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Iliazd

Iliazd PDF Author: Johanna Drucker
Publisher: Johns Hopkins University Press
ISBN: 1421439638
Category : Literary Criticism
Languages : en
Pages : 306

Book Description
Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.

Iliazd

Iliazd PDF Author: Johanna Drucker
Publisher: Johns Hopkins University Press
ISBN: 1421439638
Category : Literary Criticism
Languages : en
Pages : 306

Book Description
Iliazd is at once a rich study of a significant figure and a thoughtful reflection on the way a biography creates an encounter with its always absent subject.

'The Frosty Caucasus:̓

'The Frosty Caucasus:̓ PDF Author: Florence Craufurd Grove
Publisher:
ISBN:
Category : Caucasus
Languages : en
Pages : 416

Book Description


The Gas Heart

The Gas Heart PDF Author: Tristan Tzara
Publisher: Gegensatz Press
ISBN: 1933237430
Category : Drama
Languages : en
Pages : 66

Book Description
Written in 1920 or 1921 first performed on June 10, 1921, next and most famously performed July 6, 1923. Modus ponens: If the purpose of Dada in general and The Gas Heart in particular was to piss people off, then both, especially the latter, succeeded marvelously. The purpose of Dada in general and The Gas Heart in particular was to piss people off. Therefore, ...

Sweet Dreams

Sweet Dreams PDF Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165051
Category : Art
Languages : en
Pages : 326

Book Description
Surveying a wide range of exciting and innovative artists, Drucker demonstrates their clear departure from the past, petitioning viewers and critics to shift their terms and sensibilities as well.

A Century of Artists Books

A Century of Artists Books PDF Author: Riva Castleman
Publisher: ABRAMS
ISBN: 9780810961814
Category :
Languages : en
Pages : 0

Book Description
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.

Athanor

Athanor PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 88

Book Description


Surrealism and the Book

Surrealism and the Book PDF Author: Renee Riese Hubert
Publisher: Univ of California Press
ISBN: 9780520057197
Category : Literary Criticism
Languages : en
Pages : 412

Book Description
"An indispensable tool ... for the student of Surrealism and book illustration ... [and] also for those interested in the complicated intrications between literature and pictorial movements from Romanticism to present-day Postmodernism"--Blurb.

The Visible Word

The Visible Word PDF Author: Johanna Drucker
Publisher: University of Chicago Press
ISBN: 0226165027
Category : Art
Languages : en
Pages : 306

Book Description
Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Drucker explores the context for experimental typography in terms of printing, handwriting, and other practices concerned with the visual representation of language. Her book concludes with a brief look at the ways in which experimental techniques of the early avant-garde were transformed in both literary work and in applications to commercial design throughout the 1920s and early 1930s.

Close Listening

Close Listening PDF Author: Charles Bernstein
Publisher: Oxford University Press
ISBN: 0195355075
Category : Literary Criticism
Languages : en
Pages : 401

Book Description
Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound to meaning, from historical and social approaches to poetry readings to new imaginations of prosody, the entries gathered here investigate a compelling range of topics for anyone interested in poetry. Taken together, these essays encourage new forms of "close listenings"--not only to the printed text of poems but also to tapes, performances, and other expressions of the sounded and visualized word. The time is right for such a volume: with readings, spoken word events, and the Web gaining an increasing audience for poetry, Close Listening opens a number of new avenues for the critical discussion of the sound and performance of poetry.

Musical Aesthetics: The nineteenth century

Musical Aesthetics: The nineteenth century PDF Author: Edward A. Lippman
Publisher: Pendragon Press
ISBN: 9780918728418
Category : Juvenile Nonfiction
Languages : en
Pages : 454

Book Description
The second volume of this anthology of musical aesthetics proceeds from the rational, common-sense examination of the 18th-century artistic experience to the realm of 19th-century expressiveness. The rational foundation of aesthetics gave way to an emphasis on an art form's strength of feeling and expressive power, a purity of the creation and the creator. No longer confined to a restricted sense of beauty, music admitted the violent, the enormous and the ugly into its sphere of emotion, now the era of romanticism and Sturm und Drang. These developments are here detailed in the writings of Wackenroder, Herder, Thibaut, Schelling, Hegel, Schopenhauer, Kirkegaard, Wagner, Hanslick, Ambros, Nietzsche, Spencer, Gurney, and Haussegger. Through them we see the classical province of proportion, educated taste and contained expressiveness recede, and the emotional realism of music come to the fore.