Hundert Jahre "Abstraktion und Einfühlung" PDF Download

Author: Norberto Gramaccini
Publisher: Brill Fink
ISBN: 9783770553020
Category : Aesthetics, German
Languages : de
Pages : 288

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Wilhelm Worringers »Beitrag zur Stilpsychologie« Abstraktion und Einfühlung war gar nicht als aktuelle Programmschrift geplant und doch prägte er das Verständnis der Moderne nachhaltig.Schon von Zeitgenossen wurde das Begriffspaar im Titel als die Signatur der expressionistischen Epoche und der Abstraktion schlechthin interpretiert. Ursprünglich als Dissertation geschrieben, erlebte das Buch zahlreiche Neuauflagen. Die Rezeption ging weit über die wissenschaftlichen Grenzen hinaus: Künstlern, Kunstkritikern und Literaten diente das Werk als theoretischer Steinbruch für eigene Konzepte. Hundert Jahre »Abstraktion und Einfühlung« rekonstruiert nun die Entstehungs- und Wirkungsgeschichte. Gefragt wird nach den Kontinuitäten in Worringers späteren Schriften und nach den Mechanismen der Rezeption in Wissenschaft, Kunst und Kunsttheorie.

Author: KimberlyA. Smith
Publisher: Routledge
ISBN: 1351544721
Category : Art
Languages : en
Pages : 374

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During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.

Author: Christine Hopfengart
Publisher: Hatje Cantz Verlag
ISBN: 3775747192
Category : Art
Languages : en
Pages : 345

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Paul Klee (1879–1940) ist einer der bedeutendsten Vertreter der modernen Kunst. Er schuf ein ebenso universales wie individuelles Werk, das zwischen allen Strömungen und Ismen seiner Zeit steht. Sein gewaltiges malerisches, zeichnerisches und bildnerisches Œuvre, seine Briefe und Tagebuchaufzeichnungen und nicht zuletzt seine pädagogischen Notizen bilden den Hintergrund für diese pointierte Darstellung zu Leben und Werk des meditativen Künstlers und visuellen Denkers. Der reich bebilderte Band zeichnet Klees bewegte Biografie nach und spannt den Bogen von Klees künstlerischen Anfängen mit karikaturistischen Zeichnungen und Akten über seine Begegnung mit der Avantgarde und die berühmten Aquarelle der Tunisreise oder die abstrakten Farbkompositionen der Bauhaus-Zeit bis zu den geheimnisvollen Bildfindungen seiner letzten Jahre in Bern.

Author: Gregor Fitzi
Publisher: Routledge
ISBN: 1000195716
Category : Philosophy
Languages : en
Pages : 424

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The Routledge International Handbook of Simmel Studies documents the richness, variety, and creativity of contemporary international research on Georg Simmel’s work. Starting with the established role of Simmel as a classical author of sociology, and including the growing interest in his work in the domain of philosophy, this volume explores the research on Simmel in several further disciplines including art, social aesthetics, literature, theatre, essayism, and critical theory, as well as in the debates on cosmopolitanism, economic pathologies of life, freedom, modernity, religion, and nationalism. Bringing together contributions from leading specialists in research on Simmel, the book is thematically arranged in order to highlight the relevance of his oeuvre for different fields of recent research, with a further section tracing the most important paths that Simmel’s reception has taken in the world. As such, it will appeal to scholars across the social sciences and humanities, and to sociologists, philosophers, and social theorists in particular, with interest in Simmel’s thought.

Author:
Publisher:
ISBN:
Category : German philology
Languages : en
Pages : 188

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Author: Thomas Petraschka
Publisher: Taylor & Francis
ISBN: 1000960374
Category : Philosophy
Languages : en
Pages : 389

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This volume critically discusses the role empathy plays in different processes of understanding. More precisely, it clarifies empathy’s role in interpersonal understanding and appreciating works of literature and art. The volume also includes a section on historical theories of empathy’s role in understanding. When it comes to understanding other persons, empathy is typically seen as a process that enables the empathizer to recognize a target person’s mental states, a process which is in turn seen as “understanding” this person. This volume, however, explores empathy’s role in understanding beyond mere mental state recognition. With contributions on processes of interpersonal understanding and understanding of literature and art, it provides readers with an overview over both differences and similarities regarding empathy’s epistemic role in two rather different areas. Since important roots of the debate about empathic understanding lie at the end of the nineteenth and the beginning of the twentieth century, the historical section of the volume focusses specifically on this period. Empathy’s Role in Understanding Persons, Literature, and Art will appeal to scholars and advanced students working in the philosophy of mind, epistemology, aesthetics and the history of philosophy, as well as in literary studies and art history.

Author: Thomas W. Gaehtgens
Publisher: Getty Publications
ISBN: 160606570X
Category : History
Languages : en
Pages : 298

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As the site of royal coronations, Reims cathedral was a monument to French national history and identity. But after German troops bombed the cathedral during World War I, it took on new meaning. The French reimagined it as a martyr of civilization, as the rupture between the warring states. Despite a history of mutual respect, the bombing of the cathedral caused all social, scientific, artistic, and cultural ties between Germany and France to be severed for decades. The resulting battle of words and images stressed the differences between German Kultur and French civilisation. Artists and intelligentsia caricatured this entrenched cultural dichotomy, influencing portrayals of the two nations in the international press. This book explores the structure’s breadth of meaning in symbolic, art historical, and historical arenas, including competing claims over the origins of Gothic art and architecture as national style and issues of monument preservation and restoration. It highlights how vulnerable art is during war, and how the destruction of nation-al monuments can set the tone for international conflict—once again a timely and pressing issue. Thomas W. Gaehtgens articulates how these nations began to mend their relationship in the decades after World War II, starting with the courageous vision of Charles de Gaulle and Konrad Adenauer, and how the cathedral of Reims was eventually transformed into a site of reconciliation and European unification.

Author: Wilhelm Worringer
Publisher:
ISBN: 9783770544349
Category : Aesthetics
Languages : de
Pages : 178

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Author: A. Licia Carlson
Publisher: Lexington Books
ISBN: 1498506518
Category : Philosophy
Languages : en
Pages : 362

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Phenomenology and the Arts develops the interplay between phenomenology as a historical movement and a descriptive method within Continental philosophy and the arts. Divided into five themes, the book explores first how the phenomenological method itself is a kind of artistic endeavor that mirrors what it approaches when it turns to describe paintings, dramas, literature, and music. From there, the book turns to an analysis and commentary on specific works of art within the visual arts, literature, music, and sculpture. Contributors analyze important historical figures in phenomenology—Kant, Hegel, Husserl, Heidegger, and Merleau-Ponty. But there is also a good deal of work on art itself—Warhol, Klee, jazz, and contemporary and renaissance artists and artworks. Edited by Peter R. Costello and Licia Carlson, this book will be of interest to students in philosophy, the arts, and the humanities in general, and scholars of phenomenology will notice incredibly rich, groundbreaking research that helps to resituate canonical figures in phenomenology with respect to what their works can be used to describe.

Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 484

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