Domenico Ferrabosco, Il primo libro de madrigali a quatro voci (Venice, 1542) PDF Download

Author: Domenico M. Ferrabosco
Publisher: Routledge
ISBN: 1135780854
Category : Music
Languages : en
Pages : 250

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Il primo libro de madrigali a quatro voci (Venice, 1542)

Author: Clara Marvin
Publisher: Routledge
ISBN: 1135617546
Category : Music
Languages : en
Pages : 497

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First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.

Author: Jessie Ann Owens
Publisher: Routledge
ISBN: 1135781419
Category : Music
Languages : it
Pages : 205

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First Published in 1994. Il primo libro di madrigali a quattro voci (Venice, 1555)

Author: Mary Lewis
Publisher: Routledge
ISBN: 1136802061
Category : Music
Languages : en
Pages : 566

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Antonio Gardano's publications are among the most important sources of 16th-century music. The second volume describes the output of this leading Italian music press in its cultural, bibliographical, and musical context. The first part of the book consists of an overview of Gardano's repertory from the fifties and the cultural and musical milieu in which he worked. It includes discussions of the continuing popularity of his earlier repertory, the music of the younger generation introduced in the fifties, the music of the composers around San Marco, and genres such as the multi-movement madrigal, the canzoni villanesche, instrumental works, and new anthologies. Also discussed are the dating of some undated editions, unconfirmed and doubtful prints, and ordering within the editions. A chapter on binder's copies describes groups of editions bound together by their early owners and serves as a valuable index to the tastes of the collectors. The catalog section covers all Gardano's known publications of the fifties, and provides full titles, bibliographical information, contents with concordant sources for each piece, and locations of individual copies with notes on their bindings, owners' marks, annotations, and other significant characteristics. The catalog is indexed by composer, first line, and short title, and includes a list of primary and secondary sources consulted.

Author: Sacred Harmonic Society
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 426

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Author: Iain Fenlon
Publisher: Oxford University Press
ISBN: 9780198164449
Category : History
Languages : en
Pages : 300

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Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.

Author: Maria Rika Maniates
Publisher: Manchester University Press
ISBN: 9780719007378
Category : Music
Languages : en
Pages : 714

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Author: Simon Groot
Publisher: Uitgeverij Verloren
ISBN: 9464550066
Category : History
Languages : en
Pages : 339

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Joannes Tollius (c. 1550-c. 1620) was born in Amersfoort and began his career as music director of the Amersfoort Chapel of Our Lady. He flourished in Italy as maestro di capella of the cathedrals of Rieti (1583-84) and Assisi (1584-86), and as cantor tenorista in Rome (1586-88) and Padua (1588-1601). He ended his career as an exceptionally well-paid singer in the court chapel of Christian IV in Copenhagen (1601-03). In 1590, a collection of three-part motets appeared under the surprising title Motecta de dignitate et moribus sacerdotum (motets about the dignity and morals of priests), presumably intended as a denunciation of the priests who had had him imprisoned in Assisi on charge of heresy, a charge of which Tollius was later acquitted. In 1591, two collections of five-part motets appeared in quick succession. In these motets, Tollius uses techniques of word painting that go significantly further than those used by his contemporaries in sacred music. In 1597, an extended and revised reprint appeared of the a collection of six-part madrigals. In his madrigals, Tollius shows himself to be a skilled composer who is in keeping with the madrigal output of his Italian contemporaries. In 1598, two new madrigals by Tollius appeared in collections of works by Paduan masters, including such great names as Lodovico Viadana and Costanzo Porta. Tollius is unconventional in his compositions. He combines works with an archaic character, with works that fit in prevailing compositional trends, but he also experiments with means that go far beyond what his contemporaries allowed themselves. His oeuvre may be small, but its diversity and quality makes it notable. During his life, Tollius regularly came into conflict with his employers. He was often fined and sometimes even imprisoned. Contemporary accounts of Tollius are contradictory when it comes to his personality, but they are unanimous in recognising that he was a skilled musician.

Author: Susan Lewis
Publisher: Routledge
ISBN: 1135042926
Category : Music
Languages : en
Pages : 280

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Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.

Author: Iain Fenlon
Publisher: CUP Archive
ISBN: 9780521252287
Category : Music
Languages : en
Pages : 424

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This 1988 book examines the genesis and dissemination of the Italian madrigal in its formative stages. Iain Fenlon and James Haar have analysed this vast repertoire as it is found in manuscript and print offer information concerning the date and provenance of many fundamental sources together with a view of the subject which differs radically from previous treatments. Their study is divided into two parts. The first covers the rise and early cultivation of the madrigal, chiefly in Florence and Rome. The second contains a detailed descriptive inventory of all known manuscripts and printed editions, finishing with lists of contents and concordances in each case. This important study will serve those with an interest in Renaissance music and the changing cultural ambience of early sixteenth-century Florence and Rome.