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Author: Blaise Pascal Publisher: Umberto Allemandi ISBN: Category : Music Languages : en Pages : 192
Book Description
This edition presents Pascal's little-known work in French, with an English translation. The text is accompanied by nearly 100 color photographs of the stained-glass windows in Strasbourg Cathedral, which depict the whole cycle of the life of Jesus in great iconographic detail. The book provides a fascinating and deeply topical account in words and pictures of the coming to earth of the Son of God.
Author: Blaise Pascal Publisher: Umberto Allemandi ISBN: Category : Music Languages : en Pages : 192
Book Description
This edition presents Pascal's little-known work in French, with an English translation. The text is accompanied by nearly 100 color photographs of the stained-glass windows in Strasbourg Cathedral, which depict the whole cycle of the life of Jesus in great iconographic detail. The book provides a fascinating and deeply topical account in words and pictures of the coming to earth of the Son of God.
Author: Publisher: BRILL ISBN: 9004445927 Category : Religion Languages : en Pages : 652
Book Description
Apocryphal traditions, often shared by Jews and Christians, have played a significant role in the history of both religions. The 26 essays in this volume show how such traditions were elaborated in literatures, liturgies, figurative arts and mythology, in regions ranging from Ethiopia to Italy.
Author: Publisher: Claudio Aita ISBN: Category : Art Languages : en Pages : 164
Book Description
Numero doppio, 160 pagine, cm21x29,7, brossura, illustrato a colori, anno 2015 Questo numero speciale di Kermes, nell’ambito delle celebrazioni per il 350° anniversario della morte di Nicolas Poussin (1594-1665), esce in concomitanza con la mostra ‘Poussin et Dieu’ che il Musée du Louvre presenta nella primavera del 2015. Omaggio al ‘pittore-filosofo’, il volume si pone quale strumento scientifico di riferimento che riporta lo stato dell’arte a livello internazionale negli studi tecnici poussiniani e accompagna la mostra come adeguato complemento al catalogo per la comprensione scientifica delle tematiche. La pubblicazione è stata l’occasione per attivare un dibattito internazionale – quasi un convegno ideale con sede in Kermes – a cui hanno aderito con entusiasmo oltre venti autori, proponendo significativi ed estesi studi in una dimostrazione esemplare d’interazione fra ricerche storico artistiche e tecnico-scientifiche. … It is with great enthusiasm that Kermes supported this initiative hosting the studies, as though these were part of a conference, ‘ideal’ in that it never took place physically, but very much real in terms of the international plurality of its contributions, presented here thanks to lively exchange of information across frontiers … This publication is the fruit of a perfect and exemplary collaboration between curators, conservators and scientists brought together from all countries… The publication here before us provides a number of answers – let us be brave and use the word ‘definitive’ – to questions which have long been an issue of debate … Comme l’affirme ici même Sheila McTighe, toute vision plus large de la pratique de Poussin doit dorénavant prendre en compte et intégrer ces nouvelles données techniques. (Pierre Rosenberg de l’Académie française, Président-directeur honoraire du Musée du Louvre) This volume of the journal Kermes devoted to the meticulous technical analysis of several works by Nicolas Poussin, reveals the wealth of knowledge acquired through the implementation of new methods of physico-chemical analysis taken together with the detailed investigation of the handling and materials deployed during the process of creating the work of art. A number of different means have been employed in order to investigate in the greatest detail the nature of a particular pigment, its impurities, the effects of the addition of a medium as well as the effects created by mixtures … (Philippe Walter, Directeur du Laboratoire d’archéologie moléculaire et structurale, CNRS-UMR 8820, Université Pierre et Marie Curie) indice/Index: speciale – NICOLAS POUSSIN. TECHNIQUE, PRACTICE, CONSERVATION a cura di Helen Glanville, Claudio Seccaroni Helen Glanville, Claudio Seccaroni Nota introduttiva dei curatori / Editors’ Introductory Note Pierre Rosenberg Du progrès en histoire de l’art / On Developments in the History of Art Philippe Walter Combiner les regards sur les œuvres de Nicolas Poussin / A Combined Vision of the Works of Nicolas Poussin Sheila McTighe Poussin’s Practice: A New Plea for Poussin as a Painter Helen Glanville Nicolas Poussin: Creation and Perception Paolo Bensi Supporti e preparazioni: aspetti delle scelte