Author: James E. Caron
Publisher: Penn State Press
ISBN: 0271090332
Category : Humor
Languages : en
Pages : 357
Book Description
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
Satire as the Comic Public Sphere
Author: James E. Caron
Publisher: Penn State Press
ISBN: 0271090332
Category : Humor
Languages : en
Pages : 357
Book Description
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
Publisher: Penn State Press
ISBN: 0271090332
Category : Humor
Languages : en
Pages : 357
Book Description
Stephen Colbert, Samantha Bee, John Oliver, and Jimmy Kimmel—these comedians are household names whose satirical takes on politics, the news, and current events receive some of the highest ratings on television. In this book, James E. Caron examines these and other satirists through the lenses of humor studies, cultural theory, and rhetorical and social philosophy, arriving at a new definition of the comic art form. Tracing the history of modern satire from its roots in the Enlightenment values of rational debate, evidence, facts, accountability, and transparency, Caron identifies a new genre: “truthiness satire.” He shows how satirists such as Colbert, Bee, Oliver, and Kimmel—along with writers like Charles Pierce and Jack Shafer—rely on shared values and on the postmodern aesthetics of irony and affect to foster engagement within the comic public sphere that satire creates. Using case studies of bits, parodies, and routines, Caron reveals a remarkable process: when evidence-based news reporting collides with a discursive space asserting alternative facts, the satiric laughter that erupts can move the audience toward reflection and possibly even action as the body politic in the public sphere. With rigor, humor, and insight, Caron shows that truthiness satire pushes back against fake news and biased reporting and that the satirist today is at heart a citizen, albeit a seemingly silly one. This book will appeal to anyone interested in and concerned about public discourse in the current era, especially researchers in media studies, communication studies, political science, and literary and cultural studies.
Lamb
Author: Christopher Moore
Publisher: Harper Collins
ISBN: 0061798231
Category : Fiction
Languages : en
Pages : 468
Book Description
Everyone knows about the immaculate conception and the crucifixion. But what happened to Jesus between the manger and the Sermon on the Mount? In this hilarious and bold novel, the acclaimed Christopher Moore shares the greatest story never told: the life of Christ as seen by his boyhood pal, Biff. Just what was Jesus doing during the many years that have gone unrecorded in the Bible? Biff was there at his side, and now after two thousand years, he shares those good, bad, ugly, and miraculous times. Screamingly funny, audaciously fresh, Lamb rivals the best of Tom Robbins and Carl Hiaasen, and is sure to please this gifted writer’s fans and win him legions more.
Publisher: Harper Collins
ISBN: 0061798231
Category : Fiction
Languages : en
Pages : 468
Book Description
Everyone knows about the immaculate conception and the crucifixion. But what happened to Jesus between the manger and the Sermon on the Mount? In this hilarious and bold novel, the acclaimed Christopher Moore shares the greatest story never told: the life of Christ as seen by his boyhood pal, Biff. Just what was Jesus doing during the many years that have gone unrecorded in the Bible? Biff was there at his side, and now after two thousand years, he shares those good, bad, ugly, and miraculous times. Screamingly funny, audaciously fresh, Lamb rivals the best of Tom Robbins and Carl Hiaasen, and is sure to please this gifted writer’s fans and win him legions more.
The Function of Humour in Roman Verse Satire
Author: Maria Plaza
Publisher: OUP Oxford
ISBN: 0191535842
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Maria Plaza sets out to analyse the function of humour in the Roman satirists Horace, Persius, and Juvenal. Her starting point is that satire is driven by two motives, which are to a certain extent opposed: to display humour, and to promote a serious moral message. She argues that, while the Roman satirist needs humour for his work's aesthetic merit, his proposed message suffers from the ambivalence that humour brings with it. Her analysis shows that this paradox is not only socio-ideological but also aesthetic, forming the ground for the curious, hybrid nature of Roman satire.
Publisher: OUP Oxford
ISBN: 0191535842
Category : Literary Criticism
Languages : en
Pages : 384
Book Description
Maria Plaza sets out to analyse the function of humour in the Roman satirists Horace, Persius, and Juvenal. Her starting point is that satire is driven by two motives, which are to a certain extent opposed: to display humour, and to promote a serious moral message. She argues that, while the Roman satirist needs humour for his work's aesthetic merit, his proposed message suffers from the ambivalence that humour brings with it. Her analysis shows that this paradox is not only socio-ideological but also aesthetic, forming the ground for the curious, hybrid nature of Roman satire.
