Official Gazette of the United States Patent and Trademark Office PDF Download

Author:
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 674

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Author: Ziauddin Sardar
Publisher: Red Wheel Weiser
ISBN: 1609259335
Category : Political Science
Languages : en
Pages : 409

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A hard-hitting sequel and companion piece to the international bestseller Why Do People Hate America?. The book begins its examination of the state of American society with the California Gubernatorial Election of 2003. The victory of Hollywood superstar Arnold Schwarzenegger in that election is more than the triumph of a populist candidate—it is a telling indicator of how an uninformed people has been misled by a political illusion. This is fantasy politics, and it is set to unfold across the US in the future. It is, therefore, a vital concern for people everywhere. How American democracy is understood and enacted in the United States is an essential guide to how its nation-building efforts abroad operate. The authors argue that the failures of American democracy at home—its increasing reliance on fantasy versions of reality—are blueprints for its failures overseas. What America cannot resolve at home, as much as how it constructs and operates its foreign policy, makes the world a more unstable and dangerous place for everyone. The authors diagnose these failures as “Schwar-zenegger’s Laws.” These laws allow us to understand how Hollywood’s global superstar was elected to office, not as a reaction against political failure but as the pure expression of an enduring and disturbing thread of fantasy within American politics, culture and society. As a political candidate, Schwarzenegger did not need to create a conventional political platform—he had only to present himself, for he was already an oven-ready candidate, an established persona with a set of values defined by his films which provided him with a definable policy stance in the public imagination. With America now the lone hyperpower, “Schwarzenegger’s Laws” affect every citizen of every country.

Author:
Publisher:
ISBN:
Category : Charitable uses, trusts, and foundations
Languages : en
Pages : 368

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Author: Dominic Broomfield-McHugh
Publisher: Oxford University Press
ISBN: 019750342X
Category : Performing Arts
Languages : en
Pages : 665

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Since the release of Baz Luhrmann's Moulin Rouge! in 2001, the film musical has returned to popularity as one of the most important cinematic genres, a box office hit that appeals to audiences of all ages. Yet the history of the musical on film goes back over seven decades earlier than that, stretching from early examples like The Jazz Singer (1927), the first ever film with synchronized sound, through the Astaire-Rogers musicals of the 1930s, the MGM and Warner Brothers extravaganzas of the 1940s and '50s, and the roadshow era of the 1960s. The genre's renaissance with La La Land (2016) and The Greatest Showman (2017) proves that it remains as appealing as ever, capable of both high critical acclaim and widespread box office success. The Oxford Handbook of the Hollywood Musical, curated by editor Dominic Broomfield-McHugh, reflects and expands on current scholarship on the film musical in a handbook that mixes new discoveries through archival research with new perspectives on familiar titles. It addresses issues such as why audiences accept people bursting into song in musicals; how technology affects the way numbers are staged; and how writers have adapted their material to suit certain stars. It also looks at critical issues such as racism and sexism, and assesses the role and nature of the film musical in the twenty-first century. A remarkable survey at the cutting edge of the field, The Oxford Handbook of the Hollywood Musical will be a resource for students and scholars alike for years to come.

Author: Danny Shipka
Publisher: McFarland
ISBN: 0786486090
Category : Performing Arts
Languages : en
Pages : 350

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The exploitation film industry of Italy, Spain and France during the height of its popularity from 1960 to 1980 is the focus of this entertaining history. With subject matter running the gamut from Italian zombies to Spanish werewolves to French lesbian vampires, the shocking and profoundly entertaining motion pictures of the "Eurocult" genre are discussed from the standpoint of the films and the filmmakers, including such internationally celebrated auteurs as Mario Bava, Jess Franco, Jean Rollin and Paul Naschy. The Eurocult phenomenon is also examined in relation to the influences that European culture and environment have had on the world of exploitation cinema. The author's insight and expertise contribute to a greater understanding of what made these films special--and why they have remained so popular to later generations.