esecutive di Poussin a confronto con le tecniche pittoriche dell’ambiente romano (1620-70) Chiara Merucci, Claudio Seccaroni Qualche osservazione sui Baccanali di putti della Galleria Nazionale d’Arte Antica in Palazzo Barberini Marcia Steele Transmitted Light Infrared Imaging of Two Paintings by Poussin at the Cleveland Museum of Art David Piurek The Cleveland Museum of Art Painting Conservation. Transmitted IR Photography Setup Sophia Plender, Aviva Burnstock Technical Examination and Conservation of The Triumph of David by Nicolas Poussin Laurie Benson, Carl Villis The Crossing of the Red Sea in the National Gallery of Victoria, Melbourne John Twilley, Nicole Myers, Mary Schafer Poussin’s Materials and Techniques for The Triumph of Bacchus at the Nelson-Atkins Museum of Art Jean Cadogan, Stephen Kornhauser, Patricia Sherwin Garland The Crucifixion by Nicolas Poussin in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut Rikke Foulke The Holy Family with the Infant Saint John the Baptist and Saint Elizabeth Laurence de Viguerie, Philippe Walter, Helen Glanville Some Preliminary Remarks on Nicolas Poussin’s Painting Technique in L’Orage: Complementary X-ray Fluorescence and X-ray Diffraction Study Carol Woods Sawyer Discoveries Concerning Poussin’s Technique Made during the Examination and Treatment of Achilles among the Daughters of Lycomedes Characteristics of the Canvases Used by Nicolas Poussin Bibliographic References Abstracts CULTURA PER I BENI CULTURALI CSRP-The Central Scientific Restoration Project Workshop – Moscow: I metodi di restauro dei monumenti architettonici di legno in russia ARI: Il tesoro sottratto di Roma SUPSI: Studio comparativo di metodi diagnostici per la valutazione dei distacchi degli intonaci e del loro trattamento AICRAB: “Digital Humanities” alla Biblioteca Capitolare di Vercelli OPD: Avanzamenti circa il restauro dell’ Adorazione dei Magi di Leonardo da Vinci MNEMOSYNE: Riprendere le proposte di Giovani Urbani per la cura dei contesti ambientali e condizione per la duratura conservazione anche delle singole opere d’arte CCR La Venaria Reale: Campagna di documentazione dello stato di conservazione dell’opera La Bella Principessa attribuita a Leonardo da Vinci Taccuino IG-IIC: Sostenibilità della conservazione, ma oltre le mode … LA RECENSIONE Licia Vlad Borrelli, La fucina di Vulcano. I metalli nel mondo antico: storia, tecnologia, conservazione Giorgio Bonsanti Giuseppina Perusini, Simon Horsin-Déon e il restauro in Francia alla metà del XIX secolo Paolo Bensi Christoph Schölzel, Gemäldegalerie Dresden: Bewahrung und Restaurierung der Kunstwerke von den Anfängen der Galerie bis 1876 Giorgio Bonsanti Antonio Sgamellotti, Brunetto G. Brunetti and Costanza Miliani (edited by), Science and Art. The Painted Surface Giorgio Bonsanti Elena Pecchioni, Fabio Fratini, Emma Cantisani, Atlante delle malte antiche in sezione sottile al microscopio ottico / Atlas of the ancient mortars in thin section under optical microscope Deodato Tapete Maria Beatrice Failla, Susanne Adina Meyer, Chiara Piva, Stefania Ventra (a cura di), La cultura del restauro. Modelli di ricezione per la museologia e la storia dell’arte Giorgio Bonsanti
Author: Maria Valtorta Publisher: ISBN: 9781533346094 Category : Languages : en Pages : 462
Book Description
On 23 April 1943, Good Friday, Maria Valtorta reported hearing the voice of Jesus. From then until 1951 she produced over 15,000 handwritten pages in 122 notebooks, mostly detailing the life of Jesus as an extension of the gospels. Her handwritten notebooks containing close to 700 reputed episodes in the life of Jesus were typed on separate pages by her priest and reassembled, given that they had no temporal order, and became the basis of her 5,000-page book The Poem of the Man God.
Author: Scott Fitzgerald Johnson Publisher: Harvard University Press ISBN: 9780674019614 Category : Acts of Paul and Thecla Languages : en Pages : 0
Book Description
The Life and Miracles of Thekla offers a unique view on the reception of classical and early Christian literature in Late Antiquity. This study examines the Life and Miracles as an intricate example of Greek writing and attempts to situate the work amidst a wealth of similar literary forms from the classical world. The first half of the Life and Miracles is an erudite paraphrase of the famous second-century Acts of Paul and Thekla. The second half is a collection of forty-six miracles that Thekla worked before and during the composition of the collection. This study represents a detailed investigation into the literary character of this ambitious Greek work from Late Antiquity.
Author: Blaise Pascal
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Author: Maria Valtorta
Author: Scott Fitzgerald Johnson