Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 27
Book Description
Il crociato in Egitto, Excerpts, Var
Author: Il Crociato in Egitto
Author: Gaetano RossiIL Crociato in Egitto
Author: Gaetano RossiPublisher: Forgotten Books
ISBN: 9780428682170
Category : Poetry
Languages : en
Pages : 98
Book Description
Excerpt from IL Crociato in Egitto: The Crusaders in Egypt; A Grand Heroic Melodrama, in Two Acts Vasto recinfsflrielipalazz'o del soldano: 'a'lla destra il soggiorno' degli schiavi'europei destinati ai la vqri. Bartedetal'az'zo, e de' giardini alla sinistra. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Il Crociato in Egitto
Author: Il Crociato in Egitto
Author: Giacomo MeyerbeerPublisher:
ISBN:
Category : Operas
Languages : en
Pages : 87
Book Description
Il Crociato in Egitto.-The Crusader in Egypt; an Heroic Opera, in Two Acts, Etc. Ital. & Eng
Author: Gaetano ROSSI (Dramatist.)Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Aria
Author: Giacomo MeyerbeerIl Crociato in Egitto. Melodramma Eroico in Two Acts
Author: The Harmonicon
Author: Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Author: Mark EveristPublisher: Taylor & Francis
ISBN: 100093912X
Category : History
Languages : en
Pages : 464
Book Description
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.