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Author: Sara Hillnhuetter Publisher: Routledge ISBN: 1000365328 Category : Photography Languages : en Pages : 289
Book Description
This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media—media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.
Author: Sara Hillnhuetter Publisher: Routledge ISBN: 1000365328 Category : Photography Languages : en Pages : 289
Book Description
This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media—media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.
Author: Sara Hillnhuetter Publisher: Routledge ISBN: 100036528X Category : Photography Languages : en Pages : 200
Book Description
This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media—media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.
Author: Eric Nagy Publisher: Lulu.com ISBN: 1312582650 Category : Art Languages : en Pages : 107
Book Description
Philadelphia Hybrid Photography is a different take on the before and after concept. I take historic photographs and digitally merge them with current photos I've taken from the exact same location. Same exact spot, completely different eras.
Author: Ralph W. Lambrecht Publisher: Taylor & Francis ISBN: 0240816250 Category : Photography Languages : en Pages : 562
Book Description
An inspirational bible for monochrome photography - this second edition almost doubles the content of its predecessor showing you the path from visualization to print
Author: Sara Hillnhuetter Publisher: Bloomsbury Visual Arts ISBN: 9781501341656 Category : Photography Languages : en Pages : 304
Book Description
With the advent of photography, images became the object of scholarly research in a new way. The collective singular term photography encapsulated a peculiar hybridity from the very beginning, deriving from a variety of manual and visual techniques that were transferred to the medium. Traditional forms of portrayal remained part of it, just as much as technical innovation that stoked expectations of hitherto unimagined images and insights. Hence, since its origins with N.Niepce, W.H.F Talbot and L.J.M Daguerre, photography has exploited other reproductive techniques or has been judged by their standards, for example through the use of typographic media, materials and processes or comparing the system of grey scale reproduction to that of graphic reproduction. Against this background, the supposedly easy-to-define, technological reproduction method that is photography turns out to be surprisingly heterogenous in the way it is concretely practised, both with regard to the production processes of the different techniques and the appearance of pictures generated in this fashion, and finally the circulation and use of these images as media of discovery and proof. This realisation demonstrates that in photography, the individual details of the technical process are just as important as the respective use of the pictures. The ability ascribed to photography to represent reality regardless of the inadequacies of the human hand turns out to be empirically dubious. For the establishment of an understanding of photography as a hybrid, in which the photographic is not an ontological core that was changed, contaminated or, in the worst case, falsified by non-photographic practices. That photography is a hybrid is, in fact, regarded as its necessary condition- at least in its scientific use in chains of representation or montage. Hence, the authors of the volume examine the thesis that significance constitutes itself from the scientific use of photography, when assigned to a certain context.
Author: Jose Villa Publisher: Amphoto Books ISBN: 081744971X Category : Photography Languages : en Pages : 162
Book Description
Many semi-pro and professional wedding photographers are looking to "wake up" their style, stay current, and stimulate business. And today, that means lifestyle photography, also referred to as "fine art wedding photography." Fine art wedding photography isn't just a catchy phrase; it's a modern approach in which design is paramount. Fine art wedding images are more graphic and stylized than traditional wedding photojournalism, as if they were pulled from the pages of a glossy wedding or lifestyle magazine. Acclaimed wedding photographer Jose Villa was a pioneer in fine art wedding photography before it became a trendy buzzword. Here, he shares his secrets for bringing a stylized sense of composition, lighting, posing, and most important, design, to your images, while still keeping them organic and narrative. You’ll learn Jose’s trademark technique of capturing the more natural moment after a pose, and tips for getting images right in-camera to avoid the need for heavy postproduction. Final chapters show you how to integrate design through the delivered product, whether an album or slideshow, and continue nurturing clients after the wedding by expanding to baby and family portraiture. Packed with real-life examples, solid techniques, and stunning images from one of the wedding industry's brightest stars, this book will both educate and inspire photographers seeking to update their work and satisfy a new generation of brides.
Author: Nathan Cool Publisher: ISBN: 9781549739361 Category : Languages : en Pages : 142
Book Description
From gear to editing, composition, lighting, settings, techniques and more, real estate photographer Nathan Cool provides a comprehensive guide for shooting high-quality interior real estate photography from start to finish. Learn how to not just take, but also "make" great real estate interior photos with an efficient workflow and cost-effective tools to speed up your shooting and editing processes. With over 70 color images showing real-world examples, screen shots and diagrams, you'll learn the principles that Nathan Cool and many other professional real estate photographers apply to their work. Far from being a dry academic tome, this book shows practical techniques that prove profitable for a real estate photography business. See how you can stand out from today's crowd of camera clickers and show clients you charge like a pro because you shoot like one.
Author: Lance Keimig Publisher: Taylor & Francis ISBN: 1136097252 Category : Photography Languages : en Pages : 282
Book Description
Night photographers have one big thing in common: a true love of the dark. Rather than looking at night photography as an extension of daytime shooting with added complications, they embrace the unique challenges of nocturnal photography for the tremendous wealth of creative opportunities it offers. That's just what this book does. But if the idea of setting out into the deep, dark night with just your camera (and maybe a cup of coffee) gets your creative juices flowing, dive right in. Lance Keimig, one of the premier experts on night photography, has put together a comprehensive reference that will show you ways to capture images you never thought possible. If you have some experience with photography and have always wanted to try shooting at night, you'll learn the basics for film or digital shooting. If you're already a seasoned pro, you'll learn to use sophisticated techniques such as light painting and drawing, stacking images to create long star trails, and more. A chapter on the history of night photography describes the materials and processes that made night photography possible, and introduces the photographers who have defined night photography as an artistic medium. A chapter on how to use popular software packages such as Lightroom and Photoshop specifically with night time shots shows you how to make the final adjustments to your nocturnal creations. In this book you'll find history, theory, and lots of practical instruction on technique, all illustrated with clear, concise examples, diagrams and charts that reinforce the text, and inspiring color and black and white images from the author and other luminaries in the field, including Scott Martin, Dan Burkholder, Tom Paiva, Troy Paiva, Christian Waeber, Jens Warnecke and Cenci Goepel, with Foreword by Steve Harper.
Author: C.D. Wright Publisher: Copper Canyon Press ISBN: 1619321068 Category : Poetry Languages : en Pages : 114
Book Description
“Wright has found a way to wed fragments of an iconic America to a luminously strange idiom, eerie as a tin whistle, which she uses to evoke the haunted quality of our carnal existence.”—The New Yorker Inspired by numerous visits inside Louisiana state prisons—where MacArthur Fellow C.D. Wright served as a “factotum” for a portrait photographer—One Big Self bears witness to incarcerated men and women and speaks to the psychic toll of protracted time passed in constricted space. It is a riveting mosaic of distinct voices, epistolary pieces, elements from a moralistic board game, road signage, prison data, inmate correspondence, and “counts” of things—from baby’s teeth to chigger bites: Count your folding money Count the times you said you wouldn’t go back Count your debts Count the roaches when the light comes on Count your kids after the housefire One Big Self—originally published as a large-format limited edition that featured photographs and text—was selected by The New York Times and The Village Voice as a notable book of the year. This edition features the poem exclusively. C.D. Wright is the author of ten books of poetry, including several collaborations with photographer Deborah Luster. She is a professor at Brown University.