On the Discourse of Satire
Author: Paul Simpson
Publisher: John Benjamins Publishing
ISBN: 9027295999
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This book advances a model for the analysis of contemporary satirical humour. Combining a range of theoretical frameworks in stylistics, pragmatics and discourse analysis, Simpson examines both the methods of textual composition and the strategies of interpretation for satire. Verbal irony is central to the model, in respect of which Simpson isolates three principal “ironic phases” that shape the uptake of satirical humour. Throughout the book, consistent emphasis is placed on satire’s status as a culturally situated discursive practice, while the categories of the model proposed are amply illustrated with textual examples. A notable feature of the book is a chapter on the legal implications of using satirical humour as a weapon of attack in the public domain. A book where Jonathan Swift meets Private Eye magazine, this entertaining and thought-provoking study will interest those working in stylistics, humorology, pragmatics and discourse analysis. It also has relevance for forensic discourse analysis, and for media, literary and cultural studies.
Publisher: John Benjamins Publishing
ISBN: 9027295999
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
This book advances a model for the analysis of contemporary satirical humour. Combining a range of theoretical frameworks in stylistics, pragmatics and discourse analysis, Simpson examines both the methods of textual composition and the strategies of interpretation for satire. Verbal irony is central to the model, in respect of which Simpson isolates three principal “ironic phases” that shape the uptake of satirical humour. Throughout the book, consistent emphasis is placed on satire’s status as a culturally situated discursive practice, while the categories of the model proposed are amply illustrated with textual examples. A notable feature of the book is a chapter on the legal implications of using satirical humour as a weapon of attack in the public domain. A book where Jonathan Swift meets Private Eye magazine, this entertaining and thought-provoking study will interest those working in stylistics, humorology, pragmatics and discourse analysis. It also has relevance for forensic discourse analysis, and for media, literary and cultural studies.
This Is That
Author: Chris Kelly
Publisher:
ISBN: 9780995258907
Category :
Languages : en
Pages : 160
Book Description
From the creators of CBC radio's This is That; Pat Kelly, Chris Kelly and Peter Oldring.From CBC Radio's most beloved satirical comedy team comes This is That: Travel Guide to Canada, a hilariously outrageous parody of the travel guide genre and what it means to visit Canada. Searching for a weekend away with the kids? This is That: Travel Guide to Canada will teach you how to navigate the twelve petting zoos of Etobicoke and how to avoid pickpockets in Kamloops. Planning your summer holiday? Keep in mind that the city of Brandon, Manitoba, is closed for annual maintenance between July 12 and August 19 and that tipping your server in Swift Current is offensive. Presented in the familiar casing of a traditional travel guidebook, � la Lonely Planet or Rough Guide, This is That: Travel Guide to Canada takes readers on a farcical - and unbelievable - journey from coast to coast to coast to coast to coast. This faux guide also includes essential travel tips, such as useful Canadian phrases to locate the bathroom, best places to portage, and most spectacular malls above sea level.
Publisher:
ISBN: 9780995258907
Category :
Languages : en
Pages : 160
Book Description
From the creators of CBC radio's This is That; Pat Kelly, Chris Kelly and Peter Oldring.From CBC Radio's most beloved satirical comedy team comes This is That: Travel Guide to Canada, a hilariously outrageous parody of the travel guide genre and what it means to visit Canada. Searching for a weekend away with the kids? This is That: Travel Guide to Canada will teach you how to navigate the twelve petting zoos of Etobicoke and how to avoid pickpockets in Kamloops. Planning your summer holiday? Keep in mind that the city of Brandon, Manitoba, is closed for annual maintenance between July 12 and August 19 and that tipping your server in Swift Current is offensive. Presented in the familiar casing of a traditional travel guidebook, � la Lonely Planet or Rough Guide, This is That: Travel Guide to Canada takes readers on a farcical - and unbelievable - journey from coast to coast to coast to coast to coast. This faux guide also includes essential travel tips, such as useful Canadian phrases to locate the bathroom, best places to portage, and most spectacular malls above sea level.
