Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston PDF Download

Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462

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Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 788

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Author: Ludwig van Beethoven
Publisher: Alfred Music
ISBN: 9781457472374
Category : Music
Languages : en
Pages : 144

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Book Description
This "Urtext Edition" of Beethoven's Piano Sonatas, Nos. 8-15, includes editorial and performance notes by Carl Krebs (Berlin, March 1898). Titles: * Sonata No. 8, Op. 13 ("Pathetique") * Sonata No. 9, Op. 14, No. 1 * Sonata No. 10, Op. 14, No. 2 * Sonata No. 11, Op. 22 * Sonata No. 12, Op. 26 * Sonata No. 13, Op. 27, No. 1, (Quasi Fantasia) * Sonata No. 14, Op. 27, No. 2, (Quasi Fantasia, "Moonlight Sonata") * Sonata No. 15, Op. 28, (Pastorale)

Author: John Irving
Publisher: Routledge
ISBN: 1317004752
Category : Music
Languages : en
Pages : 172

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Book Description
Mozart's piano sonatas are among the most familiar of his works and stand alongside those of Haydn and Beethoven as staples of the pianist's repertoire. In this study, John Irving looks at a wide selection of contextual situations for Mozart's sonatas, focusing on the variety of ways in which they assume identities and achieve meanings. In particular, the book seeks to establish the provisionality of the sonatas' notated texts, suggesting that the texts are not so much identifiers as possibilities and that their identity resides in the usage. Close attention is paid to reception matters, analytical approaches, organology, the role of autograph manuscripts, early editions and editors, and aspects of historical performance practice - all of which go beyond the texts in opening windows onto Mozart's sonatas. Treating the sonatas collectively as a repertoire, rather than as individual works, the book surveys broad thematic issues such as the role of historical writing about music in defining a generic space for Mozart's sonatas, their construction within pedagogical traditions, the significance of sound as opposed to sight in these works (and in particular their sound on fortepianos of the later eighteenth-century) , and the creative role of the performer in their representation beyond the frame of the text. Drawing together and synthesizing this wealth of material, Irving provides an invaluable reference source for those already familiar with this repertoire.

Author: John Irving
Publisher: Cambridge University Press
ISBN: 0521496314
Category : Music
Languages : en
Pages : 239

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An examination of Mozart's piano sonatas, showing them to be a microcosm of the composer's changing style.

Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 764

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Book Description

Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 606

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Book Description

Author: John Weeks Moore
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1022

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Author: Michael Kassler
Publisher: Routledge
ISBN: 1317092058
Category : Music
Languages : en
Pages : 764

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Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.

Author: James Grier
Publisher: Cambridge University Press
ISBN: 1009038230
Category : Music
Languages : en
Pages : 287

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Book Description
Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.