Author: Robert Venturi
Publisher: MIT Press
ISBN: 9780262220514
Category : Architecture
Languages : en
Pages : 402
Book Description
Venturi, who along with his partner, Denise Scott Brown, has made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is repected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemic texts offer a candid, uncensored view from the drafting room. 117 illustrations.
Iconography and Electronics Upon a Generic Architecture
Author: Robert Venturi
Publisher: MIT Press
ISBN: 9780262220514
Category : Architecture
Languages : en
Pages : 402
Book Description
Venturi, who along with his partner, Denise Scott Brown, has made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is repected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemic texts offer a candid, uncensored view from the drafting room. 117 illustrations.
Publisher: MIT Press
ISBN: 9780262220514
Category : Architecture
Languages : en
Pages : 402
Book Description
Venturi, who along with his partner, Denise Scott Brown, has made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is repected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemic texts offer a candid, uncensored view from the drafting room. 117 illustrations.
Iconography and Electronics Upon a Generic Architecture
Author: Robert Venturi
Publisher:
ISBN:
Category : Architecture, Modern
Languages : en
Pages : 374
Book Description
"Robert Venturi's 'Complexity and Contradiction in Architecture' and 'Learning from Las Vegas' (the latter coauthored with Denise Scott Brown and Steven Izenour) are among the most influential books by any architect of our era - the one celebrating complexity in architecture, the other the uses of symbolism in commercial and vernacular architecture and signage. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol. Venturi, who along with his partner, Denise Scott Brown, made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is respected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemical texts offer a candid, uncensored view from the drafting room, commonsense responses, urgent and diverse, of a busy architect, in part a reaction against the conceptualizing of architecture today invaded by other disciplines and made obscure. Seven of the essays were coauthored with Denise Scott Brown. The voice is personal, eloquent in expounding on the unglamorous side of practice; sometimes vituperative and corrective in addressing clients, theoreticians, and critics; often amusing and humorous in looking back on past projects and opportunities; instructive in describing early influences and tasts; and reflective in assessing his own impact on the profession. The lead essays can be described as an argument embracing reference and representation in our information age, whose technical basis is truly of our time and whose iconographic basis derives from a long tradition in architecture including hieroglyphic Egyptian pylons, early Christian basilicas, scenographic Baroque interiors, and even eclectic Romantic architecture and twentieth-century electronic signs and displays. The essays include Venturi's 1950 M.F.A. thesis, published here for the first time - a work that foreshadows many of the themes that were later to make him a controversial and ground-breaking architect and writer - and a series of vintage Venturi aphorisms"--Back cover.
Publisher:
ISBN:
Category : Architecture, Modern
Languages : en
Pages : 374
Book Description
"Robert Venturi's 'Complexity and Contradiction in Architecture' and 'Learning from Las Vegas' (the latter coauthored with Denise Scott Brown and Steven Izenour) are among the most influential books by any architect of our era - the one celebrating complexity in architecture, the other the uses of symbolism in commercial and vernacular architecture and signage. This new collection of writings in a variety of genres argues for a generic architecture defined by iconography and electronics, an architecture whose elemental qualities become shelter and symbol. Venturi, who along with his partner, Denise Scott Brown, made the vulgar acceptable and found virtue in the commercial, the kitsch, and the ordinary, is respected equally as a theorist and an architect who communicates his architectural ideas, formal and verbal, with grace and wit. These essays, letters, reports, lectures, manifestos, and polemical texts offer a candid, uncensored view from the drafting room, commonsense responses, urgent and diverse, of a busy architect, in part a reaction against the conceptualizing of architecture today invaded by other disciplines and made obscure. Seven of the essays were coauthored with Denise Scott Brown. The voice is personal, eloquent in expounding on the unglamorous side of practice; sometimes vituperative and corrective in addressing clients, theoreticians, and critics; often amusing and humorous in looking back on past projects and opportunities; instructive in describing early influences and tasts; and reflective in assessing his own impact on the profession. The lead essays can be described as an argument embracing reference and representation in our information age, whose technical basis is truly of our time and whose iconographic basis derives from a long tradition in architecture including hieroglyphic Egyptian pylons, early Christian basilicas, scenographic Baroque interiors, and even eclectic Romantic architecture and twentieth-century electronic signs and displays. The essays include Venturi's 1950 M.F.A. thesis, published here for the first time - a work that foreshadows many of the themes that were later to make him a controversial and ground-breaking architect and writer - and a series of vintage Venturi aphorisms"--Back cover.
Complexity and Contradiction in Architecture
Author: Robert Venturi
Publisher: The Museum of Modern Art
ISBN: 9780870702822
Category : Architecture
Languages : en
Pages : 142
Book Description
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Publisher: The Museum of Modern Art
ISBN: 9780870702822
Category : Architecture
Languages : en
Pages : 142
Book Description
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Learning from Las Vegas
Architecture as Signs and Systems
Author: Robert Venturi
Publisher: Belknap Press
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.
Publisher: Belknap Press
ISBN:
Category : Architecture
Languages : en
Pages : 272
Book Description
The observer-designer-theorists who analyzed the Las Vegas strip as an archetype in "Learning from Las Vegas" now turn their iconoclastic vision onto their own remarkable partnership and the rule-breaking architecture it has spawned for this fascinating retrospective of their life work.