Author: Elizabeth Amisu
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 228

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An essential companion to Michael Jackson's music, films, and books, this work offers 21 original, academic essays on all things Jackson-from film, music, and dance to fashion, culture, and literature. Going well beyond the average celebrity biography, this comprehensive book looks at why Jackson is regarded as one of the most important musicians of our time, offering insights into every facet of his art, life, and artistic afterlife. It looks at the methods by which his work was created, presented, received, and appropriated; discusses Jackson's varied personas along with his public and private appearances, albums, conceptual art, short films, and dance; and considers his use of costume, makeup, and reinvention. To help readers understand the phenomenon that was-and is-Michael Jackson, the book focuses on Jackson's historical context through an analysis of his films, songs, and books, examining him as an artist and shedding light on the political and ideological debates that surrounded him. Not shying away from the controversial aspects of Jackson's life and legacy, it also tackles questions of sexuality and racism, gender, and class, comparing Jackson to artists ranging from J. S. Bach to Andy Warhol. Through its examination of Jackson's entire catalog, the work connects all the aspects of his art and life to exemplify-and explain-the performer's unparalleled influence in the 20th and 21st centuries.

Author: C. Edward Wall
Publisher:
ISBN:
Category : Audio-visual education
Languages : en
Pages : 784

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Author: Rikke Schubart
Publisher: McFarland
ISBN: 0786435585
Category : History
Languages : en
Pages : 293

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Real war is a cruel theater of death, yet it is also an exciting narrative exploited for national, political and commercial purposes and turned into numerous films, television shows, computer games, news stories and reenactment plays. These essays examine the relationship between war, visual media and entertainment from a number of academic perspectives. Key topics include how war is used as an imaginary site to stage dramas; how boundaries between war, media, and entertainment dissolve as new media alters the formal qualities of representation; how entertainment is used to engage audiences; and what effect products of war and entertainment have on consumers of popular culture.

Author: John T. Aquino
Publisher: McFarland
ISBN: 1476646562
Category : Performing Arts
Languages : en
Pages : 273

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Book Description
As early as the Silent Era, movie studios were sued over depictions of real people and events. Filmmakers have always altered the details of true stories and actual persons, living or dead, to make narratives more workable and characters more compelling. When truth and fantasy become inextricably mixed, the effect on people's lives can be significant, even devastating. This expanded second edition presents an updated history of legal issues surrounding the on-screen embellishment of reality, with a focus on important court decisions and the use of disclaimers. Seventeen courtroom dramas are given fact-versus-fiction analyses, and the The Perfect Storm (1991) is covered in extensive detail. A concluding chapter is devoted to actors who became so identified with fictionalized characters that they sought exclusive rights to those personas.

Author: John Caruana
Publisher: SUNY Press
ISBN: 1438470177
Category : Performing Arts
Languages : en
Pages : 308

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Explores a growing number of films and filmmakers that challenge the strict boundaries between belief and unbelief. For some time now, thinkers across the humanities and social sciences have increasingly called into question the once-dominant view of the relationship between modernity and secularism, prompting some to speak of a “postsecular turn.” Until now, film studies has largely been silent about this development, even though cinema itself has been a major vehicle for such reflection. This fact became inescapable in 2011 when Terrence Malick’s The Tree of Life and Lars von Trier’s Melancholia were released within days of each other. While these two audacious and controversial films present seemingly opposite perspectives—the former a thoughtful meditation on faith, the latter a portrayal of nontriumphalist atheism—together they raise critical questions about transcendence and immanence in modern life. These films are, however, only the most conspicuous of a growing body of works that call forth similar and related questions—what this collection aptly calls “postsecular cinema.” Taking the nearly simultaneous release of The Tree of Life and Melancholia as its starting point and framing device, this pioneering collection sets out to establish the idea of postsecular cinema as a distinct body of films and a viable critical category. Adopting a film-philosophy approach, one group of essays examines Malick’s and von Trier’s films, while another looks at works by Chantal Akerman, Denys Arcand, the Dardenne brothers, and John Michael McDonagh, among others. The volume closes with two important interviews with Luc Dardenne and Jean-Luc Nancy that invite us to reflect more deeply on some of the central concerns of postsecular cinema.