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Author: Eunice Dauterman Maguire Publisher: ISBN: Category : Art Languages : en Pages : 240
Book Description
"A winged centaur with the spotted body of a leopard playing a lute; a naked man with an animal head; a goat-footed Pan; a four-bodied lion; sphinxes; and hippocamps. Few would associate these forms of art with the Byzantine era, a period dominated by religious art. However, an art of strikingly secular expression was not only common to Byzantine culture, but also key to defining it. In Other Icons, Eunice Dauterman Maguire and Henry Maguire offer the first comprehensive view of this "unofficial" Byzantine art, demonstrating the role it played and its dialogue with traditional Christian Byzantine art. This beautifully illustrated book creates an entirely new understanding of the whole of Byzantine art and culture. With its wide-ranging examples, the book vividly demonstrates how the surprise of this "profane" art is not only in its subjects of mythic creatures, exotic imagery, and eroticism, but also in the ubiquity and beauty of their placement--within churches and without, woven into silk, illuminated on manuscripts, engraved into pottery, painted in frescoes, and taking life in marble, bone, and ivory. By presenting and exploring this profane art for the first time in a scholarly book in English, Other Icons will change the way we look at the art of an entire era." http://www.loc.gov/catdir/enhancements/fy0654/2005035716-d.html.
Author: Eunice Dauterman Maguire Publisher: ISBN: Category : Art Languages : en Pages : 240
Book Description
"A winged centaur with the spotted body of a leopard playing a lute; a naked man with an animal head; a goat-footed Pan; a four-bodied lion; sphinxes; and hippocamps. Few would associate these forms of art with the Byzantine era, a period dominated by religious art. However, an art of strikingly secular expression was not only common to Byzantine culture, but also key to defining it. In Other Icons, Eunice Dauterman Maguire and Henry Maguire offer the first comprehensive view of this "unofficial" Byzantine art, demonstrating the role it played and its dialogue with traditional Christian Byzantine art. This beautifully illustrated book creates an entirely new understanding of the whole of Byzantine art and culture. With its wide-ranging examples, the book vividly demonstrates how the surprise of this "profane" art is not only in its subjects of mythic creatures, exotic imagery, and eroticism, but also in the ubiquity and beauty of their placement--within churches and without, woven into silk, illuminated on manuscripts, engraved into pottery, painted in frescoes, and taking life in marble, bone, and ivory. By presenting and exploring this profane art for the first time in a scholarly book in English, Other Icons will change the way we look at the art of an entire era." http://www.loc.gov/catdir/enhancements/fy0654/2005035716-d.html.
Author: Martin Kemp Publisher: Oxford University Press ISBN: 0199581118 Category : Art Languages : en Pages : 393
Book Description
Explores the origins and evolution of eleven visual iconic images still found in today's culture, including Jesus, the Coke bottle, and Einstein's famous equation, e equals mc squared.
Author: Stephanie Rumpza Publisher: Cambridge University Press ISBN: 100931792X Category : Art Languages : en Pages : 313
Book Description
Interweaving art history, patristics, theology, and aesthetics, this original phenomenological study develops a fresh new approach to the icon.
Author: Léonide Ouspensky Publisher: St Vladimir's Seminary Press ISBN: 091383677X Category : Christianity and art Languages : en Pages : 236
Book Description
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
Author: Marie-José Mondzain Publisher: Stanford University Press ISBN: 9780804741019 Category : Art Languages : en Pages : 284
Book Description
This book argues that the extraordinary force of the image in contemporary life?the contemporary imaginary?can be traced back to the Byzantine iconoclastic controversy of the eighth and ninth centuries.
Author: Robin Cormack Publisher: Harvard University Press ISBN: 9780674026193 Category : Art Languages : en Pages : 156
Book Description
Byzantine and Russian Orthodox icons are perhaps the most enduring form of religious art ever developed--and one of the most mysterious. This book provides an accessible guide to their story and power. Illustrated mostly with Cretan, Greek, and Russian examples from the British Museum, which houses Britain's most important collection, the book examines icons in the context of the history of Christianity, as well as within the perspective of art history.
