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Author: Vítor Westhelle Publisher: Wipf and Stock Publishers ISBN: 1621890457 Category : Religion Languages : en Pages : 199
Book Description
In this important contribution to post-colonial theological studies, the argument is made that religious practices and teachings imposed on colonized peoples are transmuted in the process of colonization. The very theological discourse that is foisted on the colonized people becomes for them, a liberating possibility through a process of theological transformation from within. This is offered as an explanation of the mechanisms which have brought about the emergence of the current post-colonial consciousness. However, what is distinctive and unique about this treatment is that it pursues these questions with two basic assumptions. The first is that the religious expressions of colonized people bear the outward marks of the hegemonic theological discourse imposed on them, but change its content through a process called "transfiguration." The second is that the crises of Western Christianity since the Reformation and the Conquest of the Americas enunciates the very process through which post-colonial religious hybridity is made possible. This book unfolds in three parts. The first (the "pre-text") deals with the colonial practice of the missionary enterprise using Latin America as a case study. The second (the "text") presents the crisis of Western modernity as interpreted by insiders and outsiders of the modern project. The third (the "con-text") analyses some discursive post-colonial practices that are theologically grounded even when used in discourses that are not religious. Some of the questions that this project engages are: Is there a post-colonial understanding of sin and evil? How can we understand eschatology in post-colonial terms? What does it mean to be the church in a post-colonial framework? For those interested in the intersection of theology and post-colonial studies, this book will be important reading.
Author: Vítor Westhelle Publisher: Wipf and Stock Publishers ISBN: 1621890457 Category : Religion Languages : en Pages : 199
Book Description
In this important contribution to post-colonial theological studies, the argument is made that religious practices and teachings imposed on colonized peoples are transmuted in the process of colonization. The very theological discourse that is foisted on the colonized people becomes for them, a liberating possibility through a process of theological transformation from within. This is offered as an explanation of the mechanisms which have brought about the emergence of the current post-colonial consciousness. However, what is distinctive and unique about this treatment is that it pursues these questions with two basic assumptions. The first is that the religious expressions of colonized people bear the outward marks of the hegemonic theological discourse imposed on them, but change its content through a process called "transfiguration." The second is that the crises of Western Christianity since the Reformation and the Conquest of the Americas enunciates the very process through which post-colonial religious hybridity is made possible. This book unfolds in three parts. The first (the "pre-text") deals with the colonial practice of the missionary enterprise using Latin America as a case study. The second (the "text") presents the crisis of Western modernity as interpreted by insiders and outsiders of the modern project. The third (the "con-text") analyses some discursive post-colonial practices that are theologically grounded even when used in discourses that are not religious. Some of the questions that this project engages are: Is there a post-colonial understanding of sin and evil? How can we understand eschatology in post-colonial terms? What does it mean to be the church in a post-colonial framework? For those interested in the intersection of theology and post-colonial studies, this book will be important reading.
Author: Publisher: BRILL ISBN: 9004333800 Category : History Languages : en Pages : 305
Book Description
Introduction. Hybridity: The Never-ending Metamorphosis?, Encounters of a Heterogeneous Kind: Hybridity in Cultural Theory, National Reconciliation and Colonial Resistance: The Notion of Hybridity in José Martí, Mestizaje: "I understand the reality, I just do not like the word:" Perspectives on an Option, On Border Artists and Transculturation: The Politics of Postmodern Performances and Latin America.
