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Patmos

Patmos PDF Author: Αθανάσιος Δ Κομίνης
Publisher:
ISBN:
Category : History
Languages : en
Pages : 390

Book Description
Two major historical events have led to Patmos being called 'the holy island of the Aegean'. The first is the arrival there in A.D. 95 of the Evangelist, Saint John the Theologian, who wrote the Book of Revelation on the island; and the second is the foundation in 1088, at the beginning of the second millenium of the Christian era, of the Monastery of Saint John the Theologian by the monk Christodoulos, armed with three chrysobulls from the Byzantine emperor, Alexios I Comnenos. During the nine centuries of its life, the Monastery on Patmos has assembled and preserved many precious treasures of art and culture, and, along with the Patmian School, it has supplied the Orthodox Church with patriarchs and other enlightened prelates, and the State and the intellectual world with distinguished personalities. Patmos, Treasures of the Monastery contains chapters on the various kinds of works of art housed in the Monastery from the Byzantine and modern Greek popular traditions, and also on the rare manuscripts and valuable editions in the Library, the richest in the Aegean. These chapters, each lavishly illustrated, deal with the architecture of the fortress-like complex of the Monastery, the outstanding wall paintings and icons, the masterpieces of gold-embroidery and church silver, the exquisite miniatures in the manuscripts, and the other treasures in the Library and the archive.

Patmos

Patmos PDF Author: Αθανάσιος Δ Κομίνης
Publisher:
ISBN:
Category : History
Languages : en
Pages : 390

Book Description
Two major historical events have led to Patmos being called 'the holy island of the Aegean'. The first is the arrival there in A.D. 95 of the Evangelist, Saint John the Theologian, who wrote the Book of Revelation on the island; and the second is the foundation in 1088, at the beginning of the second millenium of the Christian era, of the Monastery of Saint John the Theologian by the monk Christodoulos, armed with three chrysobulls from the Byzantine emperor, Alexios I Comnenos. During the nine centuries of its life, the Monastery on Patmos has assembled and preserved many precious treasures of art and culture, and, along with the Patmian School, it has supplied the Orthodox Church with patriarchs and other enlightened prelates, and the State and the intellectual world with distinguished personalities. Patmos, Treasures of the Monastery contains chapters on the various kinds of works of art housed in the Monastery from the Byzantine and modern Greek popular traditions, and also on the rare manuscripts and valuable editions in the Library, the richest in the Aegean. These chapters, each lavishly illustrated, deal with the architecture of the fortress-like complex of the Monastery, the outstanding wall paintings and icons, the masterpieces of gold-embroidery and church silver, the exquisite miniatures in the manuscripts, and the other treasures in the Library and the archive.

The Painter Angelos and Icon-Painting in Venetian Crete

The Painter Angelos and Icon-Painting in Venetian Crete PDF Author: Maria Vassilaki
Publisher: Taylor & Francis
ISBN: 1000938379
Category : History
Languages : en
Pages : 451

Book Description
The sixteen studies in this book include six specially translated from Greek and another two published here for the first time. They deal with the art of painting in Crete at a time when the island was under Venetian rule. The main emphasis is on the 15th century and especially on the painter Angelos. More than thirty icons with his signature survive, and at least twenty more can be reliably attributed to him. Angelos was the most significant artist of a particularly significant era. It was at this time that the centre of artistic production migrated from Constantinople, the capital of the Byzantine Empire to Candia, the capital of Venetian-occupied Crete. These studies try to reconstruct the personality of this late Byzantine painter, Angelos, not only through his icons but also through his will (1436), now in the State Archives in Venice. In this context they also explore the status of the Cretan painter in society. The large number of extant Cretan icons clearly indicates the striking increase in production from the 15th century onwards. Similarly, archival documents are used to examine the trade of icons in Crete and the way Cretan artists had to organize their workshops in order to meet the requirements of the market.

Revelation

Revelation PDF Author:
Publisher: Canongate Books
ISBN: 0857861018
Category : Bibles
Languages : en
Pages : 60

Book Description
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

St. John of Patmos and the Seven Churches of the Apocalypse

St. John of Patmos and the Seven Churches of the Apocalypse PDF Author: Otto Friedrich August Meinardus
Publisher: Aristide d Caratzas Pub
ISBN: 9780892410705
Category : Religion
Languages : en
Pages : 155

Book Description


Icons

Icons PDF Author: Richard Temple
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 88

Book Description


The Marian Icons of the Painter Frē Ṣeyon

The Marian Icons of the Painter Frē Ṣeyon PDF Author: Marilyn Eiseman Heldman
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447035408
Category : Art
Languages : en
Pages : 240

Book Description


Book of Revelation

Book of Revelation PDF Author: John of Patmos
Publisher: CreateSpace
ISBN: 9781497321946
Category : Religion
Languages : en
Pages : 146

Book Description
"I am the Alpha and the Omega .. the one who is, who always was, and who is still to come … the Almighty." The Book of Revelation, often known simply as Revelation or the Apocalypse, is the final book of the Bible and is the only purely apocalyptic book in the New Testament. The author of the work identifies himself in the text as "John" and says that he was on Patmos, an island in the Aegean, when he was instructed by a heavenly figure to write down the contents of a vision. Most modern scholars believe it was written around AD 95, with some believing it dates from around AD 70. The book spans three literary genres: epistolary, apocalyptic, and prophetic. It begins with an epistolary address to the reader followed by an apocalyptic description of a complex series of events derived from prophetic visions which the author has seen. These include the appearance of a number of figures and images which have become important in Christian eschatology, such as the Whore of Babylon and the Beast, and culminate in the Second Coming of Jesus Christ. The obscure and extravagant imagery has led to a wide variety of interpretations: historicist interpretations see in Revelation a broad view of history; interpretations treat Revelation as mostly referring to the events of the apostolic era (1st century), or—at the latest—the fall of the Roman Empire; futurists believe that Revelation describes future events; and idealist or symbolic interpretations consider that Revelation does not refer to actual people or events, but is an allegory of the spiritual path and the ongoing struggle between good and evil. The King James Version Douay-Rheims Version The American Standard Version Bible in Basic English Version Webster Bible Version The Matthew Henry Commentary

Greek Icons After the Fall of Constantinople

Greek Icons After the Fall of Constantinople PDF Author: Bertrand Davezac
Publisher:
ISBN:
Category : Icons
Languages : en
Pages : 100

Book Description


The Patmos Prediction

The Patmos Prediction PDF Author: Nathan M. Meyer
Publisher:
ISBN: 9780941241045
Category : Religion
Languages : en
Pages : 270

Book Description


Icon and Devotion

Icon and Devotion PDF Author: Oleg Tarasov
Publisher: Reaktion Books
ISBN: 186189550X
Category : Art
Languages : en
Pages : 428

Book Description
Icon and Devotion offers the first extensive presentation in English of the making and meaning of Russian icons. The craft of icon-making is set into the context of forms of worship that emerged in the Russian Orthodox Church in the mid-seventeenth century. Oleg Tarasov shows how icons have held a special place in Russian consciousness because they represented idealized images of Holy Russia. He also looks closely at how and why icons were made. Wonder-working saints and the leaders of such religious schisms as the Old Believers appear in these pages, which are illustrated in halftones with miniature paintings, lithographs and engravings never before published in the English-speaking world. By tracing the artistic vocabulary, techniques and working methods of icon painters, Tarasov shows how icons have been integral to the history of Russian art, influenced by folk and mainstream currents alike. As well as articulating the specifically Russian piety they invoke, he analyzes the significance of icons in the cultural life of modern Russia in the context of popular prints and poster design.