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Iconclass Indexes: Antwerp masters 3 : the Collaert dynasty

Iconclass Indexes: Antwerp masters 3 : the Collaert dynasty PDF Author: Roelof van Straten
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 596

Book Description
Foleor Publishers is pleased to announce the publication of a new series of iconographic reference works. After his series of Iconclass indexes on Italian prints, Roelof van Straten is now preparing a ten-volume iconographic catalogue: the Iconclass Indexes: Dutch Prints. The first three volumes published (volumes 4, 7 and 8 in the series) cover the Dutch prints catalogued by Bartsch in the first five volumes of "Le Peintre-Graveur". The indices on Dutch prints are of special importance to those institutes and museums that have a copy of The Illustrated Bartsch at their disposal, because the volumes will refer to all the Dutch prints reproduced therein. Dutch prints, with their enormous spread and influence on the visual arts, will finally be accessible according to subject. "The Iconclass Indexes: Dutch Prints" will soon become an indispensable reference tool for all those who are interested in Netherlandish art and culture of the16th and 17th centuries.

Iconclass Indexes: Antwerp masters 3 : the Collaert dynasty

Iconclass Indexes: Antwerp masters 3 : the Collaert dynasty PDF Author: Roelof van Straten
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 596

Book Description
Foleor Publishers is pleased to announce the publication of a new series of iconographic reference works. After his series of Iconclass indexes on Italian prints, Roelof van Straten is now preparing a ten-volume iconographic catalogue: the Iconclass Indexes: Dutch Prints. The first three volumes published (volumes 4, 7 and 8 in the series) cover the Dutch prints catalogued by Bartsch in the first five volumes of "Le Peintre-Graveur". The indices on Dutch prints are of special importance to those institutes and museums that have a copy of The Illustrated Bartsch at their disposal, because the volumes will refer to all the Dutch prints reproduced therein. Dutch prints, with their enormous spread and influence on the visual arts, will finally be accessible according to subject. "The Iconclass Indexes: Dutch Prints" will soon become an indispensable reference tool for all those who are interested in Netherlandish art and culture of the16th and 17th centuries.

Iconclass Indexes

Iconclass Indexes PDF Author: Roelof van Straten
Publisher:
ISBN: 9789075035025
Category :
Languages : en
Pages : 650

Book Description


Iconclass Indexes: Hendrik Goltzius and his school : an iconographic index to A. Bartsch, Le Peintre-Graveur, vol. 3

Iconclass Indexes: Hendrik Goltzius and his school : an iconographic index to A. Bartsch, Le Peintre-Graveur, vol. 3 PDF Author:
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 500

Book Description


Iconclass Indexes: Drawings of the Rembrandt School, artists K-Z

Iconclass Indexes: Drawings of the Rembrandt School, artists K-Z PDF Author: Fritz Laupichler
Publisher:
ISBN:
Category : Art, Dutch
Languages : nl
Pages : 460

Book Description


Hollstein's German Engravings, Etchings and Woodcuts

Hollstein's German Engravings, Etchings and Woodcuts PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 281

Book Description


Inspired by Italy

Inspired by Italy PDF Author: Laurie B. Harwood
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 234

Book Description
Dutch Italianate painting is an important as well as appealing strand of landscape painting in the 17th century. This work takes a detailed look at this particular type of landscape painting and the artists who practised it.

Spectacular Rubens

Spectacular Rubens PDF Author: Alejandro Vergara
Publisher: Getty Publications
ISBN: 1606064304
Category : Art
Languages : en
Pages : 116

Book Description
The six glorious scenes that make up the Triumph of the Eucharist series by Peter Paul Rubens (1577–1640) are highlights of the Museo Nacional del Prado’s superb collection of Flemish paintings. Completed in 1626, these brilliantly detailed sketches were painted at the behest of the Infanta Isabel Clara Eugenia in preparation for a series of monumental tapestries that are now considered among the finest made in Europe in the seventeenth century. Unfortunately, additions to the wooden supports, introduced after the paintings were created, made the panels considerably larger than Rubens intended and over time caused serious damage to the original sections. With the aid of the Getty Foundation’s Panel Paintings Initiative, the panels have been restored and returned to their original dimensions by the Prado, and the magnificent oil sketches can once again be placed on public view. This lushly illustrated and illuminating volume provides new insight into the history of the Eucharist series of paintings and tapestries and attests to Rubens’s exhilarating art. Spectacular Rubens is published on the occasion of an exhibition of the paintings, on view at the Museo Nacional del Prado from March 25 through June 29, 2014, and at the J. Paul Getty Museum from October 14, 2014, through January 4, 2015.

Pleasure and Piety

Pleasure and Piety PDF Author: James Clifton
Publisher: Princeton University Press
ISBN: 0691166064
Category : Art
Languages : en
Pages : 48

Book Description
"The exhibition is organized by the Centraal Museum Utrecht; the National Gallery of Art, Washington; the Museum of Fine Arts, Houston; and the Sarah Campbell Blaffer Foundation."--Title page verso.

The Muller Dynasty: Jan Harmensz. Muller

The Muller Dynasty: Jan Harmensz. Muller PDF Author: Erik Hinterding
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 344

Book Description


Pieter Bruegel’s Historical Imagination

Pieter Bruegel’s Historical Imagination PDF Author: Stephanie Porras
Publisher: Penn State Press
ISBN: 027108457X
Category : Art
Languages : en
Pages : 217

Book Description
The question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherlandish history in the years just prior to the Dutch Revolt, when imperial, religious, and national identities were increasingly drawn into tension. His pictorial style and his manipulation of traditional iconographies reveal the complex relations, unique to this moment, among classical antiquity, local history, and art history. An important reassessment of Renaissance attitudes toward history and of Renaissance humanism in the Low Countries, this volume traces the emergence of archaeological and anthropological practices in historical thinking, their intersections with artistic production, and the developing concept of local art history.