Satire, Comedy and Mental Health
Author: Dieter Declercq
Publisher: Emerald Publishing Limited
ISBN: 9781839096679
Category : Humor
Languages : en
Pages : 124
Book Description
Satire, Comedy, and Mental Health examines how satire helps to sustain good mental health in a troubled socio-political world. Through an interdisciplinary dialogue and a close analysis of satire in various media, the book argues that satire helps us cope in a sick world through its ambiguous combination of critique and entertainment.
Publisher: Emerald Publishing Limited
ISBN: 9781839096679
Category : Humor
Languages : en
Pages : 124
Book Description
Satire, Comedy, and Mental Health examines how satire helps to sustain good mental health in a troubled socio-political world. Through an interdisciplinary dialogue and a close analysis of satire in various media, the book argues that satire helps us cope in a sick world through its ambiguous combination of critique and entertainment.
Irony and Outrage
Author: Dannagal Goldthwaite Young
Publisher: Oxford University Press, USA
ISBN: 0190913088
Category : Mass media
Languages : en
Pages : 282
Book Description
This text explores the aesthetics, underlying logics, and histories of two seemingly distinct genres - liberal political satire and conservative opinion talk - making the case that they should be thought of as the logical extensions of the psychology of the left and right, respectively.
Publisher: Oxford University Press, USA
ISBN: 0190913088
Category : Mass media
Languages : en
Pages : 282
Book Description
This text explores the aesthetics, underlying logics, and histories of two seemingly distinct genres - liberal political satire and conservative opinion talk - making the case that they should be thought of as the logical extensions of the psychology of the left and right, respectively.
5,000 Great One Liners
Author: Grant Tucker
Publisher: Biteback Publishing
ISBN: 1849544824
Category : Reference
Languages : en
Pages : 355
Book Description
My mate told me that I just don't understand irony. Which was ironic because we were at a bus stop at the time. A dyslexic man walks into a bra. An onion just told me a joke. I don't know whether to laugh or cry. A priest, a rabbi and a blind man walk into a bar and the bartender says, 'What is this, some kind of joke?' I got chatting to a lumberjack in a pub. He seemed like a decent feller. I'll never forget what my granddad said to me just before he kicked the bucket. He said, 'Grandson, how far do you think I can kick this bucket?' Whether told in the rugby clubs of Wales or the gentlemen's clubs of London, their sharpness and simplicity unites us all. Short, sweet and wickedly clever, they hold a special place in the annals of comedy, and as the Twitter age heralds a resurrection of the art form, there seems no better time to celebrate the immortal one-liner. In this riveting read, Times diary columnist Grant Tucker does just that, bringing together 5,000 of the funniest one-liners ever told in one definitive volume. Laugh-out-loud funny, 5,000 Great One-Liners has all the quips, zingers, puns and wisecracks you'll ever need - and a whole lot more.
Publisher: Biteback Publishing
ISBN: 1849544824
Category : Reference
Languages : en
Pages : 355
Book Description
My mate told me that I just don't understand irony. Which was ironic because we were at a bus stop at the time. A dyslexic man walks into a bra. An onion just told me a joke. I don't know whether to laugh or cry. A priest, a rabbi and a blind man walk into a bar and the bartender says, 'What is this, some kind of joke?' I got chatting to a lumberjack in a pub. He seemed like a decent feller. I'll never forget what my granddad said to me just before he kicked the bucket. He said, 'Grandson, how far do you think I can kick this bucket?' Whether told in the rugby clubs of Wales or the gentlemen's clubs of London, their sharpness and simplicity unites us all. Short, sweet and wickedly clever, they hold a special place in the annals of comedy, and as the Twitter age heralds a resurrection of the art form, there seems no better time to celebrate the immortal one-liner. In this riveting read, Times diary columnist Grant Tucker does just that, bringing together 5,000 of the funniest one-liners ever told in one definitive volume. Laugh-out-loud funny, 5,000 Great One-Liners has all the quips, zingers, puns and wisecracks you'll ever need - and a whole lot more.
