IDEALISM UND REALISM IM FRUHWERK GEORGE BERNARD SHAWS PDF Download

Author: Norbert Greiner
Publisher:
ISBN:
Category : Idealism in literature
Languages : de
Pages : 396

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Author: Norbert Greiner
Publisher:
ISBN:
Category : Idealism in literature
Languages : de
Pages : 584

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Author: Stanley Weintraub
Publisher: Penn State Press
ISBN: 0271026723
Category : Reference
Languages : en
Pages : 165

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This is the first comprehensive annotated bibliography of works by and about Bernard Shaw. No book has appeared before that has surveyed all of the research and writing that the life and work of Bernard Shaw have evoked. The greatest dramaturgist in English after Shakespeare, Shaw was one of the dominant public figures of his time, a long lifetime (1856-1950) that began in the mid-Victorian period and extended into the Atomic Age. Inevitably, someone who straddled his age so visibly and so memorably, and whose works retain a continuing fascination, has been the subject of thousands of articles and hundreds of books, from criticism of individual works to multivolume biographies, editions, and studies. Stanley Weintraub has distilled his forty years of experience of Shaw studies to bring them into useful focus and sort out the significant writings from the burgeoning mass of publications. This book is an essential tool for both scholars and general readers interested in the multifarious world of Shaw. Readers will not only find out what has been done, but what still remains to be accomplished in Shaw studies; what Shaw's influence has been on other writers; even where Shaw has appeared as a character in other writers' poetry, fiction, and drama.

Author: Walter F. Greiner
Publisher: Gunter Narr Verlag
ISBN: 9783823351726
Category : Criticism
Languages : en
Pages : 282

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Author: MaryAnn Krajnik Crawford
Publisher: Penn State Press
ISBN: 0271027363
Category : Literary Criticism
Languages : en
Pages : 318

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SHAW 25 offers eighteen articles, thirteen initially presented at the International Shaw Society conference, 17-21 March 2004, Sarasota, Florida. Additional conference and Shaw Festival Symposia information is provided in the Introduction. Stanley Weintraub's conference keynote, "Shaw for the Here and Now," considers modernizing Shaw's plays, validating Shaw's creative force for today and into the future. Dan H. Laurence's delightful "Shaw's Children" shows a warm, caring, playful Shaw--a giver of self. Howard Ira Einsohn's article on gifting brings together Shaw, Ricoeur, and Derrida to explore the ethics of giving "superabundantly" but not foolishly. Jay Tunney reflects on the ways in which his father, boxer Gene Tunney, fits the personal and professional shoes of Shaw's Cashel Byron, with life imitating art. In "Machiavelli, the Shark, and the Tinpot Tragedienne," Bernard F. Dukore delivers a rereading of Major Barbara that highlights characters and traits, revealing an ensnarling web of beliefs, values, actions, and consequences. Sidney P. Albert's essay explores connections between Major Barbara and Plato's Republic. Using a current theoretical lens, Vicki R. Kennell sees Pygmalion as a narrative literary bridge that predicates postmodern critiques. L.W. Conolly's research on Phillipa Summers reveals a model for Vivie Warren and provides insights into women's lives and education at the turn of the century. In "Who's Modern Now? Shaw, Joyce, and Ibsen's When We Dead Awaken," Kathleen Ochshorn looks at the interrelationships of the three dramatists. Miriam Chirico rewrites critical opinion of You Never Can Tell, arguing that the play is a serious social critique, particularly of marriage. Citing two well-documented instances of Shaw-bashing, John A. Bertolini explores Shaw's responses and reveals Shaw's fair-mindedness. Hannes Schweiger's detailed research substantiates Shaw's influential connection to Viennese culture and politics. Valerie Barnes Lipscomb analyzes Shaw's use of age differences to subvert romantic expectations, thereby drawing greater attention to serious sociocultural issues. Part II continues the legacy of Shaw scholarship with Charles A. Carpenter's must-read bibliographic piece, which reads like a mystery and gives a wealth of research information on Shaw. Focusing on the importance and difficulties of cycle plays, Julie Sparks looks at Man and Superman, Heartbreak House, Back to Methuselah, and current offerings such as Kushner's Angels in America. Kay Li, tracing the influence of Shaw on Chinese drama, argues that modern Chinese drama emerged from the failure of Mrs. Warren's Profession. Frank Duba's article analyzes the evolving role of the Preface in Shaw's works, focusing especially on Man and Superman. Coming full circle, the volume returns to Stanley Weintraub's presentation of Shaw and the fascinating story of Lady Colin Campbell--a story that asks us to consider what it means to be endowed with beauty, fame, and ambition, and what it means to finally lose them. Finally, Michael W. Pharand's addendum to SHAW 24 gives supplementary bibliography on Shavian matters related to love, sex, marriage, and women. SHAW 25 also includes reviews as well as John R. Pfieffer's "Continuing Checklist of Shaviana."

