Author: Wolfgang Amadeus Mozart
Publisher: Alma Books
ISBN: 0714544779
Category : Music
Languages : en
Pages : 185
Book Description
Mozart wrote Idomeneo when he was twenty-four years old, and the opera was described by Albert Einstein as "e;one of those works that even a genius like Mozart could write only once in his life"e;. It is one of most astonishing achievements of an altogether astonishing career.In this newly commissioned guide, Julian Rushton explains the special nature of the music in a detailed analysis of its themes and development, while Nicholas Till places the opera in its context as an expression of the Enlightenment. Gary Kahn explores the performance history of an opera which, although largely ignored for over a hundred and fifty years, has now taken its place as part of the international operatic repertoire. A selection of the unique letters between Mozart and his father written during the opera's composition is also included.Contains:Idomeneo and the Background of the Enlightenment, Nicholas TillIdomeneo, re di Creta, the Music, Julian RushtonA Brief Performance History, Gary KahnThe Composition of Idomeneo in Mozart's LettersIdomeneo: Libretto by Giambattista VarescoIdomeneo: English Translation by Charles Johnston
Music, Libraries, and the Academy
Author: James P. Cassaro
Publisher: A-R Editions, Inc.
ISBN: 0895796120
Category : Music
Languages : en
Pages : 279
Book Description
This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.
Publisher: A-R Editions, Inc.
ISBN: 0895796120
Category : Music
Languages : en
Pages : 279
Book Description
This collection of articles dedicated to the memory of Lenore Coral divides into three sections that focus on her scholarly interests: music of the eighteenth century, music libraries and collections, and new approaches to the musical canon. Many of the seventeen contributions included in the volume are the result of the individual author's connection with Lenore, or were projects that she had been directly involved with, either as dissertation advisor, committee member, or interested observer. The senior scholars and music librarians represented here are testament to the impact of her intellect and influence.
Idomeneo
Author: Wolfgang Amadeus Mozart
Publisher: Alma Books
ISBN: 0714544779
Category : Music
Languages : en
Pages : 185
Book Description
Mozart wrote Idomeneo when he was twenty-four years old, and the opera was described by Albert Einstein as "e;one of those works that even a genius like Mozart could write only once in his life"e;. It is one of most astonishing achievements of an altogether astonishing career.In this newly commissioned guide, Julian Rushton explains the special nature of the music in a detailed analysis of its themes and development, while Nicholas Till places the opera in its context as an expression of the Enlightenment. Gary Kahn explores the performance history of an opera which, although largely ignored for over a hundred and fifty years, has now taken its place as part of the international operatic repertoire. A selection of the unique letters between Mozart and his father written during the opera's composition is also included.Contains:Idomeneo and the Background of the Enlightenment, Nicholas TillIdomeneo, re di Creta, the Music, Julian RushtonA Brief Performance History, Gary KahnThe Composition of Idomeneo in Mozart's LettersIdomeneo: Libretto by Giambattista VarescoIdomeneo: English Translation by Charles Johnston
Publisher: Alma Books
ISBN: 0714544779
Category : Music
Languages : en
Pages : 185
Book Description
Mozart wrote Idomeneo when he was twenty-four years old, and the opera was described by Albert Einstein as "e;one of those works that even a genius like Mozart could write only once in his life"e;. It is one of most astonishing achievements of an altogether astonishing career.In this newly commissioned guide, Julian Rushton explains the special nature of the music in a detailed analysis of its themes and development, while Nicholas Till places the opera in its context as an expression of the Enlightenment. Gary Kahn explores the performance history of an opera which, although largely ignored for over a hundred and fifty years, has now taken its place as part of the international operatic repertoire. A selection of the unique letters between Mozart and his father written during the opera's composition is also included.Contains:Idomeneo and the Background of the Enlightenment, Nicholas TillIdomeneo, re di Creta, the Music, Julian RushtonA Brief Performance History, Gary KahnThe Composition of Idomeneo in Mozart's LettersIdomeneo: Libretto by Giambattista VarescoIdomeneo: English Translation by Charles Johnston
British Music, Musicians and Institutions, C. 1630-1800
Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Mozart and His Operas
Author: David Cairns
Publisher: Univ of California Press
ISBN: 9780520228986
Category : Art
Languages : en
Pages : 332
Book Description
A noted music critic weaves a brilliantly engaging narrative which puts Mozart's operas in the context of his life, showing how they illuminate his creativity as a whole.