A Modest Proposal
Author: Jonathan Swift
Publisher: Modernista
ISBN: 9180949193
Category : Literary Collections
Languages : en
Pages : 14
Book Description
In one of the most powerful and darkly satirical works of the 18th century, a chilling solution is proposed to address the dire poverty and overpopulation plaguing Ireland. Jonathan Swift presents a shockingly calculated and seemingly rational argument for using the children of the poor as a food source, thereby addressing both the economic burden on society and the issue of hunger. This provocative piece is a masterful example of irony and social criticism, as it exposes the cruel attitudes and policies of the British ruling class towards the Irish populace. Jonathan Swift's incisive critique not only underscores the absurdity of the proposed solution but also serves as a profound commentary on the exploitation and mistreatment of the oppressed. A Modest Proposal remains a quintessential example of satirical literature, its biting wit and moral indignation as relevant today as it was at the time of its publication. JONATHAN SWIFT [1667-1745] was an Anglo-Irish author, poet, and satirist. His deadpan satire led to the coining of the term »Swiftian«, describing satire of similarly ironic writing style. He is most famous for the novel Gulliver’s Travels [1726] and the essay A Modest Proposal [1729].
Publisher: Modernista
ISBN: 9180949193
Category : Literary Collections
Languages : en
Pages : 14
Book Description
In one of the most powerful and darkly satirical works of the 18th century, a chilling solution is proposed to address the dire poverty and overpopulation plaguing Ireland. Jonathan Swift presents a shockingly calculated and seemingly rational argument for using the children of the poor as a food source, thereby addressing both the economic burden on society and the issue of hunger. This provocative piece is a masterful example of irony and social criticism, as it exposes the cruel attitudes and policies of the British ruling class towards the Irish populace. Jonathan Swift's incisive critique not only underscores the absurdity of the proposed solution but also serves as a profound commentary on the exploitation and mistreatment of the oppressed. A Modest Proposal remains a quintessential example of satirical literature, its biting wit and moral indignation as relevant today as it was at the time of its publication. JONATHAN SWIFT [1667-1745] was an Anglo-Irish author, poet, and satirist. His deadpan satire led to the coining of the term »Swiftian«, describing satire of similarly ironic writing style. He is most famous for the novel Gulliver’s Travels [1726] and the essay A Modest Proposal [1729].
Laughing at Architecture
Author: Michela Rosso
Publisher: Bloomsbury Publishing
ISBN: 1350022764
Category : Architecture
Languages : en
Pages : 291
Book Description
In a media-saturated world, humour stands out as a form of social communication that is especially effective in re-appropriating and questioning architectural and urban culture. Whether illuminating the ambivalences of metropolitan life or exposing the shock of modernisation, cartoons, caricature, and parody have long been potent agents of architectural criticism, protest and opposition. In a novel contribution to the field of architectural history, this book outlines a survey of visual and textual humour as applied to architecture, its artefacts and leading professionals. Employing a wide variety of visual and literary sources (prints, the illustrated press, advertisements, theatrical representations, cinema and TV), thirteen essays explore an array of historical subjects concerning the critical reception of projects, buildings and cities through the means of caricature and parody. Subjects range from 1750 to the present, and from Europe and the USA to contemporary China. From William Hogarth and George Cruikshank to Osbert Lancaster, Adolf Loos' satire, and Saul Steinberg's celebrated cartoons of New York City, graphic and descriptive humour is shown to be an enormously fruitful, yet largely unexplored terrain of investigation for the architectural and urban historian.
Publisher: Bloomsbury Publishing
ISBN: 1350022764
Category : Architecture
Languages : en
Pages : 291
Book Description
In a media-saturated world, humour stands out as a form of social communication that is especially effective in re-appropriating and questioning architectural and urban culture. Whether illuminating the ambivalences of metropolitan life or exposing the shock of modernisation, cartoons, caricature, and parody have long been potent agents of architectural criticism, protest and opposition. In a novel contribution to the field of architectural history, this book outlines a survey of visual and textual humour as applied to architecture, its artefacts and leading professionals. Employing a wide variety of visual and literary sources (prints, the illustrated press, advertisements, theatrical representations, cinema and TV), thirteen essays explore an array of historical subjects concerning the critical reception of projects, buildings and cities through the means of caricature and parody. Subjects range from 1750 to the present, and from Europe and the USA to contemporary China. From William Hogarth and George Cruikshank to Osbert Lancaster, Adolf Loos' satire, and Saul Steinberg's celebrated cartoons of New York City, graphic and descriptive humour is shown to be an enormously fruitful, yet largely unexplored terrain of investigation for the architectural and urban historian.