Architecture as Icon
Author: Slobodan Ćurčić
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 380
Book Description
"Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Previous scholarship dealing with Byzantine icons has been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the holy figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation." "Architecture as Icon features four thought-provoking essays. The catalogue groups the material into four categories: generic, specific, and symbolic representations, culminating in a final grouping entitled "Jerusalem." Handsomely designed and illustrated, this volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and Western artistic tradition." --Book Jacket.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 380
Book Description
"Byzantine art abandoned classical ideals in favor of formulas that conveyed spiritual concepts through stylized physical forms. Previous scholarship dealing with Byzantine icons has been largely focused on depictions of holy figures, dismissing representations of architecture as irrelevant space-filling background. Architecture as Icon demonstrates that background representations of architecture are meaningful, active components of compositions, often as significant as the holy figures. The book provides a critical view for understanding the Byzantine conception of architectural forms and space and the corresponding intellectual underpinnings of their representation." "Architecture as Icon features four thought-provoking essays. The catalogue groups the material into four categories: generic, specific, and symbolic representations, culminating in a final grouping entitled "Jerusalem." Handsomely designed and illustrated, this volume addresses various approaches to depicting architecture in Byzantine art that contrast sharply with those of the Renaissance and Western artistic tradition." --Book Jacket.
The Domestic and the Foreign in Architecture
Author: Ruth Baumeister
Publisher: 010 Publishers
ISBN: 9064505667
Category : Architecture
Languages : en
Pages : 378
Book Description
For centuries, across nations, dialogue between the domestic and the foreign has affected and transformed architecture. Today these dialogues have become highly intensified. The Domestic and the Foreign in Architecture examines how these exchanges manifest themselves in contemporary architecture, in terms of its aesthetic potential and its practice, which, in turn, are impacted by broad economic, cultural and political issues. This book traces how diverse cultural encounters inevitably modify conventional categories, standards and codes of architecture, such as domestic identity, its political and economic representations and the negotiations with what is deemed foreign. Theoretical reflections by distinguished scholars are accompanied by interviews with some of the most influential architects practicing today, as well as stunning visual presentations by professional photographers.
Publisher: 010 Publishers
ISBN: 9064505667
Category : Architecture
Languages : en
Pages : 378
Book Description
For centuries, across nations, dialogue between the domestic and the foreign has affected and transformed architecture. Today these dialogues have become highly intensified. The Domestic and the Foreign in Architecture examines how these exchanges manifest themselves in contemporary architecture, in terms of its aesthetic potential and its practice, which, in turn, are impacted by broad economic, cultural and political issues. This book traces how diverse cultural encounters inevitably modify conventional categories, standards and codes of architecture, such as domestic identity, its political and economic representations and the negotiations with what is deemed foreign. Theoretical reflections by distinguished scholars are accompanied by interviews with some of the most influential architects practicing today, as well as stunning visual presentations by professional photographers.
Sfera E Il Labirinto
Author: Manfredo Tafuri
Publisher: MIT Press (MA)
ISBN: 9780262700399
Category : Architecture
Languages : en
Pages : 383
Book Description
"Tafuri's work is probably the most innovative and exciting new form of European theory since French poststructuralism and this book is probably the best introduction to it for the newcomer. ..."
Publisher: MIT Press (MA)
ISBN: 9780262700399
Category : Architecture
Languages : en
Pages : 383
Book Description
"Tafuri's work is probably the most innovative and exciting new form of European theory since French poststructuralism and this book is probably the best introduction to it for the newcomer. ..."
Eisenman Inside Out
Author: Peter Eisenman
Publisher: Yale University Press
ISBN: 9780300090086
Category : Architecture
Languages : en
Pages : 270
Book Description
Essais sur l'architecture par l'architecte Eisenman.
Publisher: Yale University Press
ISBN: 9780300090086
Category : Architecture
Languages : en
Pages : 270
Book Description
Essais sur l'architecture par l'architecte Eisenman.
Walter Benjamin and the Architecture of Modernity
Author: Andrew Benjamin
Publisher: re.press
ISBN: 0980544092
Category : Architecture
Languages : en
Pages : 235
Book Description
Walter Benjamin is universally recognised as one of the key thinkers of modernity: his writings on politics, language, literature, media, theology and law have had an incalculable influence on contemporary thought. Yet the problem of architecture in and for Benjamin's work remains relatively underexamined. Does Benjamin's project have an architecture and, if so, how does this architecture affect the explicit propositions that he offers us? In what ways are Benjamin's writings centrally caught up with architectural concerns, from the redevelopment of major urban centres to the movements that individuals can make within the new spaces of modern cities? How can Benjamin's theses help us to understand the secret architectures of the present? This volume takes up the architectural challenge in a number of innovative ways, collecting essays by both well-known and emerging scholars on time in cinema, the problem of kitsch, the design of graves and tombs, the orders of road-signs, childhood experience in modern cities, and much more. Engaged, interdisciplinary, bristling with insights, the essays in this collection will constitute an indispensable supplement to the work of Walter Benjamin, as well as providing a guide to some of the obscurities of our own present.
Publisher: re.press
ISBN: 0980544092
Category : Architecture
Languages : en
Pages : 235
Book Description
Walter Benjamin is universally recognised as one of the key thinkers of modernity: his writings on politics, language, literature, media, theology and law have had an incalculable influence on contemporary thought. Yet the problem of architecture in and for Benjamin's work remains relatively underexamined. Does Benjamin's project have an architecture and, if so, how does this architecture affect the explicit propositions that he offers us? In what ways are Benjamin's writings centrally caught up with architectural concerns, from the redevelopment of major urban centres to the movements that individuals can make within the new spaces of modern cities? How can Benjamin's theses help us to understand the secret architectures of the present? This volume takes up the architectural challenge in a number of innovative ways, collecting essays by both well-known and emerging scholars on time in cinema, the problem of kitsch, the design of graves and tombs, the orders of road-signs, childhood experience in modern cities, and much more. Engaged, interdisciplinary, bristling with insights, the essays in this collection will constitute an indispensable supplement to the work of Walter Benjamin, as well as providing a guide to some of the obscurities of our own present.