Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download I Lost My Girlish Laughter PDF full book. Access full book title I Lost My Girlish Laughter by Jane Allen. Download full books in PDF and EPUB format.
Author: Jane Allen Publisher: Vintage ISBN: 1984897772 Category : Fiction Languages : en Pages : 224
Book Description
A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system. Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie. The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
Author: Jane Allen Publisher: Vintage ISBN: 1984897772 Category : Fiction Languages : en Pages : 224
Book Description
A lost literary gem of Hollywood in the 1930s, I Lost My Girlish Laughter is a thinly veiled send-up of the actors, producers, writers, and directors of the Golden Age of the studio system. Madge Lawrence, fresh from New York City, lands a job as the personal secretary to the powerful Hollywood producer Sidney Brand (based on the legendary David O. Selznick). In a series of letters home, Western Union telegrams, office memos, Hollywood gossip newspaper items, and personal journal entries, we get served up the inside scoop on all the shenanigans, romances, backroom deals, and betrayals that go into making a movie. The action revolves around the production of Brand's latest blockbuster, meant to be a star vehicle to introduce his new European bombshell (the real-life Marlene Dietrich). Nevermind that the actress can't act, Brands' negotiations with MGM to get Clark Gable to play the male lead are getting nowhere, and the Broadway play he's bought for the screenplay is reworked so that it is unrecognizable to its author. In this delicious satire of the film business, one is never very far from the truth of what makes Hollywood tick and why we all love it.
Author: J. E. Smyth Publisher: Oxford University Press ISBN: 019084082X Category : Performing Arts Languages : en Pages : 329
Book Description
This book on the history of Hollywood's high-flying career women during the studio era covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist.
Author: Ellie Kemper Publisher: Scribner ISBN: 1501163353 Category : Humor Languages : en Pages : 256
Book Description
Comedian and star of The Office and Unbreakable Kimmy Schmidt Ellie Kemper delivers a hilarious, refreshing, and inspiring collection of essays “teeming with energy and full of laugh-out-loud moments” (Associated Press). “A pleasure. Ellie Kemper is the kind of stable, intelligent, funny, healthy woman that usually only exists in yogurt commercials. But she’s real and she’s all ours!” —Tina Fey “Ellie is a hilarious and talented writer, although we’ll never know how much of this book the squirrel wrote.”—Mindy Kaling Meet Ellie, the best-intentioned redhead next door. You’ll laugh right alongside her as she shares tales of her childhood in St. Louis, whether directing and also starring in her family holiday pageant, washing her dad’s car with a Brillo pad, failing to become friends with a plump squirrel in her backyard, eating her feelings while watching PG-13 movies, or becoming a “sports monster” who ends up warming the bench of her Division 1 field hockey team in college. You’ll learn how she found her comedic calling in the world of improv, became a wife, mother and New Yorker, and landed the role of a bridesmaid (while simultaneously being a bridesmaid) in Bridesmaids. You’ll get to know and love the comic, upbeat, perpetually polite actress playing Erin Hannon on The Office, and the exuberant, pink-pants-wearing star of Unbreakable Kimmy Schmidt. If you’ve ever been curious about what happens behind the scenes of your favorite shows, what it really takes to be a soul cycle “warrior,” how to recover if you accidentally fall on Doris Kearns Goodwin or tell Tina Fey on meeting her for the first time that she has “great hair—really strong and thick,” this is your chance to find out. But it’s also a laugh-out-loud primer on how to keep a positive outlook in a world gone mad and how not to give up on your dreams. Ellie “dives fully into each role—as actor, comedian, writer, and also wife and new mom—with an electric dedication, by which one learns to reframe the picture, and if not exactly become a glass-half-full sort of person, at least become able to appreciate them” (Vogue.com).
