![Il Matrimonio per susurro; The Marriage by Noise. A comic opera, in two acts [founded on a story by A. F. F. von Kotzebue]: as represented at the King's Theatre in the Hay-Market, etc. Ital.&Eng PDF](https://books.google.com/books/content/images/frontcover/zON2Na35Zh8C?fife=w150-h200)
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Il Matrimonio per susurro; The Marriage by Noise. A comic opera, in two acts [founded on a story by A. F. F. von Kotzebue]: as represented at the King's Theatre in the Hay-Market, etc. Ital.&Eng
![Il Matrimonio per susurro; The Marriage by Noise. A comic opera, in two acts [founded on a story by A. F. F. von Kotzebue]: as represented at the King's Theatre in the Hay-Market, etc. Ital.&Eng PDF](https://books.google.com/books/content/images/frontcover/zON2Na35Zh8C?fife=w80-h100)
Author: Il Matrimonio Segreto; Or, The Clandestine Marriage
Author: Giovanni BertatiPublisher:
ISBN:
Category : Operas
Languages : en
Pages : 40
Book Description
“The” Harmonicon
Author: Dictionary-catalogue of Operas and Operettas which Have Been Performed on the Public Stage
Author: John TowersPublisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1056
Book Description
The Harmonicon
Author: William AyrtonPublisher:
ISBN:
Category : Music
Languages : en
Pages : 538
Book Description
Catalogue of Printed Books
Author: British Museum. Department of Printed BooksPublisher:
ISBN:
Category : English literature
Languages : en
Pages : 892
Book Description
Catalogue of the Printed Books in the Library of the British Museum
Author: British LibraryCatalogue of Printed Books
Author: A General History of Music from the Infancy of the Greek Drama to the Present Period
Author: William Smyth RockstroPublisher:
ISBN:
Category : Music
Languages : en
Pages : 562
Book Description
Opera in London
Author: Theodore FennerPublisher: SIU Press
ISBN: 9780809319121
Category : Music
Languages : en
Pages : 830
Book Description
Theodore Fenner’s Opera in London offers a vivid portrait of the operatic and cultural life of a London under the influence of Romanticism as perceived by the English press and the public who viewed the performances. In part 1, Fenner discusses the rise of the periodical press in early nineteenth-century London and the critics of these publications who reviewed opera performances, such as Leigh Hunt and William Hazlitt. Fenner lists in the appendixes for part 1 the leading periodicals—including the Althenaeum, Examiner, and Spectator,— the critics, and reviews by leading critics. Fenner, in part 2, examines the productions of Italian opera in London at the King’s Theatre, including the problems in theatre management and financing; the varied nature of the audience; the operas and performances— those that were popular and those that failed in the words of the critics and the responses of the audience; the singers; and themes and attitudes of the period as expressed by the critics. In part 3, Fenner explores the same topics for the English operas presented at Drury Lane, Covent Garden, and other playhouses. Parts 2 and 3 also contain extensive appendixes listing seasonal and annual performances and reviews, productions by composers and by librettists, comic and serious productions, operas by known playwrights, and minor singers. Forty-eight illustrations of singers, critics, performances, composers, and theatres add to the richness of this study.