Author: Yamanaka & Company
Publisher:
ISBN:
Category : Art objects, Chinese
Languages : en
Pages : 286
Book Description
Illustrated Catalogue of the Remarkable Collection of Ancient Chinese Bronzes
Author: Yamanaka & Company
Publisher:
ISBN:
Category : Art objects, Chinese
Languages : en
Pages : 286
Book Description
Publisher:
ISBN:
Category : Art objects, Chinese
Languages : en
Pages : 286
Book Description
Ancient Chinese Bronzes in the Saint Louis Art Museum
Author: St. Louis Art Museum
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 196
Book Description
Antiquities
Author: Maxwell Lincoln Anderson
Publisher: Oxford University Press
ISBN: 0190614935
Category : Antiques & Collectibles
Languages : en
Pages : 273
Book Description
The destruction of ancient monuments by the Taliban and the Islamic State have shocked observers worldwide. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know(R) analyzes continuing threats to our heritage as well as a balanced account of treaties and laws, collections past and present, forgeries, and other controversial issues. Antiquities explores the legal, practical, and moral choices we face when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.
Publisher: Oxford University Press
ISBN: 0190614935
Category : Antiques & Collectibles
Languages : en
Pages : 273
Book Description
The destruction of ancient monuments by the Taliban and the Islamic State have shocked observers worldwide. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know(R) analyzes continuing threats to our heritage as well as a balanced account of treaties and laws, collections past and present, forgeries, and other controversial issues. Antiquities explores the legal, practical, and moral choices we face when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.
The National Union Catalog, Pre-1956 Imprints
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700
Book Description
Art Books, 1876-1949
Author: R.R. Bowker Company
Publisher: R. R. Bowker
ISBN:
Category : Art
Languages : en
Pages : 810
Book Description
Publisher: R. R. Bowker
ISBN:
Category : Art
Languages : en
Pages : 810
Book Description
Library Catalogue: Author catalogue M-Nuo
Author: University of London. School of Oriental and African Studies. Library
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 754
Book Description
Art Books
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 812
Book Description
Including an international directory of museum permanent collection catalogs.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 812
Book Description
Including an international directory of museum permanent collection catalogs.
American Book Publishing Record Cumulative, 1876-1949: Non-Dewey decimal classified titles
Author: R.R. Bowker Company. Department of Bibliography
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2200
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 2200
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.