Author: Jane Allen Publisher: Xlibris Corporation ISBN: 1462805000 Category : Biography & Autobiography Languages : en Pages : 217
Book Description
When Jeanne Holt meets Seymour Braman on July 4, 1936, sparks fly, and they feel an immediate connection in spite of their disparate backgrounds. Jeanne, a young Jewish woman from New York City, and Seymour, a WASP from an old New England family, met at Jeanne’s mother’s inn in Shelburne, New Hampshire where it all began. Jeanne’s daughter, Jane Allen, tells of the love that was woven from their two lives that is still felt through the generations. In so doing, she paints a portrait of a family’s life during the twentieth century.
Author: Matthew Rubery Publisher: Routledge ISBN: 1136733329 Category : Literary Criticism Languages : en Pages : 298
Book Description
This is the first scholarly work to examine the cultural significance of the "talking book" since the invention of the phonograph in 1877, the earliest machine to enable the reproduction of the human voice. Recent advances in sound technology make this an opportune moment to reflect on the evolution of our reading practices since this remarkable invention. Some questions addressed by the collection include: How does auditory literature adapt printed texts? What skills in close listening are necessary for its reception? What are the social consequences of new listening technologies? In sum, the essays gathered together by this collection explore the extent to which the audiobook enables us not just to hear literature but to hear it in new ways. Bringing together a set of reflections on the enrichments and impoverishments of the reading experience brought about by developments in sound technology, this collection spans the earliest adaptations of printed texts into sound by Charles Dickens, Thomas Hardy, and other novelists from the late nineteenth century to recordings by contemporary figures such as Toni Morrison and Barack Obama at the turn of the twenty-first century. As the voices gathered here suggest, it is time to give a hearing to one of the most talked about new media of the past century.
Author: J. E. Smyth Publisher: Oxford University Press ISBN: 0190840846 Category : Performing Arts Languages : en Pages : 352
Book Description
Looking back on her career in 1977, Bette Davis remembered with pride, "Women owned Hollywood for twenty years." She had a point. Between 1930 and 1950, over 40% of film industry employees were women, 25% of all screenwriters were female, one woman ran MGM behind the scenes, over a dozen women worked as producers, a woman headed the Screen Writers Guild three times, and press claimed Hollywood was a generation or two ahead of the rest of the country in terms of gender equality and employment. The first comprehensive history of Hollywood's high-flying career women during the studio era, Nobody's Girl Friday covers the impact of the executives, producers, editors, writers, agents, designers, directors, and actresses who shaped Hollywood film production and style, led their unions, climbed to the top during the war, and fought the blacklist. Based on a decade of archival research, author J.E. Smyth uncovers a formidable generation working within the American film industry and brings their voices back into the history of Hollywood. Their achievements, struggles, and perspectives fundamentally challenge popular ideas about director-based auteurism, male dominance, and female disempowerment in the years between First and Second Wave Feminism. Nobody's Girl Friday is a revisionist history, but it's also a deeply personal, collective account of hundreds of working women, the studios they worked for, and the films they helped to make. For many years, historians and critics have insisted that both American feminism and the power of women in Hollywood declined and virtually disappeared from the 1920s through the 1960s. But Smyth vindicates Bette Davis's claim. The story of the women who called the shots in studio-era Hollywood has never fully been told-until now.
Author: Anna Priemaza Publisher: Abrams ISBN: 1647002095 Category : Young Adult Fiction Languages : en Pages : 300
Book Description
A mind-bending YA novel about a world where everyone has a bit of magic in them—but some magic is being used to change the world in unspeakable ways Vera has a nagging feeling that she’s forgetting something. Not her keys or her homework—something bigger. Or someone. When she discovers her best friend Riven is experiencing the same strange feeling, they set out on a mission to uncover what’s going on. Everyone in Vera's world has a special ability—a little bit of magic that helps them through the day. Perhaps someone’s ability is interfering with their memory? Or is something altering their very reality? Vera and Riven intend to fix it and get back whatever or whomever they’ve lost. But how do you find the truth when you can’t even remember what you’re looking for in the first place? The Forgotten Memories of Vera Glass is a cleverly constructed, heartbreaking, and compelling contemporary YA novel with a slight fantasy twist about memory, love, grief, and the invisible bonds that tie us to each other.