Author: Cynthia L. Stone Publisher: University of Oklahoma Press ISBN: 0806181753 Category : History Languages : en Pages : 345
Book Description
In Place of Gods and Kings presents a new reading of an important manuscript that has long been considered the foremost colonial-era source for information related to the indigenous inhabitants of the Mexican state of Michoacán. Drawing on recent trends in literary studies that call into question the universal validity of notions such as the unitary author and the primacy of alphabetic writing over oral and pictorial traditions, Cynthia L. Stone shows how this early relación (c. 1538-41) weaves together narrative strands representing the distinctive voices of four primary contributors. According to the Franciscan compiler, Jerónimo de Alcalá, the manuscript is a testament to enlightened colonial officials who recognized that some familiarity with native customs and beliefs would further the goals of evangelization and Spanish rule. This symbolic bridge between prehispanic and colonial times was articulated differently by the friar’s indigenous collaborators, however, who refused to accept their alleged cultural inferiority or fully renounce their previous allegiances. Thus, the drawings of the indigenous painters, reproduced in this volume in both color and black and white, evoke the sacred Mesoamerican tradition of “writing in pictures.” The epic history narrated by the former high priest pays tribute to the great regional culture hero, Taríacuri. And the account of the Spanish conquest provided by the indigenous governor converts the military defeat of his people into a moral victory and a paradigm for cultural survival.
Author: Aníbal González Publisher: University of Texas Press ISBN: 0292788908 Category : Literary Criticism Languages : en Pages : 243
Book Description
Writing and violence have been inextricably linked in Spanish America from the Conquest onward. Spanish authorities used written edicts, laws, permits, regulations, logbooks, and account books to control indigenous peoples whose cultures were predominantly oral, giving rise to a mingled awe and mistrust of the power of the written word that persists in Spanish American culture to the present day. In this masterful study, Aníbal González traces and describes how Spanish American writers have reflected ethically in their works about writing's relation to violence and about their own relation to writing. Using an approach that owes much to the recent "turn to ethics" in deconstruction and to the works of Jacques Derrida and Emmanuel Levinas, he examines selected short stories and novels by major Spanish American authors from the late nineteenth through the twentieth centuries: Manuel Gutiérrez Nájera, Manuel Zeno Gandía, Teresa de la Parra, Jorge Luis Borges, Alejo Carpentier, Gabriel García Márquez, and Julio Cortázar. He shows how these authors frequently display an attitude he calls "graphophobia," an intense awareness of the potential dangers of the written word.
Author: John Carlos Rowe Publisher: Oxford University Press, USA ISBN: 0195131509 Category : History Languages : en Pages : 739
Book Description
John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.
Author: Heather J. Allen Publisher: University of Arizona Press ISBN: 0816537712 Category : Literary Criticism Languages : en Pages : 273
Book Description
Textuality is the condition in which a text is created, edited, archived, published, disseminated, and consumed. “Texts,” therefore, encompass a broad variety of artifacts: traditional printed matter such as grammar books and newspaper articles; phonographs; graphic novels; ephemera such as fashion illustrations, catalogs, and postcards; and even virtual databases and cataloging systems.\ Latin American Textualities is a wide-ranging, interdisciplinary look at textual history, textual artifacts, and digital textualities across Latin America from the colonial era to the present. Editors Heather J. Allen and Andrew R. Reynolds gather a wide range of scholars to investigate the region’s textual scholarship. Contributors offer engaging examples of not just artifacts but also the contexts in which the texts are used. Topics include Guamán Poma’s library, the effect of sound recordings on writing in Argentina, Sudamericana Publishing House’s contribution to the Latin American literary boom, and Argentine science fiction. Latin American Textualities provides new paths to reading Latin American history, culture, and literatures. Contributors: Heather J. Allen Catalina Andrango-Walker Sam Carter Sara Castro-Klarén Edward King Rebecca Kosick Silvia Kurlat Ares Walther Maradiegue Clayton McCarl José Enrique Navarro Andrew R. Reynolds George Antony Thomas Zac Zimmer
Author: Gene H. Bell-Villada Publisher: Oxford University Press ISBN: 0190067160 Category : Literary Collections Languages : en Pages : 665
Book Description
This Handbook offers a comprehensive examination of Gabriel García Márquez's life, oeuvre, and legacy, the first such work since his death in 2014. It incorporates ongoing critical approaches such as feminism, ecocriticism, Marxism, and ethnic studies, while elucidating key aspects of his work, such as his Caribbean-Colombian background; his use of magical realism, myth, and folklore; and his left-wing political views. Thirty-two wide-ranging chapters coverthe bulk of the author's writings, giving special attention to the global influence of García Márquez.
