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Author: Publisher: BRILL ISBN: 900438829X Category : Art Languages : en Pages : 992
Book Description
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
Author: Publisher: BRILL ISBN: 900438829X Category : Art Languages : en Pages : 992
Book Description
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first publication to deal with the avant-garde in the Nordic countries in this period. The essays cover a wide range of avant-garde manifestations: literature, visual arts, theatre, architecture and design, film, radio, body culture and magazines. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: the pre-war and wartime responses to international developments, the new cultural institutions, sexual politics, the impact of refugees and the new start after the war.
Author: Merete Demant Jakobsen Publisher: Berghahn Books ISBN: 1789202078 Category : Religion Languages : en Pages : 300
Book Description
Shamanism has always been of great interest to anthropologists. More recently it has been "discovered" by westerners, especially New Age followers. This book breaks new ground byexamining pristine shamanism in Greenland, among people contacted late by Western missionaries and settlers. On the basis of material only available in Danish, and presented herein English for the first time, the author questions Mircea Eliade's well-known definition of the shaman as the master of ecstasy and suggests that his role has to be seen as that of a master of spirits. The ambivalent nature of the shaman and the spirit world in the tough Arctic environment is then contrasted with the more benign attitude to shamanism in the New Age movement. After presenting descriptions of their organizations and accounts by participants, the author critically analyses the role of neo-shamanic courses and concludes that it is doubtful to consider what isoffered as shamanism.
Author: Publisher: BRILL ISBN: 9004310509 Category : Literary Criticism Languages : en Pages : 879
Book Description
A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture.
Author: I. B. Nobody Publisher: Fulton Books, Inc. ISBN: 1633383172 Category : Fiction Languages : en Pages : 284
Book Description
This is an instructional manual covering the fundamentals of the golf swing, the short game, putting, and routine development. The mental game; right brain versus left brain thinking, creating a feeling storehouse, concentration in its purest form, temperament and a historical look at the greats and not so greats of the game-circa 1920 to the Tiger Woods era. Included are the individuals who influenced my development as a golfer, a caddie's view from inside the ropes, and a look at the world of golf from the inside out. Any player-no matter the skill level-hitting a golf ball does so in three steps: * sets up to the ball * swings at the ball * creates an impact This sets up this framework . . . I. Setup II. Swing III. Impact Within those roman numerals are eight fundamentals, obtained from Ben Hogan's book, Ben Hogan's Five Lessons: The Modern Fundamentals of Golf. The book, which began as a series of five articles that first appeared in the magazine Sports Illustrated on March 11, 1957, evolved into a book that was published in the latter part of 1957. You are encouraged to read or reread Five Lessons as Hogan's swing theory will become that much clearer. Each of the aforementioned eight fundamental is supported by quotes from some of the masters-Bobby Jones (who held degrees in English literature, engineering, and law), Gene Sarazen, Walter Hagen, Bryon Nelson, Sam Snead, Ben Hogan (Snead, Hogan, and Nelson were all born within seven months of one another in 1912. Collectively, they won almost 200 PGA tour events!). Countless players were inspired by these greats-Arnold Palmer, Jack Nicklaus, Gary Player, Billy Casper, Lee Trevino, Tom Watson; Northern California products: Tony Lema, Ken Venturi, Bob Rosburg, John Brodie, George Archer, Dick Lotz, John Lotz, Ron Cerrudo, Bob Boldt, Jim Wichers, Johnie Miller, Ray Leach, Ross Randle, Roger Maltbie, Forrest Fezler, Eric Batten, transplanted golf professional Shivas Irons, and many, many other great players. Let's not forget one who competed with Jones, Hagen, et Al.: Olin Dutra. From the Inside Out also includes quotes from one of golf's finest instructor, Percy Boomer. For those that learn visually, the pictures and diagrams alone will give you a greater understanding of the golf swing. The best part of purchasing this book? Eighty-eight percent of the proceeds from the sale of this book will be evenly distributed to the Ben Hogan Foundation, the Jim Langley Scholarship Fund, the Francis Ouimet Scholarship fund and the First Tee Program. The other 12 percent will go to the publisher, lawyers (of course) and what's left will go to green fees and gratuities. On a personal note, this book is worth the price of admission as it will give you a real glimpse at the crown prince of Golf, Walter Hagen.
Author: Henrik Reeh Publisher: MIT Press ISBN: 0262681633 Category : Architecture Languages : en Pages : 261
Book Description
Variations on the theme of the ornament in Kracauer's urban writings, suggesting ways in which the subjective can reappropraite urban life. For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In Ornaments of the Metropolis, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theater, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel Ginster, Written by Himself, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection Streets of Berlin and Elsewhere, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, Jacques Offenbach and the Paris of His Time shows how the superficial—in a sense, ornamental—milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.
Author: Claudia Hopkins Publisher: Routledge ISBN: 1351187651 Category : Art Languages : en Pages : 776
Book Description
Hot Art, Cold War – Northern and Western European Writing on American Art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. With the exception of those originally published in English, the majority of these texts are translated into English for the first time from eight languages, and are introduced by scholarly essays. They offer a representative selection of the diverse responses to American art in Great Britain, Ireland, France, Belgium, the Netherlands, West Germany (FRG), Austria, Switzerland, Denmark, Norway, Sweden, and Finland. There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural, and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism. This book, together with its companion volume Hot Art, Cold War – Southern and Eastern European Writing on American Art 1945-1990,, is a joint initiative of the Terra Foundation for American Art and the editors of the journal Art in Translation at the University of Edinburgh. The journal, launched in 2009, publishes English-language translations of the most significant texts on art and visual cultures presently only available only in their source language. It is committed to widening the perspectives of art history, making it more pluralist in terms of its authors, viewpoints, and subject matter.
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Author: Claudia Hopkins