Author: John Wiley Publisher: Rowman & Littlefield ISBN: 1589798732 Category : Biography & Autobiography Languages : en Pages : 535
Book Description
One month after her novel Gone With the Wind was published, Margaret Mitchell sold the movie rights for fifty thousand dollars. Fearful of what the studio might do to her story—“I wouldn’t put it beyond Hollywood to have . . . Scarlett seduce General Sherman,” she joked—the author washed her hands of involvement with the film. However, driven by a maternal interest in her literary firstborn and compelled by her Southern manners to answer every fan letter she received, Mitchell was unable to stay aloof for long. In this collection of her letters about the 1939 motion picture classic, readers have a front-row seat as the author watches the Dream Factory at work, learning the ins and outs of filmmaking and discovering the peculiarities of a movie-crazed public. Her ability to weave a story, so evident in Gone With the Wind,makes for delightful reading in her correspondence with a who’s who of Hollywood, from producer David O. Selznick, director George Cukor, and screenwriter Sidney Howard, to cast members Clark Gable, Vivien Leigh, Leslie Howard, Olivia de Havilland and Hattie McDaniel. Mitchell also wrote to thousands of others—aspiring actresses eager to play Scarlett O’Hara; fellow Southerners hopeful of seeing their homes or their grandmother’s dress used in the film; rabid movie fans determined that their favorite star be cast; and creators of songs, dolls and Scarlett panties who were convinced the author was their ticket to fame and fortune. During the film’s production, she corrected erring journalists and the producer’s over-the-top publicist who fed the gossip mills, accuracy be damned. Once the movie finished, she struggled to deal with friends and strangers alike who “fought and trampled little children and connived and broke the ties of lifelong friendship” to get tickets to the premiere. But through it all, she retained her sense of humor. Recounting an acquaintance’s denial of the rumor that the author herself was going to play Scarlett, Mitchell noted he “ungallantly stated that I was something like fifty years too old for the part.” After receiving numerous letters and phone calls from the studio about Belle Watling’s accent, the author related her father was “convulsed at the idea of someone telephoning from New York to discover how the madam of a Confederate bordello talked.” And in a chatty letter to Gable after the premiere, Mitchell coyly admitted being “feminine enough to be quite charmed” by his statement to the press that she was “fascinating,” but added: “Even my best friends look at me in a speculative way—probably wondering what they overlooked that your sharp eyes saw!” As Gone With the Wind marks its seventy-fifth anniversary on the silver screen, these letters, edited by Mitchell historian John Wiley, Jr., offer a fresh look at the most popular motion picture of all time through the eyes of the woman who gave birth to Scarlett.
Author: David Thomson Publisher: Vintage ISBN: 0679772839 Category : Biography & Autobiography Languages : en Pages : 482
Book Description
A New York Times Notable Book of the Year "Easily the best book on Orson Welles." --The New Yorker Orson Welles arrived in Hollywood as a boy genius, became a legend with a single perfect film, and then spent the next forty years floundering. But Welles floundered so variously, ingeniously, and extravagantly that he turned failure into "a sustaining tragedy"--his thing, his song. Now the prodigal genius of the American cinema finally has the biographer he deserves. For, as anyone who has read his novels and criticism knows, David Thomson is one of our most perceptive and splendidly opinionated writers on film. In Rosebud, Thomson follows the wild arc of Welles's career, from The War of the Worlds broadcast to the triumph of Citizen Kane, the mixed triumph of The Magnificent Ambersons, and the strange and troubling movies that followed. Here, too, is the unfolding of the Welles persona--the grand gestures, the womanizing, the high living, the betrayals. Thomson captures it all with a critical acumen and stylistic dash that make this book not so much a study of Welles's life and work as a glorious companion piece to them. "Insightful, controversial, and highly readable--Rosebud is biography at its best." --Cleveland Plain Dealer
Author: Jane Allen
Author: Jane Allen
Author: Jane Allen
Author: J. E. Smyth
Author: Ellie Kemper
Author: Jane Allen
Author: Matthew Rubery
Author: J. E. Smyth
Author: Anna Priemaza
Author: John Wiley
Author: David Thomson