Author: G. N. Devy Publisher: Taylor & Francis ISBN: 1000214656 Category : Social Science Languages : en Pages : 161
Book Description
Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of the society, culture and literature among indigenous peoples. This book, the fourth in a five-volume series, deals with the two key concepts of language and orality of indigenous peoples from Asia, Australia, North America and South America. With contributions from renowned scholars, activists and experts from across the globe, it looks at the intricacies of oral transmission of memory and culture, literary production and transmission, and the nature of creativity among indigenous communities. It also discusses the risk of a complete decline of the languages of indigenous peoples, as well as the attempts being made to conserve these languages. Bringing together academic insights and experiences from the ground, this unique book, with its wide coverage, will serve as a comprehensive guide for students, teachers and scholars of indigenous studies. It will be essential reading for those in social and cultural anthropology, tribal studies, sociology and social exclusion studies, politics, religion and theology, cultural studies, literary and postcolonial studies, and Third World and Global South studies, as well as activists working with indigenous communities.
Author: Ananda Cohen Suarez Publisher: University of Texas Press ISBN: 1477309551 Category : Art Languages : en Pages : 305
Book Description
Examining the vivid, often apocalyptic church murals of Peru from the early colonial period through the nineteenth century, Heaven, Hell, and Everything in Between explores the sociopolitical situation represented by the artists who generated these murals for rural parishes. Arguing that the murals were embedded in complex networks of trade, commerce, and the exchange of ideas between the Andes and Europe, Ananda Cohen Suarez also considers the ways in which artists and viewers worked through difficult questions of envisioning sacredness. This study brings to light the fact that, unlike the murals of New Spain, the murals of the Andes possess few direct visual connections to a pre-Columbian painting tradition; the Incas’ preference for abstracted motifs created a problem for visually translating Catholic doctrine to indigenous congregations, as the Spaniards were unable to read Inca visual culture. Nevertheless, as Cohen Suarez demonstrates, colonial murals of the Andes can be seen as a reformulation of a long-standing artistic practice of adorning architectural spaces with images that command power and contemplation. Drawing on extensive secondary and archival sources, including account books from the churches, as well as on colonial Spanish texts, Cohen Suarez urges us to see the murals not merely as decoration or as tools of missionaries but as visual archives of the complex negotiations among empire, communities, and individuals.
Author: Freya Schiwy Publisher: Rutgers University Press ISBN: 081354713X Category : Social Science Languages : en Pages : 300
Book Description
Latin American indigenous media production has recently experienced a noticeable boom, specifically in Bolivia, Ecuador, and Colombia. Indianizing Film zooms in on a selection of award-winning and widely influential fiction and docudrama shorts, analyzing them in the wider context of indigenous media practices and debates over decolonizing knowledge. Within this framework, Freya Schiwy approaches questions of gender, power, and representation. Schiwy argues that instead of solely creating entertainment through their work indigenous media activists are building communication networks that encourage interaction between diverse cultures. As a result, mainstream images are retooled, permitting communities to strengthen their cultures and express their own visions of development and modernization. Indianizing Film encourages readers to consider how indigenous media contributes to a wider understanding of decolonization and anticolonial study against the universal backdrop of the twenty-first century.
Author: Vítor Westhelle
Author: Vítor Westhelle
Author: 
Author: Cynthia L. Stone
Author: Aníbal González
Author: John Carlos Rowe
Author: Heather J. Allen
Author: Gene H. Bell-Villada
Author: G. N. Devy
Author: Ananda Cohen Suarez
Author: Freya Schiwy