Author: Kurt Otten
Publisher: Wissenschaftliche Buchgesellschaft Abt. Verlag
ISBN:
Category : Drama
Languages : en
Pages : 542

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 344

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Author: Alfred Turco
Publisher: University Park : Pennsylvania State University Press
ISBN:
Category : Drama
Languages : en
Pages : 384

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Why does such a large proportion of the criticism devoted to Shavian drama deal with such a surprisingly small number of plays? Of Shaw's more than fifty works for the stage, few are looked at and many deserve closer attention. This volume, dealing with pieces of lesser prominence in the canon, aims to enrich our sense of the range and depth of Shaw's achievement as a playwright. Contributors to Shaw 7 have construed neglect broadly to include dramas slighted on the stage, on the page, or both. Fresh perspectives are offered on two dozen full-length and shorter plays ranging from The Philanderer (1893) to Shakes Versus Shav. The Neglected Plays presents the latest work by such well-known critics as Charles A. Berst (on The Man of Destiny), Frederick P.W. McDowell (on You Never Can Tell), and Barbara Bellow Watson (on The Apple Cart) as well as essays by promising younger scholars on plays such as Passion, Poison, and Petrifaction and Buoyant Billions. A collection of newspaper pieces revives no less an expert than Shaw himself on the subject of his own neglected plays. Finally, an exhaustive bibliographical article by Charles A. Carpenter points toward possibilities for future research. Shaw 7: The Neglected Plays challenges some established critical assumptions, in the process revealing Shaw to be a far more self-conscious modernist than is usually supposed. The book will be of interest not just to professional Shavians, but also to all who share a love for the modern theater.

Author: Walter F. Greiner
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 288

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Author: Daniel James Leary
Publisher: University Park : Pennsylvania State University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280

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Shaw's plays are nothing but talk. That complaint has echoed down the years, even receiving wry support from Shaw himself. Though critics has sometimes suggested that Shaw's "Theatre of Ideas" was thought-provoking but dramatically weak, the production record stands in refutation of this claim, for audiences throughout this century have responded to Shaw the Playwright by attending performances of his plays in numbers unrivaled by any of his contemporaries. A variety of perspectives demonstrate Shaw's performance qualities. Production records are used by two of the authors to demonstrate Shaw's remarkable ability to fill theaters, one providing a Shavian history of the Malvern Festival (where even his "talky" late plays were shown to be stageworthy), and the other detailing the phenomenal stage history of Man and Superman. Other authors focus on the visual and auditory aspects of the plays, examining how sets and props and onstage movement underscore and extend what is being said, and how meanings are conveyed not just by Shaw's words, but by the way an actor says those words--the emphases, the silences, and the interplay of words and sound effects. Two little-known pieces by Shaw included in this volume reveal his concern, as both playwright and director, with the effective utilization of staging elements. this theme is continued in essays examining his direction of The Devil's Disciple and Pygmalion.