Author: Marcelo Spina Publisher: Actar D, Inc. ISBN: 1638409498 Category : Architecture Languages : en Pages : 337
Book Description
Mute Icons challenges fixed aesthetic notions of beauty in architecture as both, disciplinary discourse and a spatial practice within the public realm, by intersecting historic antecedents and present instances within contemporary projects wherein indeterminacy, monolithicity and defamiliarization play a speculative role in constructing withdrawn, irritant and yet engaging architectural images. No longer concerned with narrative excesses or with the "shock and awe" of sensation making; the mute icon becomes intriguing in its deceptive indifference towards context, perplexing in its unmitigated apathy towards the body. Object and building, absolute and unstable, anticipated and strange, manifest and withdrawn, such is the dichotomy of mute icons. Dwelling in the paradox between silence and sign and aiming to debunk a false dichotomy between critical discourse, a pursue of formal novelty and the attainment of social ethics, “Mute Icons” reaffirms the cultural need and socio-political relevance of the architectural image, suggesting a much-needed resolution to the present but incorrect antagonism between formal innovation, social responsibility and economic austerity. Intersecting relevant historical antecedents and polemic theoretical speculations with original design concepts and provocative representations of P-A-T-T-E-R-N-S recent work, the book aspires to stimulate authentic speculations on the real.
Author: Shi-Kuo Chang Publisher: Springer ISBN: 3540459251 Category : Computers Languages : en Pages : 333
Book Description
Visualinformationsystemsareinformationsystemsforvisualcomputing.Visual computing is computing on visual objects. Some visual objects such as images are inherently visual in the sense that their primary representation is the visual representation.Somevisualobjectssuchasdatastructuresarederivativelyvisual in the sense that their primary representation is not the visual representation, but can be transformed into a visual representation. Images and data structures are the two extremes. Other visual objects such as maps may fall somewhere in between the two. Visual computing often involves the transformation from one type of visual objects into another type of visual objects, or into the same type of visual objects, to accomplish certain objectives such as information reduction, object recognition, and so on. In visual information systems design it is also important to ask the foll- ing question: who performs the visual computing? The answer to this question determines the approach to visual computing. For instance it is possible that primarily the computer performs the visual computing and the human merely observes the results. It is also possible that primarily the human performs the visual computing and the computer plays a supporting role. Often the human and the computer are both involved as equal partners in visual computing and there are visual interactions. Formal or informal visual languages are usually needed to facilitate such visual interactions.
Author: Federica Muzzarelli Publisher: Cambridge Scholars Publishing ISBN: 1527590895 Category : Photography Languages : en Pages : 193
Book Description
This volume analyzes how six protagonists of culture, between the end of the 19th century and the beginning of the 20th century, built their media image by exploiting the innovations brought about by the invention of photography. By exalting the cult of personality, eccentric narcissism and the nascent mass communication, they made the photographic portrait the tool through which they could become celebrities and, at the same time, found fashion and clothing styles that are still of reference today. From De Mérode’s stereotype of beauty to Baudelaire’s total black dandyism, and from Schwarzenbach’s lesbian-chic style to Nijinsky’s eroticizing exoticism, the book provides detailed insights into the life and work of various protagonists, always keeping in the background the cultural and artistic context of European Modernism. It will particularly appeal to scholars and students of contemporary art, the history of photography, fashion studies and mass communications.
Author: Eunice Dauterman Maguire
Author: Eunice Dauterman Maguire
Author: Martin Kemp
Author: Anthony Bryer
Author: Stephanie Rumpza
Author: Léonide Ouspensky
Author: Marie-José Mondzain
Author: Robin Cormack
Author: Marcelo Spina
Author: Shi-Kuo Chang
Author: Federica Muzzarelli