war overseas - the well-chronicled battles at Gallipoli, Fromelles, Passchendaele and Villers-Bretonneux - with the equally bitter war at home, for and against conscription, over 'loyalty' and 'disloyalty'. Men faced life-changing choices: volunteer to fight or stay at home; join the revolutionary unionists or break the strikes. Women bore the burdens of waiting and worrying, of working for charities, or of voting to send men to their deaths. Even children were drawn into the animosities, as their communities fractured under the stress. Prize-winning historian Professor Peter Stanley of UNSW Canberra uses documents, photographs, artefacts and images from the collections of the National Library of Australia to evoke the drama and tragedy, suffering and sacrifice, pain and pity of Australia's Great War.
Author: Stephanie Owen Reeder Publisher: National Library of Australia ISBN: 0642278652 Category : Juvenile Fiction Languages : en Pages : 118
Book Description
This is the inspiring true story of nine-year-old Lennie Gwyther who, at the height of the Great Depression in 1932, rode his pony from his home town of Leongatha in rural Victoria to Sydney to witness the opening of the Sydney Harbour Bridge. Lennie’s 1,000-kilometre solo journey captured the imagination of the nation, and his determination and courage provided hope to many at a difficult time in Australia’s history. Lennie the Legend begins with a terrible accident on the family farm, when Lennie, remarkably at such a young age, takes on the responsibility for the ploughing. Lennie is obsessed with the marvel of the Sydney Harbour Bridge and, as a reward for saving the farm from missing the planting season, his parents grant him his wish to ride on his own to Sydney for the opening of the bridge. Lennie has all sorts of adventures along the way—a thief lurking in the bush in the dead of night, a raging bushfire, surprise appearances, celebrations in his honour, being the star of a newsreel, and meeting the Prime Minister. At the end of each chapter, a double-page spread provides information on topics relating to the chapter, such as The Great War (the personal effects of war; Captain Leo Tennyson Gwyther); Living on the Land (farming life; growing up on a farm); The Great Depression (economic turmoil; surviving the depression); Australia’s Capital City (building Canberra; Parliament House); City Living (Australian cities in the 1930s; Melbourne–Sydney rivalry); The Sydney Harbour Bridge (constructing the bridge; opening the bridge). The story and the information spreads have black-and-white and colour illustrations, including photographs of Lennie at the time. Also provided at the end of the book is a glossary, background reading and an index.
Author: Matthew C. Potter
Author: Matthew C. Potter
Author: Elizabeth A. Sudduth
Author: 
Author: Richard Schodde
Author: Reina Lewis
Author: Brian Saunders
Author: National Library of Medicine (U.S.)
Author: Peter Stanley
Author: Stephanie Owen Reeder
Author: National Library of Medicine (U.S.)