Publisher: Univ of California Press
ISBN: 9780520228986
Category : Art
Languages : en
Pages : 332
Book Description
A noted music critic weaves a brilliantly engaging narrative which puts Mozart's operas in the context of his life, showing how they illuminate his creativity as a whole.
Mozart's Operas
Author: Daniel Heartz
Publisher: Univ of California Press
ISBN: 9780520078727
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
Publisher: Univ of California Press
ISBN: 9780520078727
Category : Biography & Autobiography
Languages : en
Pages : 392
Book Description
Renowned Mozart scholar Daniel Heartz brings his deep knowledge of social history, theater, and art to a study of the last and great decade of Mozart's operas. Mozart specialists will recognize some of Heartz's best-known essays here; but six pieces are new for the collection, and others have been revised and updated with little-known documents on the librettist's, composer's, and stage director's craft. All lovers of opera will value the elegance and wit of Professor Heartz's writing, enhanced by thirty-seven illustrations, many from his private collection. The volume includes Heartz's classic essay on Idomeneo (1781), the work that continued to inspire and sustain Mozart through his next, and final, six operas. Thomas Bauman brings his special expertise to a discussion of Die Entführung aus dem Serail (1782). The ten central chapters are devoted to the three great operas composed to librettos by Lorenzo da Ponte—Le nozze di Figaro (l786), Don Giovanni (l787), and Così fan tutte (l790). The reader is treated to fresh insights on da Ponte's role as Mozart's astute and stage-wise collaborator, on the singers whose gifts helped shape each opera, and on the musical connections among the three works. Parallels are drawn with some of the greatest creative artists in other fields, such as Molière, Watteau, and Fragonard. The world of the dance, one of Heartz's specialties, lends an illuminating perspective as well. Finally, the essays discuss the deep spirituality of Mozart's last two operas, Die Zauberflöte and La Clemenza di Tito (both l79l). They also address the pertinence of opera outside Vienna at the end of the century, the fortunes and aspirations of Freemasonry in Austria, and the relation of Mozart's overtures to the dramaturgy of the operas.
The Cambridge Companion to Mozart
Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521001922
Category : Music
Languages : en
Pages : 324
Book Description
Table of contents
Publisher: Cambridge University Press
ISBN: 9780521001922
Category : Music
Languages : en
Pages : 324
Book Description
Table of contents
The Politics of Opera
Author: Mitchell Cohen
Publisher: Princeton University Press
ISBN: 0691211515
Category : Music
Languages : en
Pages : 510
Book Description
A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.
Publisher: Princeton University Press
ISBN: 0691211515
Category : Music
Languages : en
Pages : 510
Book Description
A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and music by such greats as Monteverdi, Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics—through story lines, symbols, harmonies, and musical motifs—has played an operatic role both robust and sotto voce. This is an engrossing book that will interest all who love opera and are intrigued by politics.
Enchantment
Author: Jean Starobinski
Publisher: Columbia University Press
ISBN: 9780231140904
Category : Music
Languages : en
Pages : 304
Book Description
"This book examines some figures of seduction as they have appeared over the course of opera's history." --introd.
Publisher: Columbia University Press
ISBN: 9780231140904
Category : Music
Languages : en
Pages : 304
Book Description
"This book examines some figures of seduction as they have appeared over the course of opera's history." --introd.
Singers' edition, operatic arias
Author: Richard Boldrey
Publisher: Pst Records
ISBN:
Category : Music
Languages : en
Pages : 352
Book Description
Discusses voice categories and the soubrette voice category. Presents seventeen arias in vocal score, together with the opera story, a historical perspective, a musical perspective, and a dramatic perspective for each. Word-by-word translations and phonetic readings are given where appropriate.
Publisher: Pst Records
ISBN:
Category : Music
Languages : en
Pages : 352
Book Description
Discusses voice categories and the soubrette voice category. Presents seventeen arias in vocal score, together with the opera story, a historical perspective, a musical perspective, and a dramatic perspective for each. Word-by-word translations and phonetic readings are given where appropriate.
International Who's who in Music and Musicians' Directory
Author: David M. Cummings
Publisher: Psychology Press
ISBN: 0948875534
Category : Composers
Languages : en
Pages : 878
Book Description
Publisher: Psychology Press
ISBN: 0948875534
Category : Composers
Languages : en
Pages : 878
Book Description