Author: Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 452
Book Description
The Eighteenth Century
Cyclopedia of Music & Musicians
Author: John Denison ChamplinPublisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
Book Description
Il Barone di Torreforte. A new comic opera, in two acts, as represented at the King's Theatre, etc. Ital. & Eng
Author: di Baron TORREFORTEAnnals of Opera, 1597-1940
Author: Microcosm of London
Author: Rudolph AckermannPublisher:
ISBN:
Category : London (England)
Languages : en
Pages : 320
Book Description
The Oxford Handbook of the New Cultural History of Music
Author: Jane F. FulcherPublisher: Oxford University Press
ISBN: 0199711984
Category : Music
Languages : en
Pages : 605
Book Description
As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines. The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture and in many forms of art. The Oxford Handbook of the New Cultural History of Music fosters and reflects a sustained dialogue about their shared goals and techniques, rejuvenating their work with new insights into the field itself.
Il barone di Torreforte
Author: English Masculinities, 1660-1800
Author: Tim HitchcockPublisher: Routledge
ISBN: 1317882490
Category : History
Languages : en
Pages : 324
Book Description
This collection of specially commissioned essays provides the first social history of masculinity in the ‘long eighteenth century’. Drawing on diaries, court records and prescriptive literature, it explores the different identities of late Stuart and Georgian men. The heterosexual fop, the homosexual, the polite gentleman, the blackguard, the man of religion, the reader of erotica and the violent aggressor are each examined here, and in the process a new and increasingly important field of historical enquiry is opened up to the non-specialist reader. The book opens with a substantial introduction by the Editors. This provides readers with a detailed context for the chapters which follow. The core of the book is divided into four main parts looking at sociability, virtue and friendship, violence, and sexuality. Within this framework each chapter forms a self-contained unit, with its own methodology, sources and argument. The chapters address issues such as the correlations between masculinity and Protestantism; masculinity, Englishness and taciturnity; and the impact of changing representations of homosexual desire on the social organisation of heterosexuality. Misogyny, James Boswell's self-presentation, the literary and metaphorical representation of the body, the roles of gossip and violence in men's lives, are each addressed in individual chapters. The volume is concluded by a wide-ranging synoptic essay by John Tosh, which sets a new agenda for the history of masculinity. An extensive guide to further reading is also provided. Designed for students, academics and the general reader alike, this collection of essays provides a wide-ranging and accessible framework within which to understand eighteenth-century men. Because of the variety of approaches and conclusions it contains, and because this is the first attempt to bring together a comprehensive set of writings on the social history of eighteenth-century masculinity, this volume does something quite new. It de-centres and problematises the male ‘standard’ and explores the complex and disparate masculinites enacted by the men of this period. This will be essential reading for anyone interested in eighteenth-century British social history.
![Il Barbiere di Siviglia. A comic opera, in two acts [founded on the comedy by Beaumarchais], as represented at the King's Theatre in the Haymarket ... Translated into English by Mr. Boschini. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/Jd055xb9pZsC?fife=w80-h100)
Author: ![I Due baroni. A comic opera, in two acts. As performed at the King's Theatre in the Haymarket, etc. [By G. Palomba.] Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/JcEzv1_UyFQC?fife=w80-h100)
Author: